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Glass Coaster : Spinola lets break down the walls of Mulheim, 1614, Jan Luyken, Pieter van der Aa (I)

Spinola lets break down the walls of Mulheim, 1614, Jan Luyken, Pieter van der Aa (I)




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Spinola lets break down the walls of Mulheim, 1614, Jan Luyken, Pieter van der Aa (I)

Spinola lets break down the walls of Mulheim, 1614, Jan Luyken, Pieter van der Aa (I), 1698

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12720497

© Quint Lox Limited

1698 Break Capture City Jan Luyken Pieter Van Der Aa Siege Walls Spinola


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 5.3cm (3" x 2.1")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
In this print titled "Spinola lets break down the walls of Mulheim, 1614" we are transported back in time to witness a pivotal moment in history. The image, captured by Quint Lox from Liszt Collection, showcases the incredible artistic talents of Jan Luyken and Pieter van der Aa (I) as they bring to life an intense city siege. The scene is set in Mulheim during the year 1614 when Spinola, a renowned military leader, takes charge and decides to break down the formidable walls that have long protected the city. With meticulous attention to detail, Luyken and van der Aa skillfully depict every aspect of this dramatic event. As we gaze upon this print, we can almost feel the tension and anticipation in the air. The crumbling walls symbolize not only physical barriers being torn apart but also represent a metaphorical breaking down of boundaries and limitations. Luyken's masterful use of light and shadow adds depth and intensity to each figure present on both sides of the conflict. We see soldiers fiercely engaged in battle while civilians watch with bated breath from their homes. This powerful image serves as a reminder that history is not just about dates or names; it is about real people who lived through extraordinary events. Through Quint Lox's lens, we are granted access to a significant moment frozen in time – one that continues to resonate with us today.

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