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Glass Coaster : Study Full-length Male Statue Sketchbook ca 1860
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Study Full-length Male Statue Sketchbook ca 1860
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14010599
© Copyrighted
133 Cm 1830–1910 1860 5 1 4 8 1 8 American Sculpture Bison Classically Dean Figures Henry Kirke Brown Horseback Include Indians Influenced Intimate Look John Quincy Adams Ward Methods Mingled Number Ohio Page Sketchbook Sketches Student Study Urbana Ward Working
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 6.2cm x 7.6cm (2.4" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases a remarkable piece of art history, the "Study Full-length Male Statue Sketchbook ca 1860" by John Quincy Adams Ward. The artist, an influential figure in American sculpture, hails from Urbana, Ohio and later made his mark in New York City. This particular sketchbook offers us an intimate look into Ward's creative process and working methods. Within its pages, we find a collection of meticulously crafted graphite sketches that reveal Ward's mastery over the human form. Influenced by classical aesthetics, his figures exude grace and strength. However, what sets this sketchbook apart is the inclusion of unexpected elements such as Native Americans on horseback and a number of bison. As we delve deeper into these sketches, we witness how Ward skillfully blends different subjects together to create thought-provoking compositions. His ability to seamlessly merge classical influences with scenes from the American West demonstrates his artistic versatility. The "Study Full-length Male Statue Sketchbook ca 1860" serves as a testament to Ward's talent as both an artist and student under Henry Kirke Brown. It allows us to appreciate the meticulousness behind each stroke of graphite on paper while offering insight into the creative mind of one of America's most renowned sculptors.
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