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Glass Coaster : Ruins Temple Sun Moon Colosseum drawing Thomas Wijck
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Ruins Temple Sun Moon Colosseum drawing Thomas Wijck
Ruins of the Temple of the Sun and the Moon at the Colosseum, Ruins of the Temple of the Sun and the Moon at the Colosseum after a drawing by Thomas Wijck. Below text in the margin Du Cabinet de Mr Poulain, landscape with ruins, Rome, Bartholomeus Breenbergh (possibly), 1626 - 1659 and/or 1700 - 1800, paper, etching, h 140 mm × w 110 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19537795
© Artokoloro
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Estimated Image Size (if not cropped) is 6.2cm x 7.6cm (2.4" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the mesmerizing ruins of the Temple of the Sun and the Moon at the Colosseum, beautifully captured after a drawing by Thomas Wijck. The intricate details and delicate lines in this etching bring to life the ancient architecture that once stood proudly in Rome. The composition is further enriched by a landscape with ruins, possibly created by Bartholomeus Breenbergh, adding an additional layer of depth and history to this artwork. The juxtaposition of these two elements creates a sense of timelessness, as if we are witnessing both past and present simultaneously. Displayed within Mr Poulain's cabinet, this print holds immense cultural significance. It serves as a testament to mankind's fascination with preserving remnants from our past civilizations. Through artistry and skillful technique, Wijck has immortalized these iconic Roman landmarks for generations to come. Measuring 140mm in height and 110mm in width on paper, this etching invites viewers into a world where imagination meets reality. Its presence evokes curiosity about what stories lie behind those crumbling walls and weathered stones. While it is important not to mention commercial use or any specific company associated with this print, one cannot deny its potential impact as an exquisite addition to any art collection or personal space.
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