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Glass Coaster : A satirical Japanese cartoon depicting a giant Japanese soldier standing on top of China and blowing away flimsy Chinese structures. Japanese woodblock by Kiyochika Kobayashi, c1895
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A satirical Japanese cartoon depicting a giant Japanese soldier standing on top of China and blowing away flimsy Chinese structures. Japanese woodblock by Kiyochika Kobayashi, c1895
SINO-JAPANESE WAR, c1895.
A satirical Japanese cartoon depicting a giant Japanese soldier standing on top of China and blowing away flimsy Chinese structures. Japanese woodblock by Kiyochika Kobayashi, c1895
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7959599
1895 Anti Chinese Bayonet Blow China Chinese Debris Destruction Giant Japan Japanese Kiyochika Kobayashi Meiji Political Rubble Satire Structure Westernization Wood Block
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.3cm x 7.6cm (2.1" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This powerful and thought-provoking print captures a satirical Japanese cartoon from the late 19th century, during the Sino-Japanese War of 1895. Created by Kiyochika Kobayashi, a renowned Japanese woodblock artist, this artwork depicts a giant Japanese soldier towering over China, blowing away flimsy Chinese structures with ease. The image serves as a political commentary on the conflict between Japan and China at that time. The exaggerated size of the soldier symbolizes Japan's military might and dominance over its neighbor. The destruction of Chinese structures represents Japan's perceived superiority in terms of technology and modernization. Through satire and symbolism, this cartoon highlights the complex dynamics between these two nations during an era marked by Western influence and rapid societal changes in both countries. It reflects tensions arising from Japan's efforts to westernize itself while simultaneously asserting its power over China. Kobayashi's woodblock technique adds depth to this composition, capturing intricate details such as rubble, debris, and even a bayonet held by the giant soldier. This print not only showcases his artistic skill but also serves as historical documentation of anti-Chinese sentiment prevalent during that period. As we reflect upon this image today, it reminds us of the importance of understanding historical context when interpreting art. It prompts us to question power dynamics between nations throughout history while acknowledging how art can be used as a tool for political expression.
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