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Glass Coaster : Spring, 1643 (etching)
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Spring, 1643 (etching)
XJF407355 Spring, 1643 (etching) by Hollar, Wenceslaus (1607-77); Private Collection; (add.info.: from a set of 4 female figures symbolising the four seasons; background shows a mansion with walled garden, identified in 2010 as Tart Hall, near St. Jamess Park; house purchased in 1633 by Aletheia Talbot, Countess of Arundel (c.1582-1654) wife of the Collector Earl and herself a noted collector and connoisseur; Tart Hall was remodelled for her by George Gage (c.1582-1638) in Palladian style and housed her collection; from 1641-43 also home of Hollar; demolished c.1726; see also 407359; ); Czech, out of copyright
Media ID 12875974
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Bouquet Coach Curls Hope Promise Silk Tulips Verses Walled Garden Poems Verse
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.5cm x 7.6cm (2.2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This etching, titled "Spring, 1643" by Wenceslaus Hollar takes us back to a time of elegance and beauty. The print showcases one of four female figures symbolizing the four seasons, with Spring being the focal point. In the background, we see a magnificent mansion surrounded by a walled garden, later identified as Tart Hall near St. James's Park. Tart Hall was once owned by Aletheia Talbot, Countess of Arundel, an esteemed collector and connoisseur in her own right. She had this Palladian-style house remodeled for her by George Gage and housed her impressive collection within its walls. From 1641-43, it also served as Hollar's residence before its eventual demolition in 1726. The artwork itself is filled with symbolism and intricate details that transport us to this enchanting era. A bouquet of tulips adorns the woman's hand while she sits elegantly in a coach pulled by majestic horses. Her silk dress flows gracefully around her as she holds a fan delicately in her hand. With verses of poetry scattered throughout the print, it exudes hope and promise for the coming season. The curls framing her face add to her allure while roses bloom nearby signifying love and beauty. This remarkable piece captures not only fashion trends but also serves as a window into history—a testament to Hollar's skill as an artist capturing both physical beauty and deeper meaning through his artistry.
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