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The new room - Marianne with her face covered in a phrygian cap - Marianne dressed in a
XEE4156907 The new room - Marianne with her face covered in a phrygian cap - Marianne dressed in a dress in two parts: one red side and the other side decor with fleur-de-lis - (The cartoon refers to the political division between republicans and monarchists) - drawing by Jean Veber (1868-1928) Le rire du 2 juillet 1898 by Veber, Jean (1868-1928); Private Collection; (add.info.: The new room - Marianne with her face covered in a phrygian cap - Marianne dressed in a dress in two parts: one red side and the other side decor with fleur-de-lis - (The cartoon refers to the political division between republicans and monarchists) - drawing by Jean Veber (1868-1928) Le rire du 2 juillet 1898); Stefano Bianchetti; French, out of copyright
Media ID 22750014
© Stefano Bianchetti / Bridgeman Images
Depute Lily Flower Marianne Opposition Parliament Republic Woman Symbol A Journal
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Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
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Estimated Image Size (if not cropped) is 5.4cm x 7.6cm (2.1" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The New Room - A Political Allegory in Art
EDITORS COMMENTS
. This print captures a thought-provoking cartoon by Jean Veber, titled "The New Room". The central figure is Marianne, the symbol of France, with her face concealed beneath a Phrygian cap. She stands tall and proud, dressed in a striking dress divided into two parts. One side is vibrant red, representing the republicans, while the other side is adorned with fleur-de-lis motifs that symbolize the monarchists. Veber's drawing cleverly alludes to the political division between these opposing factions during his time. The Phrygian cap worn by Marianne has long been associated with liberty and revolution in France. It signifies her allegiance to republican ideals and resistance against monarchical rule. The dress itself serves as an allegorical representation of this political divide. The stark contrast between red and fleur-de-lis highlights the conflicting ideologies within French society at that time. Through this artwork, Veber skillfully conveys his commentary on the ongoing struggle for power between republicans and monarchists within parliament. Marianne becomes both a woman symbolizing opposition to monarchy and a representative of France herself. This fascinating engraving by Stefano Bianchetti offers us a glimpse into historical events through artistry. It reminds us of how visual representations can convey complex ideas about politics and society while also showcasing artistic talent from another era.
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