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Glass Coaster : The Afghan Boundary Commission: The Russian and British Commissioners at Zulfikar

The Afghan Boundary Commission: The Russian and British Commissioners at Zulfikar




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The Afghan Boundary Commission: The Russian and British Commissioners at Zulfikar

BAL127828 The Afghan Boundary Commission: The Russian and British Commissioners at Zulfikar, Fixing the Site of the First Boundary Post, 12th November, engraved by R. Taylor, from The Illustrated London News, 1st September 1886 (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: boundaries drawn up by Russia and Britain; ); English, out of copyright

Media ID 12694449

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Dividing Planning


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 5.1cm (3" x 2")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This photograph captures a significant moment in history - "The Afghan Boundary Commission: The Russian and British Commissioners at Zulfikar". Taken on the 12th of November, this image showcases the delicate negotiations between two powerful nations as they work together to fix the site of the first boundary post. Engraved by R. Taylor, this print from The Illustrated London News provides a glimpse into an era when boundaries were being drawn up by Russia and Britain. It serves as a reminder of their influence and control over geopolitical matters during that time. In this scene, we see soldiers from both sides standing side by side with maps and plans spread out before them. Their serious expressions reflect the weightiness of their task - dividing lands and planning borders that would shape future generations. Richard Caton Woodville II's attention to detail is evident in every stroke, capturing not only the physicality but also the tension in the air. This engraving transports us back to a pivotal moment where diplomacy meets strategy on foreign soil. As we gaze upon this historical artifact, it reminds us of how political landscapes have evolved over time. It prompts contemplation about our own boundaries today – both physical and metaphorical – inviting us to reflect on how they shape our world.

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