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The Plenipotentiaries at the Congress of Baden, September 1714 (oil on canvas)
XIR229548 The Plenipotentiaries at the Congress of Baden, September 1714 (oil on canvas) by Huber, Johann Rudolph the Elder (1668-1748); 112x148 cm; ChAteau de Versailles, France; (add.info.: Treaty between France and the Holy Roman Empire, who had been at war since the War of the Spanish Succession; Les Plenipotentiares au Congres de Bade; on the left are the French signatories, Claude Hector Louis (1653-1734) Duc de Villars, Charles-Francois, Comte de Vintimille du Luc, Dominique Barberie de Saint-Contest and M. du Theil; on the right the Imperial envoys, Eugene Prince of Savoy (1663-1736) (Eugene de Savoie-Carignan), Graf Johann Peter Goes, Johann Friedrich, Graf von Seilern and Bendenrieter von Adelshausen; treaty complemented the earlier Treaties of Utrecht and Rastatt; Prince Eugene wears the Order of the Golden Fleece; ); Swiss, out of copyright
Media ID 12766144
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Estimated Image Size (if not cropped) is 7.6cm x 6cm (3" x 2.4")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Plenipotentiaries at the Congress of Baden, September 1714" is a captivating oil on canvas painting by Johann Rudolph Huber. This historical artwork, measuring 112x148 cm, is housed in the prestigious Château de Versailles in France. The painting depicts a significant diplomatic meeting between representatives from France and the Holy Roman Empire. The Congress of Baden took place after years of conflict during the War of the Spanish Succession. In this momentous gathering, peace negotiations were underway to bring an end to hostilities between these two powerful entities. On the left side of the composition stand French signatories including Claude Hector Louis Duc de Villars and Charles-François Comte de Vintimille du Luc among others. On the right side are Imperial envoys such as Eugene Prince of Savoy and Graf Johann Peter Goes. The painting captures not only these influential figures but also provides insight into their attire and surroundings. The diplomats are depicted wearing elaborate wigs, symbolizing their status and importance. A dog can be seen near them, perhaps representing loyalty or companionship amidst tense negotiations. This group portrait serves as a testament to diplomacy and peacemaking efforts during a time when Europe was ravaged by war. It complements earlier treaties like those signed in Utrecht and Rastatt, ultimately paving the way for stability in this tumultuous period. Huber's masterful brushwork brings this historic event to life with intricate details that transport viewers back to that crucial moment in September 1714.
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