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Glass Coaster : Les Saltimbanques, illustration from La caricature magazine, 28 April 1839
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Les Saltimbanques, illustration from La caricature magazine, 28 April 1839
XJF397977 Les Saltimbanques, illustration from La caricature magazine, 28 April 1839 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: Travelling performers ; caricature featuring some of leading figures in literary, musical and artistic France, including (L to R) Jules Janin (1804-74) influential drama critic for the Journal des Debats, the sculptor David d Angers (1788-1856). Victor Hugo (1802-85), the painter Paul Delaroche (1797-1856); the conductor waving the baton is Maitre Bilboquet ; ); French, out of copyright
Media ID 12874479
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Estimated Image Size (if not cropped) is 6.4cm x 7.6cm (2.5" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This black and white lithograph, titled "Les Saltimbanques" is a remarkable illustration from the renowned French magazine La caricature. Created by the talented artist Honore Daumier in 1839, this print showcases a group of traveling performers known as saltimbanques. In this satirical artwork, Daumier skillfully captures some of the leading figures in literary, musical, and artistic France during that time. From left to right, we see Jules Janin, an influential drama critic for the Journal des Debats; David d'Angers, a prominent sculptor; Victor Hugo, the celebrated writer; and Paul Delaroche, a renowned painter. The conductor waving his baton with flair is none other than Maitre Bilboquet. The composition exudes irony and satire as it humorously portrays these esteemed individuals engaging in playful antics on stage. With their exaggerated costumes and comical expressions, they embody the spirit of entertainment while subtly commenting on societal norms. This fascinating piece offers a glimpse into 19th-century French culture and its vibrant artistic scene. It serves as both an amusing caricature of notable personalities and a testament to Daumier's exceptional talent for capturing human character through his art. Displayed here is just one example from Daumier's extensive body of work that continues to inspire artists and art enthusiasts alike.
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