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Glass Coaster : The Triumph of Music, c. 1820 (w / c, pen & ink over wash on paper)
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The Triumph of Music, c. 1820 (w / c, pen & ink over wash on paper)
XYC258604 The Triumph of Music, c.1820 (w/c, pen & ink over wash on paper) by Burney, Edward Francis (1760-1848); 30.8x46 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12774223
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Behind Concert Empire Dress False Gossip Gossiping Rear Snuff Tricorn Hat Whisper Regency Spoof
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 5cm (3" x 2")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
The Triumph of Music
EDITORS COMMENTS
is a captivating print that transports us back to the regency era, offering a glimpse into the world of music and satire. Created by Edward Francis Burney in 1820, this artwork showcases his mastery of watercolor, pen and ink techniques on paper. In this scene, we find ourselves behind the scenes of a musical concert, where musicians don tricorn hats and elegant empire dresses. The artist's satirical touch becomes evident as he playfully spoofs the aristocracy through exaggerated caricatures. Gossiping figures whisper false rumors while others indulge in snuff, adding an air of intrigue to the composition. The detailed depiction invites us to explore every corner of this lively setting. The musicians' instruments are skillfully rendered, capturing their passion for music amidst all the commotion. The use of washes adds depth and dimension to each character and object within the frame. As we delve deeper into "The Triumph of Music" it becomes clear that Burney intended not only to entertain but also to critique societal norms with his clever satire. This print serves as a reminder that art has always been a powerful tool for commentary throughout history. Displayed at Yale Center for British Art as part of Paul Mellon Collection in USA, this piece continues to captivate viewers with its wit and artistic brilliance. Its timeless appeal transcends generations, reminding us that even centuries later, art can still evoke laughter and contemplation alike.
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