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Glass Coaster : Julius Terentius Performing a Sacrifice, A. D. 239 (paint on plaster)
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Julius Terentius Performing a Sacrifice, A. D. 239 (paint on plaster)
6200720 Julius Terentius Performing a Sacrifice, A.D. 239 (paint on plaster) by Roman, (3rd century AD); 107x165x10.2 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: The burning of incense was an act of worship in both Near Eastern and Roman sanctuaries. Commissioned by Roman tribune of Dura-Europos Julius Terentius (identified by Latin inscription) mixing Greek, Roman and Palmyrene, perhaps for diplomacy. Before a military standard, Terentius stands with his men, Palmyrenes in Roman military attire. Themes, son of Mokimos, identified in Greek as a priest. The Tychai of Dura and Palmyra are shown in Hellenistic style incorporating some Near Eastern features.); out of copyright
Media ID 22339112
© Bridgeman Images
Archeological Colony Dura Europos Levant Levantine Palmyra Palmyrene Province Provincial Syria Syrian Tadmor Tadmur Worshipper
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 5.2cm (3" x 2")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print of "Julius Terentius Performing a Sacrifice, A. D. 239" transports us back to the ancient Roman era, offering a glimpse into the rich tapestry of religious and cultural practices of that time. The image showcases Julius Terentius, a Roman tribune from Dura-Europos, engaged in an act of worship through the burning of incense. Standing before a military standard with his men by his side, Terentius embodies the fusion of Greek, Roman, and Palmyrene influences – perhaps an intentional diplomatic gesture. The inscription identifies him as the son of Mokimos and highlights his role as a priest. The artwork seamlessly blends Hellenistic style with Near Eastern elements, depicting statues representing Tychai (goddesses associated with fortune) from both Dura and Palmyra. These figures stand tall amidst soldiers adorned in nimbate cuirasses and helmets – symbols of power and protection. This remarkable piece not only sheds light on religious rituals but also provides insights into the intricate dynamics between different cultures within the vast Roman Empire. It serves as evidence for the existence of thriving provincial communities like Palmyra in Asia during this period. Preserved at Yale University Art Gallery in New Haven, CT, USA, this archaeological treasure continues to captivate viewers today. Its historical significance lies not only in its artistic beauty but also in its ability to transport us back to an era where diverse cultures converged under one empire's influence – creating a fascinating blend that still resonates centuries later.
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