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Glass Coaster : The natives of Iyugu preparing themselves for war, 1890 (wood engraving)

The natives of Iyugu preparing themselves for war, 1890 (wood engraving)




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The natives of Iyugu preparing themselves for war, 1890 (wood engraving)

KW441403 The natives of Iyugu preparing themselves for war, 1890 (wood engraving) by Forestier, Amedee (1854-1930); Private Collection; (add.info.: Illustration from In Darkest Africa by Sir Henry Morton Stanley, published 1890; ); Ken Welsh; English, out of copyright

Media ID 12882315

© www.bridgemanimages.com

Arrows Bows Darkest Henry Morton Stanley Huts Jungle Raid Raiding Spears Natives


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 5cm (3" x 2")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This wood engraving, titled "The natives of Iyugu preparing themselves for war, 1890" transports us back to a time of tribal conflict and exploration in Africa. Created by Amedee Forestier in the late 19th century, this print offers a glimpse into the lives of indigenous people as they ready themselves for battle. In this scene, we see a cluster of traditional huts nestled within the dense jungle. The atmosphere is tense and charged with anticipation as men armed with bows, arrows, and spears gather together. Their faces are marked with determination and resolve; their bodies adorned with intricate patterns that speak to their cultural heritage. "The natives of Iyugu" highlights the resilience and strength exhibited by these African tribes during times of warfare. It serves as a reminder that even amidst adversity, communities come together to protect what is dear to them. This wood engraving originally appeared in Sir Henry Morton Stanley's book "In Darkest Africa" published in 1890. Its inclusion within this historical account underscores its significance as an illustration depicting not only tribal life but also European exploration during this period. As we gaze upon this image today, it invites us to reflect on our shared human history while acknowledging the diversity and richness found within different cultures across the globe.

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