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Witchcraft Collection (page 15)

"Witchcraft: Unveiling the Dark Mysteries of History" Delving into the depths of history

Background imageWitchcraft Collection: Cover of Charles Perraults tale 'La belle au bois dormant'

Cover of Charles Perraults tale "La belle au bois dormant"
LSE4112162 Cover of Charles Perraults tale " La belle au bois dormant". by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageWitchcraft Collection: A witch causes a storm after 'Historia de gentis nortentrionalibu'

A witch causes a storm after "Historia de gentis nortentrionalibu"
GIA4755615 A witch causes a storm after " Historia de gentis nortentrionalibu"s by Olaus Magnus, Rome 1555 by Unknown Artist

Background imageWitchcraft Collection: Sabbath scene, a sorcerer presides over the ceremony summoning creatures in a magical

Sabbath scene, a sorcerer presides over the ceremony summoning creatures in a magical
GIA4811091 Sabbath scene, a sorcerer presides over the ceremony summoning creatures in a magical cauldron. Witches attend the scene

Background imageWitchcraft Collection: A demon kisses a witch. 16th century German xylography

A demon kisses a witch. 16th century German xylography
GIA4811097 A demon kisses a witch. 16th century German xylography by Unknown Artist, (16th century); Private Collection; (add.info.: A demon kisses a witch)

Background imageWitchcraft Collection: The Legend of Cutty Sark after Robert Burnss poem: the dance of witches

The Legend of Cutty Sark after Robert Burnss poem: the dance of witches
GIA4790476 The Legend of Cutty Sark after Robert Burnss poem: the dance of witches. Engraving of the 19th century by Unknown Artist

Background imageWitchcraft Collection: A patient in consultation with the agni (or anyi, Ivory Coast)

A patient in consultation with the agni (or anyi, Ivory Coast)
LSE4335529 A patient in consultation with the agni (or anyi, Ivory Coast), the doctor sorcerer performs a dance, after placing a fetiche in front of the patient lies

Background imageWitchcraft Collection: A feticheur, sorcerer able to use the magic force of fetiches, drawing by D

A feticheur, sorcerer able to use the magic force of fetiches, drawing by D
LSE4331261 A feticheur, sorcerer able to use the magic force of fetiches, drawing by D.Maillart, to illustrate the story of a trip to Gabon and the Ogoue River, in 1875-1877, by Alfred Marche

Background imageWitchcraft Collection: A sorcerer engages in magical operations on a slaughtered beef in Uganda

A sorcerer engages in magical operations on a slaughtered beef in Uganda
LSE4325291 A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Spekes voyage of discovery in Africa from 1860 to 1863

Background imageWitchcraft Collection: Circe, 17th century (oil on canvas)

Circe, 17th century (oil on canvas)
JLJ4665911 Circe, 17th century (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 124x97 cm; Louvre, Paris, France; Photo ePhoto Josse; Italian, out of copyright

Background imageWitchcraft Collection: Sorcerer pulling cards to a girl of Ischia or fortune teller

Sorcerer pulling cards to a girl of Ischia or fortune teller
JLJ4687954 Sorcerer pulling cards to a girl of Ischia or fortune teller. Painting by Claude Bonnefond (1796-1860), 1830. Oil on canvas. Compiegne

Background imageWitchcraft Collection: Hopkins, the Witch Finder (engraving)

Hopkins, the Witch Finder (engraving)
811038 Hopkins, the Witch Finder (engraving) by English School, (19th century); Private Collection; (add.info.: Hopkins, the Witch Finder)

Background imageWitchcraft Collection: A Witches Sabbath, c. 1650 (oil on panel)

A Witches Sabbath, c. 1650 (oil on panel)
2970573 A Witches Sabbath, c.1650 (oil on panel) by Saftleven, Cornelis (1607-81); 54.3x78.2 cm; The Art Institute of Chicago, IL, USA; George F. Porter Collection; Dutch, out of copyright

Background imageWitchcraft Collection: Witch with her cat familiar (woodcut)

Witch with her cat familiar (woodcut)
3245502 Witch with her cat familiar (woodcut) by English School, (17th century); Private Collection; Peter Newark Pictures; English, out of copyright

Background imageWitchcraft Collection: Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas)

Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas)
656579 Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas) by Gris, Juan (1887-1927); 33x41 cm; Private Collection; (add.info.: Book and Fruit Bowl; Livre et Compotier)

Background imageWitchcraft Collection: Saul and the Witch of Endor, 1791 (oil on canvas)

Saul and the Witch of Endor, 1791 (oil on canvas)
489079 Saul and the Witch of Endor, 1791 (oil on canvas) by Loutherbourg, Philip James (Jacques) de (1740-1812); 123.8x99.8 cm; Private Collection; (add.info)

Background imageWitchcraft Collection: Renaud in the arms of Armide, 1730-39 (oil on canvas)

Renaud in the arms of Armide, 1730-39 (oil on canvas)
XIR390310 Renaud in the arms of Armide, 1730-39 (oil on canvas) by Loo, Jean-Baptiste van (1684-1745); 130x200 cm; Musee des Beaux-Arts, Angers

Background imageWitchcraft Collection: Joan of Arc (c. 1412-31)

Joan of Arc (c. 1412-31)
RWS15304 Joan of Arc (c.1412-31) by Gilbert, John (1817-97); Trustees of the Royal Watercolour Society, London, UK; eRoyal Watercolour Society; English, out of copyright

Background imageWitchcraft Collection: Four Naked Women, or The Witches, 1497 (engraving)

Four Naked Women, or The Witches, 1497 (engraving)
CH376586 Four Naked Women, or The Witches, 1497 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; Photo eChristies Images; German, out of copyright

Background imageWitchcraft Collection: The duchess of Gloucester does penance

The duchess of Gloucester does penance
LLM339253 The duchess of Gloucester does penance by Doyle, James William Edmund (1822-92); Private Collection; (add.info.: The duchess of Gloucester does penance)

Background imageWitchcraft Collection: The Witches, 1897 (oil on canvas)

The Witches, 1897 (oil on canvas)
CH402195 The Witches, 1897 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); 95x120.4 cm; Private Collection; (add.info.: Die Hexen; ); Photo eChristies Images; German

Background imageWitchcraft Collection: Baptism by the Devil, copy of an illustration from Compendium Maleficarum

Baptism by the Devil, copy of an illustration from Compendium Maleficarum
STC205005 Baptism by the Devil, copy of an illustration from Compendium Maleficarum by Fr M Guaccius, Milan 1608, used in History of Magic

Background imageWitchcraft Collection: The Witches Sabbath, copy of an illustration from Tableau de l

The Witches Sabbath, copy of an illustration from Tableau de l
STC202562 The Witches Sabbath, copy of an illustration from Tableau de l inconstance des mauvais anges by Pierre de Lancre, Paris 1612, used in a History of Magic

Background imageWitchcraft Collection: A witch frightens a man with a cudgel, c. 1790s (coloured engraving)

A witch frightens a man with a cudgel, c. 1790s (coloured engraving)
STC202577 A witch frightens a man with a cudgel, c.1790s (coloured engraving) by English School, (18th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWitchcraft Collection: Ideal Portrait of Guido Bonatti, copy of an illustration from Liber Chronicarum

Ideal Portrait of Guido Bonatti, copy of an illustration from Liber Chronicarum
STC225714 Ideal Portrait of Guido Bonatti, copy of an illustration from Liber Chronicarum by Hartmann Schedel, 1493, used in A History of Magic late 19th Century (engraving) by German School

Background imageWitchcraft Collection: Voodoo Altar (mixed media)

Voodoo Altar (mixed media)
HSC209809 Voodoo Altar (mixed media) by Haitian School; Horniman Museum, London, UK; Photo eHeini Schneebeli; Haitian, out of copyright

Background imageWitchcraft Collection: A Shaman from Krasnoiarsk, 18th century (coloured engraving)

A Shaman from Krasnoiarsk, 18th century (coloured engraving)
CHT163377 A Shaman from Krasnoiarsk, 18th century (coloured engraving) by Russian School (18th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; Russian, out of copyright

Background imageWitchcraft Collection: Veal heart pricked with pins, found c. 1900 in a tomb in Montmartre cemetery, Paris

Veal heart pricked with pins, found c. 1900 in a tomb in Montmartre cemetery, Paris
CHT163092 Veal heart pricked with pins, found c.1900 in a tomb in Montmartre cemetery, Paris by French School, (19th century); Musee de l Institut Medico-legal, Paris

Background imageWitchcraft Collection: Alla va eso (There it goes), plate 66 of Los Caprichos

Alla va eso (There it goes), plate 66 of Los Caprichos
CHT163128 Alla va eso (There it goes), plate 66 of Los Caprichos, late 18th (colour engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

Background imageWitchcraft Collection: Fatality, 1893 (chalk & pencil on paper)

Fatality, 1893 (chalk & pencil on paper)
JHG179920 Fatality, 1893 (chalk & pencil on paper) by Toorop, Jan Theodore (1858-1928); 60x75 cm; Rijksmuseum Kroller-Muller, Otterlo, Netherlands; Dutch, out of copyright

Background imageWitchcraft Collection: The Witches Sabbath, the month of January for a magic calendar published in

The Witches Sabbath, the month of January for a magic calendar published in
CHT173750 The Witches Sabbath, the month of January for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi

Background imageWitchcraft Collection: The Spell, c. 1870 (charcoal on paper)

The Spell, c. 1870 (charcoal on paper)
CJP107712 The Spell, c.1870 (charcoal on paper) by English School, (19th century); Private Collection; eCharles Plante Fine Arts; English, out of copyright

Background imageWitchcraft Collection: Witch Preparing a Love Philtre, c. 1840 (litho) (b / w photo)

Witch Preparing a Love Philtre, c. 1840 (litho) (b / w photo)
CHT200400 Witch Preparing a Love Philtre, c. 1840 (litho) (b/w photo) by Gavarni, Paul (1804-66) (after); Bibliotheque des Arts Decoratifs, Paris

Background imageWitchcraft Collection: Scenes of Witchcraft: Morning, c. 1645-49 (oil on canvas)

Scenes of Witchcraft: Morning, c. 1645-49 (oil on canvas)
XOS5879299 Scenes of Witchcraft: Morning, c.1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH

Background imageWitchcraft Collection: The Witches, 1510 (woodcut)

The Witches, 1510 (woodcut)
5858420 The Witches, 1510 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38.9A--27 cm; Metropolitan Museum of Art, New York, USA; (add.info.: second of two states); German, out of copyright

Background imageWitchcraft Collection: Poison business. Affair of the poisons

Poison business. Affair of the poisons
5975387 Poison business. Affair of the poisons. by French School, (17th century); Private Collection; (add.info.: Story. France. Poison business)

Background imageWitchcraft Collection: Exhibition of a Madegasse child devoted to death. 1811

Exhibition of a Madegasse child devoted to death. 1811
LSE4078919 Exhibition of a Madegasse child devoted to death. 1811 by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageWitchcraft Collection: Negre of the Cote d Or (Ghana) throwing a curse on the passage of his enemy. 1811

Negre of the Cote d Or (Ghana) throwing a curse on the passage of his enemy. 1811
LSE4078916 Negre of the CA'te d Or (Ghana) throwing a curse on the passage of his enemy. 1811 by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageWitchcraft Collection: 'There is a flock of yellow birds around her head'(engraving)

"There is a flock of yellow birds around her head"(engraving)
984450 " There is a flock of yellow birds around her head" (engraving) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Background imageWitchcraft Collection: Hudibras beats Sidrophel and his man Whacum, 1726 (engraving)

Hudibras beats Sidrophel and his man Whacum, 1726 (engraving)
4071943 Hudibras beats Sidrophel and his man Whacum, 1726 (engraving) by Hogarth, William (1697-1764); 29.8x37.7 cm; Metropolitan Museum of Art, New York

Background imageWitchcraft Collection: Old witch with big teeth boiling a potion in her chimney (engraving)

Old witch with big teeth boiling a potion in her chimney (engraving)
PCT4264057 Old witch with big teeth boiling a potion in her chimney (engraving) by French School; French, out of copyright

Background imageWitchcraft Collection: The princess pierces her hand and falls asleep. Anonymous illustration for '

The princess pierces her hand and falls asleep. Anonymous illustration for "
XEE4404281 The princess pierces her hand and falls asleep. Anonymous illustration for " La belle au bois dormant", tale by Charles Perrault (1628-1703), French writer

Background imageWitchcraft Collection: Druidesse dancing around a menhir

Druidesse dancing around a menhir
XEE4407454 Druidesse dancing around a menhir. by Unknown Artist, (19th century); Private Collection; (add.info.: Druidesse dancing around a menhir.); Stefano Bianchetti; out of copyright

Background imageWitchcraft Collection: Witch depicting the comet, caricature by Honore Daumier (1808-1879)

Witch depicting the comet, caricature by Honore Daumier (1808-1879)
LSE4403359 Witch depicting the comet, caricature by Honore Daumier (1808-1879). by Daumier, Honore (1808-79); Private Collection; (add.info.: Witch depicting the comet)

Background imageWitchcraft Collection: A walking wizard, a blind masseur. Engraving by Barbotin

A walking wizard, a blind masseur. Engraving by Barbotin
LSE4335014 A walking wizard, a blind masseur. Engraving by Barbotin, to illustrate the story Trente mois au Tonkin, in 1884, by Doctor Paul Hocquard, in le tour du monde 1890



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"Witchcraft: Unveiling the Dark Mysteries of History" Delving into the depths of history, we encounter a chilling court record that echoes through time - testimony at the infamous Salem witch trials in 1692. In this dark chapter, fear and hysteria gripped a community as accusations tore lives apart. In the shadows of moonlit Sabbats, Satan himself is said to have danced with his followers. The very notion sends shivers down our spines as we imagine a child being offered to this malevolent figure in exchange for otherworldly powers. Amongst these tales emerges Tituba, one of the accused Salem witches whose name has become synonymous with this tragic period. Her involvement sparked a frenzy that would forever stain the pages of history. The enigmatic artist Francisco Goya captures another facet of witchcraft's allure in his masterpiece "Witches in Flight. " With brushstrokes laden with mysticism, he transports us to an eerie world where witches take to the skies on broomsticks during their unholy Sabbaths. Goya's fascination continues with "The Witches Sabbath, " an oil painting that immerses us further into macabre rituals and gatherings. It serves as a haunting reminder that even great artists are captivated by the darkness lurking within humanity's imagination. Across borders and centuries, from North Berwick to distant lands, tales persist about witches calling upon monsters and conjuring unspeakable horrors. These legends remind us how deeply ingrained witchcraft has been throughout cultures worldwide. Within dusty pages lies Cotton Mather's Witchcraft book from 1689 - a testament to society's obsession with understanding these mysterious practices. Its words offer glimpses into beliefs held dear by those who sought answers amidst chaos and confusion. As Lohengrin arrives on stage, Wagner’s opera brings forth yet another portrayal of enchantment intertwined with sorcery. Here we witness how myth and music intertwine, captivating audiences with tales of love and magic.