Victorian Pictures Collection (page 9)

A Bit of Gossip, 1903 (pencil and watercolour)
659795 A Bit of Gossip, 1903 (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 52x35.5 cm; Private Collection; (add.info.: A Bit of Gossip. Charles Edward Wilson (1854-1941)

The Red Cape, 1883 (watercolour heightened with bodycolour)
659794 The Red Cape, 1883 (watercolour heightened with bodycolour) by Johnson, Edward Killingworth (1825-1923); 26x17.5 cm; Private Collection; (add.info.: The Red Cape)

Reading a Book, c. 1872 (oil on panel)
659780 Reading a Book, c.1872 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); 44x31 cm; Private Collection; (add.info.: Reading a Book. James Jacques Joseph Tissot (1836-1902)

The Louvre (Foreign Visitors at the Louvre); Au Louvre (Visiteurs etrangers au Louvre), c
659779 The Louvre (Foreign Visitors at the Louvre); Au Louvre (Visiteurs etrangers au Louvre), c.1879-80 (pencil and watercolour) by Tissot

Head of a Woman, 1890 (coloured chalks on terracotta coloured paper)
659768 Head of a Woman, 1890 (coloured chalks on terracotta coloured paper) by Burne-Jones, Edward Coley (1833-98); 31.4x23.5 cm; Private Collection; (add.info.: Head of a Woman)

The Song of the Shirt, 1854 (oil on canvas)
659749 The Song of the Shirt, 1854 (oil on canvas) by Blunden, Anna E. (1830-1915); 47x39.5 cm; Private Collection; (add.info.: The Song of the Shirt. Anna Elizabeth Blunden (1830-1915)

Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes
659746 Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes! And Yet I Feel Most Vain All Hope But Love... -Shelley

Venice, (pencil and watercolour with scratching out)
659726 Venice, (pencil and watercolour with scratching out) by Goodall, Edward Angelo (1819-1908); 47.6x82.5 cm; Private Collection; (add.info.: Venice. Edward Angelo Goodall (1819-1908)

The Morning Paper, 1878 (oil on canvas)
658487 The Morning Paper, 1878 (oil on canvas) by King, Haynes (1831-1904); 61x51 cm; Private Collection; (add.info.: The Morning Paper. Haynes King (1831-1904). Oil on canvas. Dated 1878

Motherless: The Shepherds Pet, 1897 (oil on canvas)
658466 Motherless: The Shepherds Pet, 1897 (oil on canvas) by Hunt, Walter (1861-1941); 76x114.5 cm; Private Collection; (add.info.: Motherless: The Shepherds Pet. Walter Hunt (1861-1941)

Portrait of Frederick George Stephens, 1853 (pencil on paper)
1199577 Portrait of Frederick George Stephens, 1853 (pencil on paper) by Rossetti, William Michael (1829-1919); 22.2x15.8 cm; Private Collection; (add.info.: Rossetti)

Never Mind!, 1884 (oil on canvas)
987321 Never Mind!, 1884 (oil on canvas) by Morgan, Frederick (1856-1927); 83.8x96.5 cm; Private Collection; (add.info.: Never Mind! Frederick Morgan (1856-1927). Oil on canvas. Painted in 1884

Portrait of a Gentleman with Sporting Gun in a Landscape (oil on canvas)
1772169 Portrait of a Gentleman with Sporting Gun in a Landscape (oil on canvas) by Reinagle, Ramsay Richard (1775-1862) (circle of); 83.8x63.5 cm; Private Collection; (add.info)

A Moments Rest, 1882 (oil on canvas)
1772164 A Moments Rest, 1882 (oil on canvas) by Clausen, George (1852-1944); 45.7x33 cm; Private Collection; (add.info.: A Moments Rest. George Clausen (1852-1944). Oil on canvas. Painted in 1882

The First Meal, c. 1894 (oil on canvas)
1772163 The First Meal, c.1894 (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 109.2x97.8 cm; Private Collection; (add.info.: The First Meal. Henry Herbert La Thangue (1859-1929)

The Benediction, 1871 (oil on canvas)
1772161 The Benediction, 1871 (oil on canvas) by Rankley, Alfred (1819-72); 107.9x153.7 cm; Private Collection; (add.info.: The Benediction. Alfred Rankley (1819-1872). Oil on canvas

A Passing Cloud (oil on canvas)
1772137 A Passing Cloud (oil on canvas) by Hughes, Arthur (1832-1915); 98x62 cm; Private Collection; (add.info.: A Passing Cloud. Arthur Hughes (1830-1915). Oil on canvas

Summer, 1876-1902 (oil on canvas)
1772126 Summer, 1876-1902 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 92.1x51.4 cm; Private Collection; (add.info.: Summer. James Jacques Joseph Tissot (1836-1902). Oil on canvas

The Eve of St Valentine, 1871 (oil on panel)
1772123 The Eve of St Valentine, 1871 (oil on panel) by Smith, George (1829-1901); 48.2x38.1 cm; Private Collection; (add.info.: The Eve of St Valentine. George Smith (1829-1901). Oil on panel

Astronomy, c. 1840-1850 (oil on canvas)
1772119 Astronomy, c.1840-1850 (oil on canvas) by Sant, James (1820-1916); 76.8x76.8 cm; Private Collection; (add.info.: Astronomy. James Sant (1820-1916). Oil on canvas. Painted circa 1840-1850

Helen Rose Huth (oil on canvas)
1772117 Helen Rose Huth (oil on canvas) by Watts, George Frederic (1817-1904); 66x53.3 cm; Private Collection; (add.info.: Helen Rose Huth. George Frederic Watts (1817-1904). Oil on canvas

Cupid and Doves (oil on canvas)
1772115 Cupid and Doves (oil on canvas) by Leighton, Frederic (1830-96); 128.2x212.1 cm; Private Collection; (add.info.: Cupid and Doves. Frederic Leighton (1830-1896). Oil on canvas

Jasmine (oil on canvas)
1772108 Jasmine (oil on canvas) by Moore, Albert Joseph (1841-93); 66.6x50. cm; Private Collection; (add.info.: Jasmine. Albert Joseph Moore (1841-1893). Oil on canvas

Tender Thoughts, 1917 (oil on canvas)
1765064 Tender Thoughts, 1917 (oil on canvas) by Godward, John William (1861-1922); 80.3x39.9 cm; Private Collection; (add.info.: Tender Thoughts. John William Godward (1861-1922). Oil on canvas

A Rest in the Row, 1892 (watercolour)
1765040 A Rest in the Row, 1892 (watercolour) by Barton, Rose Maynard (1856-1929); Private Collection; (add.info.: A Rest in the Row. Rose Maynard Barton (1856-1929). Watercolour

The Cross, Winchester (watercolour and bodycolour)
1765031 The Cross, Winchester (watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); Private Collection; (add.info.: The Cross, Winchester. Louise Rayner (1832-1924)

Hindhead from Sandhills, Witley (watercolour)
1766692 Hindhead from Sandhills, Witley (watercolour) by Allingham, Helen (1848-1926); 33x29 cm; Private Collection; (add.info.: Hindhead from Sandhills, Witley. Helen Allingham (1848-1926)

At Symondsbury near Bridport, Dorset (watercolour with scratching out)
1766690 At Symondsbury near Bridport, Dorset (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: At Symondsbury near Bridport, Dorset)

Christmas Day, 1867 (oil on panel)
1766682 Christmas Day, 1867 (oil on panel) by Hardy, George (1822-1909); 45.7x66 cm; Private Collection; (add.info.: Christmas Day. George Hardy (1822-1909). Oil on panel. Dated 1867

The Roman Wine-Tasters (watercolour)
1766673 The Roman Wine-Tasters (watercolour) by Alma-Tadema, Lawrence (1836-1912); Private Collection; (add.info.: The Roman Wine-Tasters. Sir Lawrence Alma-Tadema (1836-1912)

The Crack Team of 1858 (oil on canvas)
1766646 The Crack Team of 1858 (oil on canvas) by Walker, Joseph Francis (fl.1864-1890); Private Collection; (add.info.: The Crack Team of 1858. Joseph Francis Walker (active 1864-1890)

Past Work (watercolour)
1765027 Past Work (watercolour) by Allingham, Helen (1848-1926); Private Collection; (add.info.: Past Work. Helen Allingham (1848-1926)

The Jubilee Hat, 1887 (oil on canvas)
1766653 The Jubilee Hat, 1887 (oil on canvas) by Bourdillon, Frank Wright (1851-1924); Private Collection; (add.info.: The Jubilee Hat. Frank Wright Bourdillon (1851-1924). Oil on canvas

St Columbas Farewell to the White Horse, 1865-1868 (oil on board)
1767287 St Columbas Farewell to the White Horse, 1865-1868 (oil on board) by Boyd, Alice (1825-1897); 35.3x49.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

In a Witley Lane (watercolour with scratching out)
1766708 In a Witley Lane (watercolour with scratching out) by Allingham, Helen (1848-1926); 30.5x24.5 cm; Private Collection; (add.info.: In a Witley Lane. Helen Allingham (1848-1926)

Hill Farm, Symondsbury, Dorset (watercolour with scratching out)
1766703 Hill Farm, Symondsbury, Dorset (watercolour with scratching out) by Allingham, Helen (1848-1926); 44.7x37.0. cm; Private Collection; (add.info.: Hill Farm, Symondsbury, Dorset)

Children Outside a Cottage (watercolour with scratching out)
1766698 Children Outside a Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); 22.3x27.3 cm; Private Collection; (add.info.: Children Outside a Cottage)

In the Spring (watercolour with scratching out)
1766695 In the Spring (watercolour with scratching out) by Allingham, Helen (1848-1926); 18.5x23.3 cm; Private Collection; (add.info.: In the Spring. Helen Allingham (1848-1926)

How Four Queens Found Sir Lancelot Sleeping, 1908 (oil on canvas)
828488 How Four Queens Found Sir Lancelot Sleeping, 1908 (oil on canvas) by Calderon, William Frank (1865-1943); 122x182.9 cm; Private Collection; (add.info)

Newlay Wood, 1861 (oil on board)
828457 Newlay Wood, 1861 (oil on board) by Grimshaw, John Atkinson (1836-93); 27x38.1 cm; Private Collection; (add.info.: Newlay Wood. John Atkinson Grimshaw (1836-1893). Oil on Board

Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas)
828419 Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas) by Crawford, Ebenezer (1830-74); 75x62.1 cm; Private Collection; (add.info)

Heidelberg from the Terrace (oil on canvas)
828417 Heidelberg from the Terrace (oil on canvas) by Pyne, James Baker (1800-70) & Phillip, John (1817-67); 108.5x153.6 cm; Private Collection; (add.info.: Heidelberg from the Terrace)

Winding the Skein, (oil on canvas)
828414 Winding the Skein, (oil on canvas) by Godward, John William (1861-1922); 132x152.5 cm; Private Collection; (add.info.: Winding the Skein. John William Godward (1861-1922). Oil on canvas

The Return from the Harvest Field, 1880 (the return from the harvest field john william
828403 The Return from the Harvest Field, 1880 (the return from the harvest field john william north (1842-1924) by North

Through Glencoe by Way to the Tay, 1899 (oil on canvas)
828398 Through Glencoe by Way to the Tay, 1899 (oil on canvas) by Hurt, Louis Bosworth (1856-1929); 91.4x152.7 cm; Private Collection; (add.info.: Through Glencoe by Way to the Tay)

A Moonlit Stroll, Bonchurch, Isle of Wight, 1878 (oil on board)
828397 A Moonlit Stroll, Bonchurch, Isle of Wight, 1878 (oil on board) by Grimshaw, John Atkinson (1836-93); 55.8x45.7 cm; Private Collection; (add.info.: A Moonlit Stroll, Bonchurch, Isle of Wight)

The Combat, 1847 (oil on canvas)
828394 The Combat, 1847 (oil on canvas) by Ansdell, Richard (1815-85); 182.9x319.3 cm; Private Collection; (add.info.: The Combat. Richard Ansdell (1815-85). Oil on canvas. Dated 1847

Highland Drovers and Dogs Driving their Sheep and Cattle in a Rocky Wooded Landscape
828392 Highland Drovers and Dogs Driving their Sheep and Cattle in a Rocky Wooded Landscape, 1846 (oil on canvas) by Ansdell, Richard (1815-85); 113.7x175.3

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Step back in time with these enchanting Victorian pictures. From teatime gatherings to strolls in picturesque gardens, each artwork captures the essence of a bygone era. In "Teatime, " delicate pencil and watercolour strokes are heightened with white on card, creating a scene that transports us to an elegant afternoon tea. The Fortune Teller, painted in 1907 using oil on canvas, invites us into the mystical world of divination and intrigue. A leisurely stroll through a lush garden is beautifully depicted in "A Stroll in the Garden. " The artist's skillful use of oil on canvas brings this idyllic scene to life, allowing us to imagine ourselves amidst blooming flowers and whispering trees. Elegant Conversation takes center stage as figures engage in lively discussions against a backdrop of rich colors. This captivating oil on canvas painting draws us into their world, where intellectual exchange reigns supreme. Fowl House Farm welcomes us with open arms as children play alongside sheep under the watchful eye of a shepherd. Executed with meticulous detail using pencil, this charming piece evokes feelings of warmth and nostalgia. Naomi and Ruth tell their timeless tale through bold brushstrokes and vibrant hues. This compelling oil on canvas masterpiece showcases deep emotions intertwined within its narrative. Beside the Old Church Gate Farm transports us to Smarden, Kent through delicate watercolours enhanced by scratching out techniques. We can almost feel the rustic charm emanating from this quaint countryside setting. The Cock and Hen Pheasant at the Edge of a Wood captivates our attention with intricate pencil lines delicately washed over with watercolours. Nature comes alive as we witness these majestic birds amidst their woodland habitat. Study of a Head for The Bower Meadow showcases black chalk mastery as it captures every nuanced expression upon closer inspection. This preparatory sketch reveals the artist's dedication to capturing human emotion authentically.