Victorian Pictures Collection (page 2)

The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)
1766750 The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info)

The Gladiators Wife, 1884 (oil on canvas)
1766745 The Gladiators Wife, 1884 (oil on canvas) by Leighton, Edmund Blair (1853-1922); Private Collection; (add.info.: The Gladiators Wife. Edmund Blair Leighton (1853-1922). Oil on canvas

Cottage at West Horsley, Surrey (watercolour with scratching out)
1766689 Cottage at West Horsley, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 14.3x13.0 cm; Private Collection; (add.info.: Cottage at West Horsley, Surrey)

Going to Church, 1880 (oil on canvas)
1766677 Going to Church, 1880 (oil on canvas) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Going to Church. John Atkinson Grimshaw (1836-1893)

The Angel of the Sea, 1906 (oil on canvas)
1766667 The Angel of the Sea, 1906 (oil on canvas) by Frampton, Edward Reginald (1872-1923); 121.9x68.6 cm; Private Collection; (add.info.: The Angel of the Sea. Edward Reginald Frampton (1872-1923)

Summer on the Firth of Fourth (oil on canvas)
1766658 Summer on the Firth of Fourth (oil on canvas) by Hardie, Charles Martin (1858-1916); Private Collection; (add.info.: Summer on the Firth of Fourth. Charles Martin Hardie (1858-1916)

Self-portrait of the Artist (oil on canvas)
1772157 Self-portrait of the Artist (oil on canvas) by Watson, George Spencer (1869-1934); 76.2x63.5 cm; Private Collection; (add.info.: Self-portrait of the Artist)

Mischief and Repose, 1909 (oil on canvas)
1772135 Mischief and Repose, 1909 (oil on canvas) by Godward, John William (1861-1922); 38.4x76.9 cm; Private Collection; (add.info.: Mischief and Repose. John William Godward (1861-1922)

Portrait of Prince Albert, 1842 (oil on canvas)
1772125 Portrait of Prince Albert, 1842 (oil on canvas) by Lucas, John (1807-74); 101.7x87.6 cm; Private Collection; (add.info.: Portrait of Prince Albert. John Lucas (1807-1874). Oil on canvas

Sophie Gray (oil on canvas)
1772116 Sophie Gray (oil on canvas) by Perugini, Charles Edward (1839-1918); 25.4x20.3 cm; Private Collection; (add.info.: Sophie Gray. Charles Edward Perugini (1839-1918). Oil on canvas

Heloise and Abelard, 1879 (oil on canvas)
1772102 Heloise and Abelard, 1879 (oil on canvas) by Bateman, Robert (1842-1922); 50.8x62.2 cm; Private Collection; (add.info.: Heloise and Abelard. Robert Bateman (1842-1922). Oil on canvas

Ophelia, (pencil, pen and black ink and brown wash, on paper)
1199574 Ophelia, (pencil, pen and black ink and brown wash, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22.3x17.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Oracle, (oil on canvas)
989553 The Oracle, (oil on canvas) by Robertson, George Edward (1864-1926); 145.5x250.2 cm; Private Collection; (add.info.: The Oracle. George Edward Robertson (1864-1926). Oil on canvas

St Cecilia (watercolour with bodycolour on paper)
989550 St Cecilia (watercolour with bodycolour on paper) by Murray, Charles Fairfax (1849-1919); 163.2x57.8 cm; Private Collection; (add.info.: St Cecilia)

Glasgow Docks, 1892 (oil on canvas)
3431720 Glasgow Docks, 1892 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 31.2x46.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Sympathy (oil on canvas)
3431716 Sympathy (oil on canvas) by Riviere, Briton (1840-1920); 76.2x63.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Huguenot, 1852 (oil on canvas)
3431771 The Huguenot, 1852 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas)
991620 Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas) by Woodville, Richard Caton II (1856-1927); 96.5x122 cm; Private Collection; (add.info.: Bonaparte in Egypt, 21st July, 1798)

Memphis, by the Nile, 1882 (oil on canvas)
659925 Memphis, by the Nile, 1882 (oil on canvas) by Goodall, Frederick (1822-1904); 114.6x304.8 cm; Private Collection; (add.info.: Memphis, by the Nile. Frederick Goodall (1822-1904)

A Dairy Farm on the Marshes, East Kent, 1859 (oil on canvas)
659907 A Dairy Farm on the Marshes, East Kent, 1859 (oil on canvas) by Cooper, Thomas Sidney (1803-1902); 116.8x198.1 cm; Private Collection; (add.info.: A Dairy Farm on the Marshes, East Kent)

Lead, Kindly Light, amid the Encircling Gloom, lead thou me on
659901 Lead, Kindly Light, amid the Encircling Gloom, lead thou me on!...and with the Morn those Angel Faces Smile, which I Have Loved Long Since, and Lost Awhile, 1894 (oil on board) by Paton

A White-Fronted Goose, (pencil and watercolour heightened with white)
659894 A White-Fronted Goose, (pencil and watercolour heightened with white) by Thorburn, Archibald (1860-1935); 17.5x24.8 cm; Private Collection; (add.info.: A White-Fronted Goose)

A Mallard, a Jug, a Peeled Lemon, Grapes and Shrimps on Draped Ledge, (oil on canvas)
659881 A Mallard, a Jug, a Peeled Lemon, Grapes and Shrimps on Draped Ledge, (oil on canvas) by Ladell, Edward (1821-86); 30.5x36 cm; Private Collection; (add.info.: A Mallard, a Jug, a Peeled Lemon)

The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas)
659851 The Countess of Derbys Departure from Martindale Castle, 1842 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 101.6x132 cm; Private Collection; (add.info)

John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour)
659829 John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); 31.8x47.2 cm; Private Collection; (add.info.: John Knoxs House, Edinburgh)

The London to York Stagecoaches, (oil on canvas)
659827 The London to York Stagecoaches, (oil on canvas) by Wright, George (1860-1942); 40.6x61 cm; Private Collection; (add.info.: The London to York Stagecoaches. George Wright (1860-1942)

Portsmouth, (pencil, watercolour and bodycolour)
659824 Portsmouth, (pencil, watercolour and bodycolour) by Hardy, Thomas Bush (1842-97); 31.2x49.5. cm; Private Collection; (add.info.: Portsmouth. Thomas Bush Hardy (1842-1897)

Lancaster, 1852 (pencil, watercolour and gum arabic)
659821 Lancaster, 1852 (pencil, watercolour and gum arabic) by Fripp, George Arthur (1813-96); 46.4x69.3 cm; Private Collection; (add.info.: Lancaster. George Arthur Fripp (1813-1896)

Harvest Time, Fairlight, Sussex, (oil on canvas)
659808 Harvest Time, Fairlight, Sussex, (oil on canvas) by Parker, Henry (1858-1930); 61x91 cm; Private Collection; (add.info.: Harvest Time, Fairlight, Sussex. Henry H. Parker (1858-1930)

The Broken Chord, (oil on canvas)
659790 The Broken Chord, (oil on canvas) by Breakspeare, William A. (1855-1914); 41.9x62.5 cm; Private Collection; (add.info.: The Broken Chord. William A. Breakspeare (1855-1914). Oil on canvas

Donations Thankfully Received, 1862 (oil on board)
659789 Donations Thankfully Received, 1862 (oil on board) by Claxton, Marshall (1811-81); 30.5x25.4 cm; Private Collection; (add.info.: Donations Thankfully Received. Marshall Claxton (1812-1881)

The Fishermans Family, 1861 (oil on canvas)
659783 The Fishermans Family, 1861 (oil on canvas) by Parker, Henry Perlee (1795-1873); 76.5x64 cm; Private Collection; (add.info.: The Fishermans Family. Henry Perlee Parker (1795-1873)

In the Row, Out of Season, (pencil and watercolour with touches of white heightening)
659776 In the Row, Out of Season, (pencil and watercolour with touches of white heightening) by Barton, Rose Maynard (1856-1929); 35x26 cm; Private Collection; (add.info.: In the Row, Out of Season)

Still Life with Apples, Hazelnuts and Rosehips, (pencil and watercolour)
659759 Still Life with Apples, Hazelnuts and Rosehips, (pencil and watercolour) by Hough, William (1819-97); 26x36.2 cm; Private Collection; (add.info.: Still Life with Apples)

The Young School Mistress and Her Assistant (pencil & w / c on paper)
659755 The Young School Mistress and Her Assistant (pencil & w/c on paper) by Jones, Harry E. (fl.c.1882-1916); 28x31.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

Farmyard Friends, 1923 (oil on canvas)
659744 Farmyard Friends, 1923 (oil on canvas) by Hunt, Walter (1861-1941); 51.1x76.6 cm; Private Collection; (add.info.: Farmyard Friends. Walter Hunt (1861-1941). Oil on canvas

The Deserter, 1884 (pencil and watercolour with scratching out)
659730 The Deserter, 1884 (pencil and watercolour with scratching out) by Gregory, Charles (1810-96); 71.1x107 cm; Private Collection; (add.info.: The Deserter. Charles Gregory (1849-1920)

Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas)
659915 Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas) by Hicks, George Elgar (1824-1914); 208.3x120 cm; Private Collection; (add.info.: Lady Edith Amelia Ward)

On the Sands, Morecombe, (oil on canvas)
659775 On the Sands, Morecombe, (oil on canvas) by Woodhouse, William (1857-1935); 71.1x91.5 cm; Private Collection; (add.info.: On the Sands, Morecombe. William Woodhouse (1857-1939). Oil on canvas

The Carpenter, (pen and ink and watercolour)
659767 The Carpenter, (pen and ink and watercolour) by Hughes, Arthur (1832-1915); 13.3x17.8 cm; Private Collection; (add.info.: The Carpenter. Arthur Hughes (1832-1915). Pen and ink and watercolour

A Study for - The Birth of Love, (red chalk)
659766 A Study for - The Birth of Love, (red chalk) by Solomon, Solomon Joseph (1860-1927); 45.5x26.3 cm; Private Collection; (add.info.: A Study for - The Birth of Love)

A Little Stage Fairy (oil on canvas)
828490 A Little Stage Fairy (oil on canvas) by Patten, Alfred Fowler (1829-88); 76.2x50.8 cm; Private Collection; (add.info.: A Little Stage Fairy. Alfred Fowler Patten (1829-1888). Oil on canvas

Hope, (watercolour with bodycolour)
828485 Hope, (watercolour with bodycolour) by Burne-Jones, Edward Coley (1833-98); 167.5x91.5 cm; Private Collection; (add.info.: Hope. Edward Burne-Jones (1833-1898). Watercolour with bodycolour

San Giorgio Maggiore from the Zattere, Venice, (pencil and watercolour)
828483 San Giorgio Maggiore from the Zattere, Venice, (pencil and watercolour) by Allingham, Helen (1848-1926); 37.2x27.3 cm; Private Collection; (add.info.: San Giorgio Maggiore from the Zattere)

May Day Garlands, (pencil and watercolour heightened with bodycolour)
828482 May Day Garlands, (pencil and watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 34.6x71.4 cm; Private Collection; (add.info.: May Day Garlands)

The Oxford and Cambridge Boat Race, 1879, 1880 (oil on canvas)
828477 The Oxford and Cambridge Boat Race, 1879, 1880 (oil on canvas) by Macbeth, James (1847-91); 45.8x154 cm; Private Collection; (add.info.: The Oxford and Cambridge Boat Race, 1879)

The Harvesters, 1865 (bodycolour)
828475 The Harvesters, 1865 (bodycolour) by Warren, Edmund George (1834-1909); 25.5x36. cm; Private Collection; (add.info.: The Harvesters. Edmund George Warren (1834-1909). Bodycolour

Our Lady of the Water Gate, (oil on canvas)
828473 Our Lady of the Water Gate, (oil on canvas) by Stanhope, John Roddam Spencer (1829-1908); 106.7x59.7 cm; Private Collection; (add.info.: Our Lady of the Water Gate)

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Step back in time with these enchanting Victorian pictures. From teatime gatherings to strolls in picturesque gardens, each artwork captures the essence of a bygone era. In "Teatime, " delicate pencil and watercolour strokes are heightened with white on card, creating a scene that transports us to an elegant afternoon tea. The Fortune Teller, painted in 1907 using oil on canvas, invites us into the mystical world of divination and intrigue. A leisurely stroll through a lush garden is beautifully depicted in "A Stroll in the Garden. " The artist's skillful use of oil on canvas brings this idyllic scene to life, allowing us to imagine ourselves amidst blooming flowers and whispering trees. Elegant Conversation takes center stage as figures engage in lively discussions against a backdrop of rich colors. This captivating oil on canvas painting draws us into their world, where intellectual exchange reigns supreme. Fowl House Farm welcomes us with open arms as children play alongside sheep under the watchful eye of a shepherd. Executed with meticulous detail using pencil, this charming piece evokes feelings of warmth and nostalgia. Naomi and Ruth tell their timeless tale through bold brushstrokes and vibrant hues. This compelling oil on canvas masterpiece showcases deep emotions intertwined within its narrative. Beside the Old Church Gate Farm transports us to Smarden, Kent through delicate watercolours enhanced by scratching out techniques. We can almost feel the rustic charm emanating from this quaint countryside setting. The Cock and Hen Pheasant at the Edge of a Wood captivates our attention with intricate pencil lines delicately washed over with watercolours. Nature comes alive as we witness these majestic birds amidst their woodland habitat. Study of a Head for The Bower Meadow showcases black chalk mastery as it captures every nuanced expression upon closer inspection. This preparatory sketch reveals the artist's dedication to capturing human emotion authentically.