Two States Collection

Horizontal Panel Bird Varii Generis Opera Aurifabris Necessaria
Artokoloro

Horizontal Panel Three Birds Varii Generis Opera Aurifabris Necessaria
Artokoloro

Le Tombeau de Moliere au Pere-Lachaise Moliere
Artokoloro

South Sea Fishers 1850 Etching wove paper first
Artokoloro

Old Gate Palais de Justice Paris 1854 Etching
Artokoloro

Jean Mignon (French, active 1537a'1552). Satyr Leaning to the Right, ca. 1543- 1545. From Termes. Etching on laid paper. Plate: 220 mm x 128 mm (8.66 in. x 5.04 in.)

Honore Daumier (French, 1808 - 1879). Casmajo... Ratopoil... 1851. From Actualites
Honore Daumier (French, 1808 - 1879). Casmajo...Ratopoil... 1851. From Actualites. Lithograph on wove newsprint paper. Image: 249 mm x 228 mm (9.8 in. x 8.98 in.). Second of two states

Honore Daumier (French, 1808 - 1879). MMrs. Cobden, Gladstone et Brigth... [sic], 1856. From Actualites. Lithograph on wove newsprint paper. Image: 210 mm x 263 mm (8.27 in. x 10.35 in.)

Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805). The Blind Man Deceived (L aveugle trompe), ca. 1760-1770. Etching on laid paper. Plate: 385 mm x 360 mm (15.16 in)

Charles Francois Daubigny (French, 1817 - 1878) after Laroche. Castel Gelos, Basses Pyrenees, Vallee d Ossau, 1846. Etching on wove paper. Second of two states

Honore Daumier (French, 1808 - 1879). M. Babinet se decidant a... eteindre... le soleil, 1857. Lithograph on newsprint paper. Image: 206 mm x 264 mm (8.11 in. x 10.39 in.). Second of two states

Jacques Callot (French, 1592 - 1635). Entree de MM. de Vroncourt, Tyllon et Marimon, 17th century. From Le Combat a la Barriere. Etching. First of two states

Etienne Delaune (French, ca. 1519-1583) after Giovanni Francesco Penni (aka Francesco Penni il Fattore, Italian, ca. 1496 - ca. 1528)

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"Two States: Exploring Contrasting Realities through Art and History" This captivating collection of artworks takes us on a journey through two distinct states, both in terms of time and place. From Jacques Callot's "The Revenge of the Peasants, " depicting a tumultuous historical event, to Honore Daumier's satirical prints capturing societal transformations, these pieces offer glimpses into contrasting worlds. In the first state, we delve into the past with Callot's powerful etching. "The Revenge of the Peasants" transports us to a time when social unrest prevailed, highlighting the struggles faced by common people against oppressive systems. The horizontal panels showcasing various birds in "Varii Generis Opera Aurifabris Necessaria" serve as symbolic representations of freedom amidst chaos. Transitioning to another state, we encounter more recent history with Daumier's works. His portrayal of Moliere's tomb at Pere-Lachaise cemetery reminds us of the enduring legacy left behind by artistic geniuses. Meanwhile, his satirical prints like "Sainte Rosette Tamisier. . " and "Expliquez-moi-donc, monsieur Badoulard. . " shed light on contemporary issues and human follies during that era. Furthermore, this collection also presents glimpses into different physical landscapes. The serene scene depicted in "South Sea Fishers 1850 Etching wove paper first" transports us to tranquil shores where fishermen engage in their timeless craft. On the other hand, Daumier's etching titled "Old Gate Palais de Justice Paris 1854" captures an architectural marvel from Paris' rich history. As viewers navigate between these two states - one characterized by historical events and struggle for justice while the other reflects societal changes - they are invited to reflect upon our own present reality. Through art and history combined, this exhibition encourages contemplation about how far we have come and the challenges that lie ahead.