Two States Collection (page 3)

Theodore Chasseriau (French, 1819 - 1856). Venus Anadyomene, 1839. From Souvenirs d Artistes. Lithograph on chine colle. Second of two states

Jacques Callot (French, 1592 - 1635). Sig. Lucia and Trastullo, 1622 and later. From Balli di Sfessania. Etching. First of two states

Jacques Callot (French, 1592 - 1635). Cap. Espangarata and Cap. Cocodrillo, 1622 and later. From Balli di Sfessania. Etching. First of two states

Honore Daumier (French, 1808 - 1879). A Rome. a'un martyr en 1871, 1871. From Actualites. Lithograph on newsprint paper. Image: 234 mm x 191 mm (9.21 in. x 7.52 in.). Second of two states

Honore Daumier (French, 1808 - 1879). En Espagne. a'Charite Chretienne, 1872. Lithograph on newsprint paper. Image: 265 mm x 216 mm (10.43 in. x 8.5 in.). Second of two states

Jean-Michel Moreau le Jeune (French, 1741-1814) after P. L. Moreau (French). The Royal Banquet Given to the King and Queen by the City of Paris on 21 January 1782 on the Occasion of the Birth of

Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431 / 1432 - 1498)
Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431/1432 - 1498). The Battle of the Nudes, ca. 1465-1470. Engraving. Sheet: 401 mm x 578 mm (15.79 in. x 22.76 in.). Second of two states

Jean Daulle (French, 1703-1763) after Pierre Mignard II (French, 1640 - 1725). Portrait of Catherine Marguerite Mignard, Comtesse de Fouquiere, Daughter of the Painter Pierre Mignard, 1735

Jacques Firmin Beauvarlet (French, 1731-1797) after Jean-Germain Drouais (French, 1763 - 1788). The Sons of the Duke of Bethune, ca. 1770-1780. Etching and engraving on laid paper

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"Two States: Exploring Contrasting Realities through Art and History" This captivating collection of artworks takes us on a journey through two distinct states, both in terms of time and place. From Jacques Callot's "The Revenge of the Peasants, " depicting a tumultuous historical event, to Honore Daumier's satirical prints capturing societal transformations, these pieces offer glimpses into contrasting worlds. In the first state, we delve into the past with Callot's powerful etching. "The Revenge of the Peasants" transports us to a time when social unrest prevailed, highlighting the struggles faced by common people against oppressive systems. The horizontal panels showcasing various birds in "Varii Generis Opera Aurifabris Necessaria" serve as symbolic representations of freedom amidst chaos. Transitioning to another state, we encounter more recent history with Daumier's works. His portrayal of Moliere's tomb at Pere-Lachaise cemetery reminds us of the enduring legacy left behind by artistic geniuses. Meanwhile, his satirical prints like "Sainte Rosette Tamisier. . " and "Expliquez-moi-donc, monsieur Badoulard. . " shed light on contemporary issues and human follies during that era. Furthermore, this collection also presents glimpses into different physical landscapes. The serene scene depicted in "South Sea Fishers 1850 Etching wove paper first" transports us to tranquil shores where fishermen engage in their timeless craft. On the other hand, Daumier's etching titled "Old Gate Palais de Justice Paris 1854" captures an architectural marvel from Paris' rich history. As viewers navigate between these two states - one characterized by historical events and struggle for justice while the other reflects societal changes - they are invited to reflect upon our own present reality. Through art and history combined, this exhibition encourages contemplation about how far we have come and the challenges that lie ahead.