Thomas Jones Collection

Penkerrig, Wales, 1772. Creator: Thomas Jones
Penkerrig, Wales, 1772

Near Tivoli, 1777. Creator: Thomas Jones
Near Tivoli, 1777

The Volunteer Sham Fight at Brighton on Easter Monday, Lord Ranelagh passing the Grand Stand (engraving)
1612866 The Volunteer Sham Fight at Brighton on Easter Monday, Lord Ranelagh passing the Grand Stand (engraving) by English School

Sketches in Scotland Yard (engraving)
614434 Sketches in Scotland Yard (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches in Scotland Yard: types of habitual criminals)

A Hilltop Near Naples, 1782. Creator: Thomas Jones
A Hilltop Near Naples, 1782

A Road in a Gorge near Naples, 1782. Creator: Thomas Jones
A Road in a Gorge near Naples, 1782

Jones, St. Louis, American League, from the White Border series (T206) for the American Tobacco Company, 1909-11

Denbighshire LL16 3 Map
Postcode Sector Map of Denbighshire LL16 3

The Relief of Lucknow... November 1857, (1901). Creator: Unknown
The Relief of Lucknow - The Historic Meeting of Havelock, Outram, and Sir Colin Campbell, November 1857, (1901). Meeting betweeen British officers Major General Sir Henry Havelock

Select vestry comforts, 1828. Artist: Thomas Jones
Select vestry comforts, 1828. Eight of the select vestry of St Paul s, Covent Garden dining in the vestry room. At the head of the table is the vicar of St Martin-in-the-Fields, Dr George Richards

The Mortar Battery at Woolwich, 1847 (1909). Artist: Charles Hunt
The Mortar Battery at Woolwich, 1847 (1909). After Thomas Jones (1742-1803). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Queen Victoria Presenting a Bible in the Audience Chamber at Windsor, c1861. Artist: Thomas Jones Barker
Queen Victoria Presenting a Bible in the Audience Chamber at Windsor, c1861

Ludlow England No 26. View Dinham Thomas Jones
Ludlow England. No. 26. - View in Dinham; Thomas Jones (British, active 1860s - 1870s); 1865 - 1870; Albumen silver print

View Ludlow England Thomas Jones British active 1860s
View of Ludlow, England; Thomas Jones (British, active 1860s - 1870s); 1865 - 1870; Albumen silver print

Road Gorge Naples 1782 Watercolor gum arabic glazes
Artokoloro

Santa Maria de Monti Naples 10 1781 Graphite
Artokoloro

An Imaginary Coast Scene, with the Temple of Venus at Baiae Signed and dated, lower right: " T Jones | 1773", Thomas Jones, 1742-1803, British

The Vale of Pencerrig, Thomas Jones, 1742-1803, British

View of the Campi Flegrei from the Camaldolese Convent near Naples View of the Campi Flegrei from the Camaldolise Convent, Thomas Jones, 1742-1803, British

Lake Albano, Italy Signed and dated, lower right: Tho Jones
Lake Albano, Italy Signed and dated, lower right: " Tho Jones. | MDCCLXVII | Roma" [1777], Thomas Jones, 1742-1803, British

An Imaginary Italianate Landscape with Classical Figures and a Waterfall, Thomas Jones, 1742-1803, British

An Imaginary Landscape with a Traveller and Figures Overlooking the Bay of Baiae Signed and dated in green paint, very faint, lower right: " [...] Jones | 1773", Thomas Jones, 1742-1803

CM6 8331 Thomas Jones, Ford Lotus Cortina
Thomas Jones, Ford Lotus Cortina, YAJ 4, Historic Touring Car Championship, HSCC Easter Revival 2015. 4th April 2015, BARC, British Automobile Racing Club, ByBox, cars, circuit racing

CM6 8292 Thomas Jones, Ford Lotus Cortina
Thomas Jones, Ford Lotus Cortina, YAJ 4, Historic Touring Car Championship, HSCC Easter Revival 2015. 4th April 2015, BARC, British Automobile Racing Club, ByBox, cars, circuit racing

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Thomas Jones, a talented creator born in Penkerrig, Wales in 1772, left an indelible mark on the art world with his remarkable works. His engravings captured pivotal moments in history such as "The Trial of Patrick O Donnell at the Old Bailey for the Murder of James Carey, " showcasing his keen eye for detail and storytelling. Jones' artistic prowess extended beyond historical events; he also depicted landscapes that transported viewers to different places and times. In "Near Tivoli" (1777), he skillfully portrayed nature's beauty, evoking a sense of serenity and tranquility. Similarly, his engraving titled "A Hilltop Near Naples" (1782) showcased breathtaking scenery that mesmerized all who beheld it. Not limited to capturing serene scenes, Jones also documented significant social events like "The Funeral of the Late Lord Ranelagh at Fulham Church. " Through this engraving, he immortalized a momentous occasion while paying homage to those who had passed away. However, Thomas Jones wasn't solely focused on documenting life's grandeur; he was equally concerned with depicting its hardships. In "The Flooded Colliery at Troedyrhiw, Rescue of the Miners, " Jones highlighted humanity's resilience amidst adversity. This powerful image serves as a reminder of our ability to overcome challenges together. Jones' talent transcended borders as well. From England's Volunteer Sham Fight at Brighton to America's St. Louis baseball team captured in his White Border series (T206), his work spanned continents and cultures. In addition to these notable pieces, Jones delved into more intimate subjects through sketches like those found in Scotland Yard. These glimpses into daily life offered insight into society during his time. Thomas Jones left an enduring legacy through his artistry and attention to detail. Whether capturing historical events or natural wonders near Naples or even sporting moments across countries and cultures, his works continue to captivate audiences.