Temperament Collection (page 18)

John Biglin in a Single Scull, 1873 (watercolour on paper)
822958 John Biglin in a Single Scull, 1873 (watercolour on paper) by Eakins, Thomas Cowperthwait (1844-1916); 42.9x61 cm; Private Collection; (add.info.: John Biglin in a Single Scull)

Well, Upon My Word, (oil on canvas)
822948 Well, Upon My Word, (oil on canvas) by Markham, Charles Cole (1837-1907); 56x36 cm; Private Collection; (add.info.: Well, Upon My Word. Charles Cole Markham (1837-1907. Oil on canvas)

The Black Veil, (oil on canvas)
827293 The Black Veil, (oil on canvas) by Boldini, Giovanni (1842-1931); 93.5x61.5 cm; Private Collection; (add.info.: The Black Veil. Giovanni Boldini (1842-1931). Oil on canvas

Two Studies of Ellen, the Artists Daughter, (black, red and white chalk)
827279 Two Studies of Ellen, the Artists Daughter, (black, red and white chalk) by Helleu, Paul Cesar (1859-1927); 52x37.5 cm; Private Collection; (add.info.: Two Studies of Ellen)

An Elegant Lady, Standing full-length, (black, red and white chalk)
827229 An Elegant Lady, Standing full-length, (black, red and white chalk) by Helleu, Paul Cesar (1859-1927); 74.2x56 cm; Private Collection; (add.info.: An Elegant Lady, Standing full-length)

The Letter, (oil on canvas)
827157 The Letter, (oil on canvas) by Giraud, Eugene (1806-81); 69x50 cm; Private Collection; (add.info.: The Letter. Eugene Giraud (1806-1881). Oil on canvas

A Doctor tending a swooning Girl, 1713 (oil on panel)
827710 A Doctor tending a swooning Girl, 1713 (oil on panel) by Mieris, Frans van the Younger (1689-1763); 49.8x41 cm; Private Collection; (add.info.: A Doctor tending a swooning Girl)

Saint Mary Magdalen, (oil on panel)
827652 Saint Mary Magdalen, (oil on panel) by Benson, Ambrosius (1495-1550); 77.5x64.8 cm; Private Collection; (add.info.: Saint Mary Magdalen. Ambrosius Benson (c.1495-1550). Oil on panel

Portrait of George Talbot, Earl of Shrewsbury, c. 1582 (black, brown and red chalk)
827592 Portrait of George Talbot, Earl of Shrewsbury, c.1582 (black, brown and red chalk) by French School, (16th century); 33.2x22.3 cm; Private Collection; (add.info.: Portrait of George Talbot)

Figures in a Picture Gallery (watercolour and gouache)
827348 Figures in a Picture Gallery (watercolour and gouache) by Hau, Eva (19th century); 19.7x25.1 cm; Private Collection; (add.info.: Figures in a Picture Gallery. Eva Hau (19th Century)

Portrait of a Lady, seated, (red, black and white chalk)
827230 Portrait of a Lady, seated, (red, black and white chalk) by Helleu, Paul Cesar (1859-1927); 61x48 cm; Private Collection; (add.info.: Portrait of a Lady, seated. Paul Cesar Helleu (1859-1927)

Fisherman on the Edge of a Pond in the Village of Avary;Pecheur au Bord de L
827224 Fisherman on the Edge of a Pond in the Village of Avary; Pecheur au Bord de L Etang a Ville d Avray, c.1850-55 (oil on canvas) by Corot

A Sultry Beauty, 1883 (oil on canvas)
827119 A Sultry Beauty, 1883 (oil on canvas) by Courtois, Gustave Claude Etienne (1853-1924); 39.4x33 cm; Private Collection; (add.info.: A Sultry Beauty. Gustave Claude Etienne Courtois (1853-1924)

A Vegetable Market; Un Marche aux Legumes, 1874 (oil on canvas)
827102 A Vegetable Market; Un Marche aux Legumes, 1874 (oil on canvas) by Meerts, Frans (1836-96); 74.3x125.8 cm; Private Collection; (add.info.: A Vegetable Market; Un Marche aux Legumes)

The Class Pranksters, (oil on canvas)
827063 The Class Pranksters, (oil on canvas) by Trupheme, Auguste Joseph (1836-98); 90.2x130.2 cm; Private Collection; (add.info.: The Class Pranksters. Auguste Joseph Trupheme (1836-1898)

Waiting, 1860 (oil on canvas)
827036 Waiting, 1860 (oil on canvas) by Dicksee, Thomas-Francis (1819-95); 76.7x63.5 cm; Private Collection; (add.info.: Waiting. Thomas-Francis Dicksee (1819-1995). Oil on canvas. Painted in 1860

Two Gypsys; Dos Gitanas, 1913 (oil on canvas)
827025 Two Gypsys; Dos Gitanas, 1913 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 110.7x88.8 cm; Private Collection; (add.info.: Two Gypsys; Dos Gitanas)

Portrait of Madam Zborowska; Ritratto di Mne Zborowska, 1917 (oil on canvas)
825641 Portrait of Madam Zborowska; Ritratto di Mne Zborowska, 1917 (oil on canvas) by Modigliani, Amedeo (1884-1920); 80.6x45 cm; Private Collection; (add.info)

The Duchess of Montejasi-Cicerale; Duchesse de Montejasi-Cicerale, c
825560 The Duchess of Montejasi-Cicerale; Duchesse de Montejasi-Cicerale, c.1868 (oil on canvas) by Degas, Edgar (1834-1917); 45x37.5 cm; Private Collection; (add.info)

Leontine in a Pink Fluffy Hat, 1898 (pastel on tan paper)
825459 Leontine in a Pink Fluffy Hat, 1898 (pastel on tan paper) by Cassatt, Mary Stevenson (1844-1926); 38.1x28.2 cm; Private Collection; (add.info.: Leontine in a Pink Fluffy Hat)

Young Woman Sitting; Jeune Fille Assise, 1921 (oil on board)
825350 Young Woman Sitting; Jeune Fille Assise, 1921 (oil on board) by Pascin, Jules (1885-1930); 65.4x54 cm; Private Collection; (add.info.: Young Woman Sitting; Jeune Fille Assise)

Sitting on a Bench; Sur le Banc, c. 1848 (oil on canvas)
825341 Sitting on a Bench; Sur le Banc, c.1848 (oil on canvas) by Gonzales, Eva (1849-83); 40.7x33 cm; Private Collection; (add.info.: Sitting on a Bench; Sur le Banc. Eva Gonzales (1849-1883)

Spanish Girl with a Red Scarf; Spanierin mit rotem Schal, c. 1912 (oil on board)
826149 Spanish Girl with a Red Scarf; Spanierin mit rotem Schal, c.1912 (oil on board) by Jawlensky, Alexej von (1864-1941); 64.4x46.3 cm; Private Collection; (add.info)

Grandmere chaussant une Fillette, 1931 (oil on canvas)
825910 Grandmere chaussant une Fillette, 1931 (oil on canvas) by Valadon, Marie Clementine (Suzanne) (1865-1938); 92x73 cm; Private Collection; (add.info.: Grandmere chaussant une Fillette)

Pink-Orange; Rosa-Orange, 1929 (oil on paper laid down on by the artist on board)
825742 Pink-Orange; Rosa-Orange, 1929 (oil on paper laid down on by the artist on board) by Jawlensky, Alexej von (1864-1941); 30.7x23.8 cm; Private Collection; (add.info.: Pink-Orange; Rosa-Orange)

Young Girls Sitting Together (recto); Jeune Filles Attablees (recto)
825725 Young Girls Sitting Together (recto); Jeune Filles Attablees (recto), 1915-1919 (oil on canvas) by Pascin, Jules (1885-1930); 60.3x54 cm; Private Collection; (add.info)

You are requested to keep the Hall Doors shut on Account of the Animals in the Park (litho)
1056786 You are requested to keep the Hall Doors shut on Account of the Animals in the Park (litho) by Waller, Samuel Edmund (1850-1903) (after); Private Collection; (add.info)

Extracts from the Diary of Samuel Willowmere, who with Jacob Porteous visits the Zuyder Zee (colour litho)
1040064 Extracts from the Diary of Samuel Willowmere, who with Jacob Porteous visits the Zuyder Zee (colour litho) by Browne

Evening Musings, The Tide of Time, 1876 (pen and brush and sepia wash and pencil on paper
985371 Evening Musings, The Tide of Time, 1876 (pen and brush and sepia wash and pencil on paper) by Melrose, Andrew (1826-1901); 57x78 cm; Private Collection; (add.info.: Evening Musings)

Shakespeare quotes illustrated - the language of her body
Shakespeare quotes illustrated: " Theres language in her eye, her cheek, her lip - nay, her foot speaks" (" And this is the woman I have married" )

Melancholia, 1532 (oil on panel)
3087158 Melancholia, 1532 (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 51x97 cm; Statens Museum for Kunst, Copenhagen, Denmark; German, out of copyright

A fight during the grocers strike, Paris, 1899. Artist: Henri Meyer
A fight during the grocers strike, Paris, 1899. An illustration from Le Petit Journal, 8th January 1899

The facial characteristics of a melancholic person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a melancholic person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a loafer, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a loafer, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a strict, intellegent person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a strict, intellegent person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a philosophical and profound person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a philosophical and profound person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a cheating, deceptive tempered person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a cheating, deceptive tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a fiery, passionate tempered person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a fiery, passionate tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a quick tempered person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a quick tempered person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a jovial and kind person, 1808. Artist: Johann Kaspar Lavater
The facial characteristics of a jovial and kind person, 1808. A print from le Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The facial characteristics of a miser, 1808. Artist: Athanasius Kircher
The facial characteristics of a miser, 1808. A print from Le Lavater Portatif, Hocquart, Paris, 1808. Physiognomical portraits

The relation of Man, the microcosm, with the Universe, the macrocosm, c1617. The spheres of the Sun, Moon and planets and the hierarchy of angels and archangels

Diagram showing mans position in the universe, 1617-19. Artist: Robert Fludd
Diagram showing mans position in the universe, 1617-19. Relation of man (the microcosm), with the universe (the macrocosm), showing spheres of Sun, Moon and planets

Moliere / Mariage Force
LE MARIAGE FORCE Dorimene tells her husband he should be delighted to have a wife of her temperament Date: 1664

Pierre Poiret
PIERRE POIRET French churchman of mystical temperament. Date: 1646 - 1719

Melancolia, 1560 (engraving)
XJF465172 Melancolia, 1560 (engraving) by Brun, Franz Isaac (c.1535-c.1610/20); 7.1 x 4.7 cm; Private Collection; German, out of copyright

Summer, 1717 (oil on canvas)
XIR16840 Summer, 1717 (oil on canvas) by Tournieres, Robert (1668-1752); 128x95 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

The choleric temperament (the fire element), Hugo de Groot, Jacob de Gheyn (II), 1596 - 1597

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"Capturing the Essence: Exploring Temperament through Art" In this captivating collection of artworks, we delve into the intricate world of temperament. Each piece tells a unique story, shedding light on the diverse range of human emotions and personalities. A signed photograph of Sigmund Freud, c. 1921 (sepia photo), takes us back in time to the father of psychoanalysis himself. His intense gaze hints at his deep understanding of the complexities that lie within our minds. Next, we encounter "A Mediterranean Beauty" (oil on canvas), radiating with warmth and passion. The vibrant colors and graceful brushstrokes embody a fiery temperament that is both alluring and enigmatic. Moving on to "Girl Reading, 1916" (oil on canvas), we witness tranquility and introspection. The young girl's focused expression suggests a contemplative nature, lost in her own world as she immerses herself in literature. In contrast, "Flower Seller; Vendedora de flores, c. 1934" (oil on canvas) exudes vivacity and charm. This spirited vendor captivates us with her infectious energy as she interacts with passersby while selling her colorful blooms. The playful scene depicted in "Kittens Playing on Desk" (oil on canvas) brings forth a sense of innocence and curiosity. These mischievous felines remind us to embrace spontaneity and find joy in life's simplest pleasures. "The Jewel Box" (pencil and watercolor on paper) invites us into a realm filled with elegance and refinement. Its delicate details evoke an air of sophistication while hinting at hidden treasures waiting to be discovered. "Bucking Bronco, 1903" (oil on canvas laid down on masonite) captures raw power and determination as it freezes a moment amidst an exhilarating rodeo ride. It symbolizes those who possess unwavering resilience and a fearless spirit. "Cup of Chocolate.