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Scaffold Collection (#10)

"Scaffold: A Testament to Human Ingenuity and Progress" Throughout history

Background imageScaffold Collection: Market Day Flemish Town Flemish city View square

Market Day Flemish Town Flemish city View square
Market Day in a Flemish Town, Market Day in a Flemish city. View of a square in a city. In the foreground, market people offer their goods for sale: eggs, vegetables, fruit, glasses and flutes

Background imageScaffold Collection: Sydney Carton On The Scaffold. 'it Is A Far, Far Better Thing That I Do

Sydney Carton On The Scaffold. "it Is A Far, Far Better Thing That I Do, Than I Have Ever Done: It Is A Far
Sydney Carton On The Scaffold. " it Is A Far, Far Better Thing That I Do, Than I Have Ever Done: It Is A Far, Far Better Rest That I Go To, Than I Have Ever Known

Background imageScaffold Collection: Fallen Leaves On The Grass In Front Of A Church In Autumn; Northumberland, England

Fallen Leaves On The Grass In Front Of A Church In Autumn; Northumberland, England

Background imageScaffold Collection: Donald Sutherland dangles from a rope in a scene from Don t Look Now (1973)

Donald Sutherland dangles from a rope in a scene from Don t Look Now (1973)
Donald Sutherland as John Baxter in a dangerous scene from Nic Roegs Don t Look Now (1973)

Background imageScaffold Collection: Scaffolding Erected for the Restoration of the Vault in St. Peters Basilica: Overview

Scaffolding Erected for the Restoration of the Vault in St. Peters Basilica: Overview of the Nave, ca. 1773

Background imageScaffold Collection: The Clock Tower, Paris, 1852. Creator: Charles Meryon

The Clock Tower, Paris, 1852. Creator: Charles Meryon
The Clock Tower, Paris, 1852

Background imageScaffold Collection: The injured Mason, 1786-1787 (1939). Artist: Francisco Goya

The injured Mason, 1786-1787 (1939). Artist: Francisco Goya
The injured Mason, 1786-1787 (1939). Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workersś safety

Background imageScaffold Collection: Trajans Column. Relief depicting scenes of Dacian War (1101

Trajans Column. Relief depicting scenes of Dacian War (1101-106 A.D.) Forum of Trajan. Rome. Italy

Background imageScaffold Collection: Cathedral arch keystone, artwork

Cathedral arch keystone, artwork
Cathedral arch keystone. Artwork of the keystone for an arch in a medieval cathedral being lowered into place. The keystone completes the arch

Background imageScaffold Collection: Malaysia - Men of the Sakai tribe

Malaysia - Men of the Sakai tribe
These men of the Malaysian Northern Sakai tribe have built a scaffolding system enabling them to cut down a tall (and very wide!) tree at an easier higher level

Background imageScaffold Collection: Marie Antoinette on her way to the scaffold, Paris, 1793

Marie Antoinette on her way to the scaffold, Paris, 1793
Engraving showing Marie Antoinette (1755-1793), the wife of King Louis XVI of France, being taken from her prison cell to the guillotine, October 1793

Background imageScaffold Collection: Refurbishment of a building, Sheffield city centre, South Yorkshire, 1967. Artist

Refurbishment of a building, Sheffield city centre, South Yorkshire, 1967. Artist
Refurbishment of a building, Sheffield city centre, South Yorkshire, 1967. The refurbishment of Oxford house, a city centre office block in Barkers Pool

Background imageScaffold Collection: Walshs department store in Sheffield prior to its redevelopment, South Yorkshire, 1966

Walshs department store in Sheffield prior to its redevelopment, South Yorkshire, 1966. The front of the store was to be demolished

Background imageScaffold Collection: Early 1950s Bedford M Tipper delivering aggregates to a building site, South Yorkshire, July 1954

Early 1950s Bedford M Tipper delivering aggregates to a building site, South Yorkshire, July 1954. The site was the National Coal Boards (NCB)

Background imageScaffold Collection: Commercial shop unit construction in Rotherham, South Yorkshire, 1962

Commercial shop unit construction in Rotherham, South Yorkshire, 1962. Wade Construction working on the new offices of Pearl Assurance in central Rotherham

Background imageScaffold Collection: Retail regeneration in Rotherham, South Yorkshire, 1962. Artist: Michael Walters

Retail regeneration in Rotherham, South Yorkshire, 1962. Artist: Michael Walters
Retail regeneration in Rotherham, South Yorkshire, 1962. Construction work taking place in central Rotherham by Wade construction in 1962

Background imageScaffold Collection: Protome of half horse, the Apadana, Persepolis, Iran

Protome of half horse, the Apadana, Persepolis, Iran. The capital of Achaemenid Persia, Persepolis was predominantly built during the reigns of the dynastys founder

Background imageScaffold Collection: Iona Abbey, Argyll and Bute, Scotland

Iona Abbey, Argyll and Bute, Scotland. The island of Iona in the Inner Hebrides is one of the holiest sites associated with Christianity in Britain

Background imageScaffold Collection: The Magpie on the Gallows. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)

The Magpie on the Gallows. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)
The Magpie on the Gallows. Found in the collection of Hessisches Landesmuseum Darmstadt

Background imageScaffold Collection: Wigmore Street, Westminster, London, 1820 (1878). Artist: Thomas Hosmer Shepherd

Wigmore Street, Westminster, London, 1820 (1878). Artist: Thomas Hosmer Shepherd
Wigmore Street, Westminster, London, 1820 (1878). From Old and New London Illustrated, Vol IV, by Edward Walford. [Cassell Petter & Galpin, London, Paris & New York, 1878]

Background imageScaffold Collection: King George V and Queen Mary at a Sunderland shipyard during World War I, June 15th, 1917, (1935)

King George V and Queen Mary at a Sunderland shipyard during World War I, June 15th, 1917, (1935). King George V (1865-1936) Queen Mary of Teck (1867-1953) at Sunderland shipyard

Background imageScaffold Collection: The Quay, Bristol, c1918. Artist: Frederick Charles Richards

The Quay, Bristol, c1918. Artist: Frederick Charles Richards
The Quay, Bristol, c1918. Drawing held at the Newport Museum and Art Gallery, Wales. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

Background imageScaffold Collection: Church of St Germain-l Auxerrois, 1915. Artist: Raymond Ray-Jones

Church of St Germain-l Auxerrois, 1915. Artist: Raymond Ray-Jones
Church of St Germain-l Auxerrois, 1915. From Paris Past and Present. [London Offices of the Studio, London, 1915]

Background imageScaffold Collection: Changing the Interior of the Abbey, 1937

Changing the Interior of the Abbey, 1937. The construction of seating in Westminster abbey for King George VIs coronation

Background imageScaffold Collection: The final stages of the Mast; the street is some quarter mile below, c1931

The final stages of the Mast; the street is some quarter mile below, c1931. Artist: Lewis Wickes Hine
The final stages of the Mast; the street is some quarter mile below, c1931. The final stages of the Mast; the street is some quarter mile below

Background imageScaffold Collection: Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928

Electrical Power Station at Water Orton, Hams Hall, near Birmingham, 1928. From The Studio Volume 98 [London Offices of the Studio, London, 1929.]

Background imageScaffold Collection: The Gatehouse Rochester, 1925. Artist: Sir Leslie Matthew Ward

The Gatehouse Rochester, 1925. Artist: Sir Leslie Matthew Ward
The Gatehouse Rochester. Jaspers Gatehouse, Rochester, Kent. Dating from the early fifteenth century, the gatehouse is the bachelor flat of Cathedral organist John Jasper in Charles Dickenss last

Background imageScaffold Collection: Cathedral of St Stephen (Stephansdom), Vienna, Austria. Artist: HC White

Cathedral of St Stephen (Stephansdom), Vienna, Austria. Artist: HC White
Cathedral of St Stephen (Stephansdom), Vienna, Austria. The Gothic Stephansdom is famous for its magnificent tiled roof and 450 foot high South Tower

Background imageScaffold Collection: Steeplejacks on the spire of All Saints Church, Poplar, London, 1926-1927

Steeplejacks on the spire of All Saints Church, Poplar, London, 1926-1927. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)

Background imageScaffold Collection: Edward the Confessor watching the building of Westminster Abbey, c1050, (c1920)

Edward the Confessor watching the building of Westminster Abbey, c1050, (c1920). Artist: Richard Caton Woodville II
Edward the Confessor watching the building of Westminster Abbey, c1050, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

Background imageScaffold Collection: The Gates of Pedro Miguel Lock, 1912. Artist: Joseph Pennell

The Gates of Pedro Miguel Lock, 1912. Artist: Joseph Pennell
The Gates of Pedro Miguel Lock, 1912. A picture showing the construction of the Pedro Miguel Lock on the Panama Canal. From The Studio Volume 57, [London Offices of the Studio, London, 1912-13]

Background imageScaffold Collection: Entrance to the tunnel of the Liverpool & Manchester railway, Edge Hill, Liverpool, c1820s

Entrance to the tunnel of the Liverpool & Manchester railway, Edge Hill, Liverpool, c1820s. Artist: John Davies
Entrance to the tunnel of the Liverpool & Manchester railway, Edge Hill, Liverpool, c1820s. This tunnel, seen here under construction ran from Edge Hill to Lime Street, Liverpool

Background imageScaffold Collection: Iron ship, Messrs Samudas yard, Isle of Dogs, London, c1880

Iron ship, Messrs Samudas yard, Isle of Dogs, London, c1880
Iron ship in frame on the stocks, Messrs Samudas yard, Isle of Dogs, London, c1880. A print from Great Industries of Great Britain, Volume I, published by Cassell Petter and Galpin, (London, Paris)

Background imageScaffold Collection: Taste: The Gate of Burlington House, 1731. Artist: William Hogarth

Taste: The Gate of Burlington House, 1731. Artist: William Hogarth
Taste: The Gate of Burlington House, 1731. Contemplations upon a coronet. 1797. Illustration from Social Caricature in the Eighteenth Century

Background imageScaffold Collection: The Clinic of Balneotherapy, Yessentuki, Russia, 1915

The Clinic of Balneotherapy, Yessentuki, Russia, 1915. Situated in the northern Caucasus, Yessentuki has been a popular spa resort since the 19th century due to the properties of the mineral water

Background imageScaffold Collection: Procession after the coronation of Tsar Alexander II of Russia, Moscow, 1856. Artist: Jean Sorieul

Procession after the coronation of Tsar Alexander II of Russia, Moscow, 1856. Artist: Jean Sorieul
Procession after the coronation of Tsar Alexander II of Russia, Moscow, 1856. The coronation of Emperor Alexander II (1818-1881) and Empress Maria Alexandrovna (1824-1880)

Background imageScaffold Collection: New Mormon Temple, Salt Lake City, Utah, late 19th century. Artist: John L Stoddard

New Mormon Temple, Salt Lake City, Utah, late 19th century. Artist: John L Stoddard
New Mormon Temple, Salt Lake City, Utah, late 19th century. View of the Salt Lake Temple under construction Photograph from Portfolio of Photographs, of Famous Scenes

Background imageScaffold Collection: The Old Town Below the Cemetery, Menton, 1890. Artist: Emmanuel Lansyer

The Old Town Below the Cemetery, Menton, 1890. Artist: Emmanuel Lansyer
The Old Town Below the Cemetery, Menton, 1890

Background imageScaffold Collection: Building a Chappe telegraph station, c1793, (c1870)

Building a Chappe telegraph station, c1793, (c1870). Claude Chappes (1763-1805) optical telegraph station used a system of rope

Background imageScaffold Collection: William Herschels reflecting telescope of 40 ft (12 m) focal length, 1789 (1807)

William Herschels reflecting telescope of 40 ft (12 m) focal length, 1789 (1807). Built by the German-born English astronomer, William Herschel (1738-1822), in the grounds of his home in Slough

Background imageScaffold Collection: A strike in Paris, 1898. Artist: Henri Meyer

A strike in Paris, 1898. Artist: Henri Meyer
A strike in Paris, 1898. An illustration from Le Petit Journal, 23rd October 1898

Background imageScaffold Collection: The Marina of Brest, c1750-1810. Artist: Nicolas Marie Ozanne

The Marina of Brest, c1750-1810. Artist: Nicolas Marie Ozanne
The Marina of Brest, c1750-1810

Background imageScaffold Collection: William Herschels reflecting telescope with focal length of 40 feet, Slough, England, 1809

William Herschels reflecting telescope with focal length of 40 feet, Slough, England, 1809. The illustration shows the top of the brick foundation

Background imageScaffold Collection: Building trade, c1845

Building trade, c1845. A bricklayer working on a wooden scaffold (centre), a brickyard (top), mixing mortar (right), and a labourer carrying a load up a long ladder (left)

Background imageScaffold Collection: Italiy. Venice. Saint Marks Basilica. Construction of the t

Italiy. Venice. Saint Marks Basilica. Construction of the t
Italiy. Venice. Saint Marks Basilica. North vault. Construction of the tower of Babel. Mosaic of the 13th century

Background imageScaffold Collection: Ostia Antica. Ruins

Ostia Antica. Ruins
Ostia Antica. Roman city. Ruins. Italy

Background imageScaffold Collection: Italy. Rome. Column of Trajan

Italy. Rome. Column of Trajan
Italy. Rome. Trajans Column. 2nd century A.D. Forum of Trajan



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"Scaffold: A Testament to Human Ingenuity and Progress" Throughout history, scaffolds have played a vital role in the construction of some of the world's most iconic structures. Dating back to 1827, bricklayers relied on these temporary frameworks as they meticulously built walls that would stand the test of time. One such example is Big Ben, whose majestic clock tower stood tall under a scaffold during its construction. The sight of this towering landmark shrouded in metal beams only added to its mystique and grandeur. Across the Atlantic Ocean, another symbol of freedom took shape amidst scaffolding - the Statue of Liberty. In Paris, craftsmen carefully assembled each piece under their watchful eyes, ensuring Lady Liberty would rise triumphantly above New York Harbor. Scaffolds also served as platforms for progress in other industries. In 1934, an awe-inspiring view captured Queen Mary at Clydebank shipyard in Glasgow. This giant Cunard liner showcased human achievement and engineering prowess against a backdrop of steel bars. Artists too found inspiration within these temporary structures. Francois Rude immortalized his work on canvas while working on the Arc de Triomphe in 1893. His brushstrokes encapsulated both beauty and labor intertwined within each stroke. Closer to home, bridges like Needle Eye Bridge over M1 at Barnsley stood proud thanks to scaffolding support during their construction phase. These architectural marvels connected communities and paved way for progress across South Yorkshire. In Cornwall's tin mining industry during the 19th century, miners relied on sturdy scaffolds deep underground as they extracted precious resources from Mother Earth's embrace – a testament to human resilience even in treacherous conditions. Religion too found solace within scaffolded walls; St George's Cathedral proudly claimed its title as one of the largest wooden churches globally—a spiritual sanctuary crafted with meticulous precision by skilled hands supported by timber frames reaching towards heaven. Even the most iconic structures required temporary support.