Robe Collection (page 20)

Le lever du matin, c.1926. Creator: Jean Joseph Weerts
Le lever du matin, c.1926. Morning

Portrait of a President à mortier in the parliament of Paris, c1700. Creator: Unknown
Portrait of a President a mortier in the parliament of Paris, c1700

Man with a Stick, c. 1500. Creator: Filippino Lippi
Man with a Stick, c. 1500

Eight saints. Creator: Moscow School
Eight saints

Saint Nikita, the stylite of Pereyaslav. Creator: Russian School
Saint Nikita, the stylite of Pereyaslav

Saint Charalampe and the demon. Creator: School of the Ionian Islands
Saint Charalampe and the demon

Portrait Icon of the Virgin and Child, c.1500. Creator: Greek School
Portrait Icon of the Virgin and Child, c.1500

The Ascension, between 1700 and 1800. Creator: School of Palekh
The Ascension, between 1700 and 1800

Presentation of the Virgin in the Temple, between 1700 and 1800. Creator: School of Palekh
Presentation of the Virgin in the Temple, between 1700 and 1800

Saint Cosmas and Saint Damian, between 1500 and 1600. Creator: Cretan School
Saint Cosmas and Saint Damian, between 1500 and 1600

Saint Peter, Saint Vincent and Saint Victor, between 1500 and 1600. Creator: Greek School
Saint Peter, Saint Vincent and Saint Victor, between 1500 and 1600

Menology of the month of October, between 1750 and 1800. Creator: Novgorod school
Menology of the month of October, between 1750 and 1800

Menology of the month of October, between 1750 and 1800. Creator: Novgorod school
Menology of the month of October, between 1750 and 1800

Menology of the month of October, between 1750 and 1800. Creator: Novgorod school
Menology of the month of October, between 1750 and 1800

Menology of the month of October, between 1750 and 1800. Creator: Novgorod school
Menology of the month of October, between 1750 and 1800

Menology of the month of August, between 1750 and 1800. Creator: Novgorod school
Menology of the month of August, between 1750 and 1800

Menology of the month of August, between 1750 and 1800. Creator: Novgorod school
Menology of the month of August, between 1750 and 1800

Menology of the month of August, between 1750 and 1800. Creator: Novgorod school
Menology of the month of August, between 1750 and 1800

Menology of the month of August, between 1750 and 1800. Creator: Novgorod school
Menology of the month of August, between 1750 and 1800

Menology of the month of August, between 1750 and 1800. Creator: Novgorod school
Menology of the month of August, between 1750 and 1800

Menology of the month of August, between 1750 and 1800. Creator: Novgorod school
Menology of the month of August, between 1750 and 1800

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school
Menology of the month of July, between 1750 and 1800

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school
Menology of the month of July, between 1750 and 1800

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school
Menology of the month of July, between 1750 and 1800

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school
Menology of the month of July, between 1750 and 1800

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school
Menology of the month of July, between 1750 and 1800

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school
Menology of the month of July, between 1750 and 1800

Menology of the month for February, between 1750 and 1800. Creator: Novgorod school
Menology of the month for February, between 1750 and 1800

Menology of the month for February, between 1750 and 1800. Creator: Novgorod school
Menology of the month for February, between 1750 and 1800

Menology of the month for February, between 1750 and 1800. Creator: Novgorod school
Menology of the month for February, between 1750 and 1800

Saints Theodore, David, Constantine, Basil and Constantine, between 1600 and 1650. Creator: Stroganov School
Saints Theodore, David, Constantine, Basil and Constantine, between 1600 and 1650

The Annunciation, between 1600 and 1625. Creator: Novgorod school
The Annunciation, between 1600 and 1625

Saint George and scenes from his life, between 1500 and 1600. Creator: Novgorod school
Saint George and scenes from his life, between 1500 and 1600

Arthur P. Owens, between 1913 and 1918. Creator: Harris & Ewing. Arthur P. Owens, between 1913 and 1918
Arthur P. Owens, between 1913 and 1918. Wearing academic robes

Saint Nicholas and Saint Blaise, between 1500 and 1600. Creator: Novgorod school
Saint Nicholas and Saint Blaise, between 1500 and 1600

The Mother of God, inviolate mountain, between 1500 and 1525. Creator: Novgorod school
The Mother of God, inviolate mountain, between 1500 and 1525

The Archbishop of Wallachia, 1854. Creator: Unknown
The Archbishop of Wallachia, 1854. From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

Tibetans with Mastiff, 1944. Creator: Zhang Daqian
Tibetans with Mastiff, 1944

Tibetans with Mastiff, 1944. Creator: Zhang Daqian
Tibetans with Mastiff, 1944

'Beecham's Pills, 1891. Creator: Unknown
'Beecham's Pills, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Saint Paul, between 1400 and 1500. Creator: Unknown
Saint Paul, between 1400 and 1500

The New Bard, 6 August 1946, (1947). Creator: Unknown
The New Bard, 6 August 1946, (1947). Princess Elizabeth (future Queen Elizabeth II) is admitted to the circle of the Bards of Wales during the National Eisteddfod of Wales at Mountain Ash

Bachelor of Music, 10 July 1946, (1947). Creator: Unknown
Bachelor of Music, 10 July 1946, (1947). Princess Elizabeth (future Queen Elizabeth II) receives the honorary degree of Bachelor of Music at the London University

Portrait de Marie-Dominique Sibour (1792-1857), archevêque de Paris de 1848 à 1857, 1856. Creator: Thomas Couture
Portrait de Marie-Dominique Sibour (1792-1857), archeveque de Paris de 1848 a 1857, 1856

Two Draped Women Standing on Either Side of a Herm, 1488/1493. Creator: Filippino Lippi
Two Draped Women Standing on Either Side of a Herm, 1488/1493

The Standard Bearer, c. 1516/1518. Creator: Albrecht Altdorfer
The Standard Bearer, c. 1516/1518

Esquisse pour la salle des mariages de la mairie du 19ème arrondissement de la Ville... 1880
Esquisse pour la salle des mariages de la mairie du 19eme arrondissement de la Ville de Paris : Ceres - L'Abondance encourageant le Travail, 1880

Sketch for the town hall of the 3rd arrondissement - The law, c1875. Creator: Achille Louis Joseph Sirouy
Sketch for the town hall of the 3rd arrondissement - The law, c1875

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"Robe: A Symbol of Healing, Sharing, and Justice Across Cultures" The robe has long been a powerful symbol in various cultures, representing different aspects of life. In Jesus Healing The Sick, the humble robe embodies compassion and divine healing as it touches those in need. In St. Martin sharing his coat, the painting depicts an act of selflessness and generosity. The robe becomes a metaphor for warmth and protection offered to the less fortunate. At St. Gatien Cathedral in Tours, Indre-et-Loire, the majestic robes worn by clergy evoke reverence and spirituality. They remind us of the sacredness within these walls. Virgen del Carmen tilework in Malaga showcases intricate patterns adorning her flowing robes. These vibrant designs celebrate faith and cultural heritage while honoring this revered figure. Above the Old Bailey Law Courts in London stands The Scales of Justice draped with a judge's robe. This emblematic image represents fairness and impartiality within our legal system. Tsai Shen Yeh - The Chinese God of wealth is often depicted wearing luxurious robes adorned with symbols of prosperity. His attire signifies abundance and good fortune bestowed upon believers. The Song of the Mad Prince by Harry Clarke features ethereal figures clad in elaborate robes that transport us into a realm where imagination reigns supreme. Et in Arcadia ego by Nicolas Poussin portrays shepherds donning rustic robes against idyllic landscapes—a reminder that even amidst paradise lies mortality's presence. In Arthur Szyk's drawing depicting Hans Christian Andersen's fairy tale "The Emperor of China with the nightingale, " ornate imperial robes emphasize power but also vulnerability to beauty's allure. A woman raising her skirts to scare off evil spirits demonstrates how garments can serve as protective shields against malevolent forces lurking around us—an age-old belief shared across cultures. Dante Alighieri wears a distinguished robe as he embarks on his journey through Hell, Purgatory, and Paradise in Domenico di Michelino's painting.