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Menology of the month of July, between 1750 and 1800. Creator: Novgorod school

Menology of the month of July, between 1750 and 1800. Creator: Novgorod school


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Menology of the month of July, between 1750 and 1800. Creator: Novgorod school

Menology of the month of July, between 1750 and 1800

Heritage Images features heritage image collections

Media ID 36247489

© Heritage Art/Heritage Images

Calendar Enthroned Icon July Martyr Martyrdom Menology Month Novgorod Novgorod School Orthodox Respect School Novgorod Step Steps Throne Velikiy Novgorod Russia


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EDITORS COMMENTS
This Menology print, created by the esteemed Novgorod School between 1750 and 1800, showcases the enthroned figures of various saints venerated during the month of July. The richly colored composition, now housed in the Petit Palais Museum in Paris, transports us back to the 18th century, where the influence of French and Russian artistic traditions intertwine. The full-length figures, dressed in intricately patterned robes, are depicted in a respectful and pious manner, reflecting the deep-rooted Christian faith of the time. The central figure, Saint Guy of Amiens, stands proudly on the steps of his throne, clad in a brown robe adorned with gold detailing. His red and golden robes, a symbol of his martyrdom, are a testament to his enduring legacy. The other saints, including Santa Justa and Santa Rufina, are also depicted in similar regal attire, their faces expressing a sense of calm and serenity. The overall design of the print is a stunning example of the artistic heritage of the time, with the saints' robes showcasing intricate patterns and bold colors that would have been fashionable during the 18th century. This Menology print, a precious relic of the past, invites us to reflect on the importance of religious institutions and the role they played in shaping the art and culture of the time. The Novgorod School's masterful depiction of these saints continues to inspire and captivate art lovers and historians alike, offering a glimpse into the past and a reminder of the enduring power of religious art.

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