Fraud Blocker Skip to main content

Prince Regent Collection (#6)

"Prince Regent

Background imagePrince Regent Collection: His Majestys Embarkation at Greenwich, for Scotland, 1822

His Majestys Embarkation at Greenwich, for Scotland, 1822. View of George IV and his entourage embarking for Scotland on the River Thames at Greenwich. He is being waved off by figures in boats

Background imagePrince Regent Collection: Turtle doves and turtle soup!!, 1822. Artist

Turtle doves and turtle soup!!, 1822. Artist
Turtle doves and turtle soup!!, 1822. A scene on board the Royal Yacht. George IV is wearing Highland dress and kneeling at the feet of Lady Hell-fling-stone

Background imagePrince Regent Collection: Returned from a Northern Visit, 1823

Returned from a Northern Visit, 1823. King George IV lolling on a sofa, his arm round Lady Conyngham who is rubbing his thigh; Sir William Curtis is leaning against the chimneypiece

Background imagePrince Regent Collection: A Thousand Warm Receptions in the North, 1823

A Thousand Warm Receptions in the North, 1823. A court at Holyroodhouse during George IVs Northern Excursion, August 1822

Background imagePrince Regent Collection: The Benefits of a Northern Excursion, or R-l pastime at home (ie) fiddling and dancing!, c1822

The Benefits of a Northern Excursion, or R-l pastime at home (ie) fiddling and dancing!, c1822. King George IV in Highland dress dancing on one toe; he is attended by Viscount Sidmouth; Lady

Background imagePrince Regent Collection: Loyal Addresss & Radical Petitions... 1819. Artist

Loyal Addresss & Radical Petitions... 1819. Artist
Loyal Addresss & Radical Petitions, or the R-ts most gracious answer to both sides of the question at once, 1819. The Prince Regent standing on a dais

Background imagePrince Regent Collection: Interior view of the Rose Satin Drawing Room in Carlton House, Westminster, London, 1818

Interior view of the Rose Satin Drawing Room in Carlton House, Westminster, London, 1818

Background imagePrince Regent Collection: Interior view of the gothic dining room in Carlton House, Westminster, London, 1819

Interior view of the gothic dining room in Carlton House, Westminster, London, 1819

Background imagePrince Regent Collection: View of the staircase at Carlton House, Westminster, London, c1811

View of the staircase at Carlton House, Westminster, London, c1811

Background imagePrince Regent Collection: Interior view of the lower vestibule in Carlton House, Westminster, London, 1819

Interior view of the lower vestibule in Carlton House, Westminster, London, 1819

Background imagePrince Regent Collection: Mother Cole, 1821

Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile

Background imagePrince Regent Collection: An Irish wake... 1821

An Irish wake... 1821
An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh

Background imagePrince Regent Collection: Bat, Cat and Mat, how happy could I be with either, 1821

Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer

Background imagePrince Regent Collection: Delicious Dreams! Castles in the air! Glorious prospects!, 1821

Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)

Background imagePrince Regent Collection: The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. Artist

The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. Artist
The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. In the foreground the Archbishop of Canterbury is crowning the king, who sits in St Edwards chair

Background imagePrince Regent Collection: Grand entrance to Bamboozl em, 1821

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

Background imagePrince Regent Collection: Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton

Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton
Humpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her

Background imagePrince Regent Collection: A late arrival at Mother Wood s, 1820

A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic

Background imagePrince Regent Collection: The exile restored... 1820

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

Background imagePrince Regent Collection: The coronation of George IV in Westminster Abbey, London, 1821

The coronation of George IV in Westminster Abbey, London, 1821. The king is seated on a throne with the archbishops and bishops doing homage and figures looking on from the sides

Background imagePrince Regent Collection: Carlton House, Westminster, London, 1821. Artist: J Sidgwick

Carlton House, Westminster, London, 1821. Artist: J Sidgwick
Carlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd

Background imagePrince Regent Collection: A Morning Ride, 1804. Artist: James Gillray

A Morning Ride, 1804. Artist: James Gillray
A Morning Ride, 1804. The Prince of Wales and John McMahon ride past Carlton House followed by a groom on horseback and an urchin dressed in top hat and tattered livery, on foot

Background imagePrince Regent Collection: General Blackbeard wounded at the battle of Leadenhall, 1784. Artist

General Blackbeard wounded at the battle of Leadenhall, 1784. Artist
General Blackbeard wounded at the battle of Leadenhall, 1784. Charles James Fox (General Blackbeard) lying on the ground amid his followers

Background imagePrince Regent Collection: The fate of City Rem-ces, 1770

The fate of City Rem-ces, 1770. King George III seated at a table; at his foot lie various papers inscribed Humble petition and remonstrance

Background imagePrince Regent Collection: The Thunderer, 1782

The Thunderer, 1782. Colonel Tarleton as Bobadil standing holding out a drawn sword. On his right stands the Prince of Wales with a plume of three ostrich feathers in place of a head

Background imagePrince Regent Collection: The grand review on Sydenham Common

The grand review on Sydenham Common... 1792. Dressed in military uniform, King George III, followed by William Pitt the Younger, Edmund Burke and others, is chasing the Prince of Wales

Background imagePrince Regent Collection: The Prince of Wales at York House, London, 1792

The Prince of Wales at York House, London, 1792. The visit to Piccadilly, or a Prussian reception, representing Shon-ap-Morgan, Shentleman of Wales, introducing his old nanny goat into high company

Background imagePrince Regent Collection: Queen Carolines procession

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Background imagePrince Regent Collection: Design for a new coat of arms... 1821

Design for a new coat of arms... 1821
Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity

Background imagePrince Regent Collection: Intended statues for Waterloo Place, 1821. Artist: JL Marks

Intended statues for Waterloo Place, 1821. Artist: JL Marks
Intended statues for Waterloo Place, 1821. Two large figures on a low pedestal embracing. King George IV is shown as Bacchus and Lady Conyngham as Ariadne

Background imagePrince Regent Collection: An old friend with a new face or the baron in disguise, 1821

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

Background imagePrince Regent Collection: The man of the woods & the cat-o -mountain, 1821

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Background imagePrince Regent Collection: Moments of pleasure, 1820

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

Background imagePrince Regent Collection: The secret insult! or bribery & corruption rejected!!!, 1820

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Background imagePrince Regent Collection: Stewards Court of the Manor of Torre Devon, 1820. Artist

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

Background imagePrince Regent Collection: View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820

View of the residence of Queen Caroline in Portman Street, Marylebone, London, c1820

Background imagePrince Regent Collection: Banquet at the Guildhall, City of London, 1814 (1815)

Banquet at the Guildhall, City of London, 1814 (1815). Interior view of the Guildhall during a banquet in honour of the Prince Regent (the future George IV), Tsar Alexander I

Background imagePrince Regent Collection: The Pall Mall Apollo or R-ty in a blaze, 1816. Artist: Isaac Cruikshank

The Pall Mall Apollo or R-ty in a blaze, 1816. Artist: Isaac Cruikshank
The Pall Mall Apollo or R-ty in a blaze, 1816. The Prince Regent is dressed as Apollo, McMahon as Mercury pours a chamber pot over his flaming head. On the left are two statues

Background imagePrince Regent Collection: Procession of the Prince Regent, 1814

Procession of the Prince Regent, 1814. A broad sheet at the head of which is depicted the procession of the Prince Regent to Guildhall to celebrate peace after the Napoleonic Wars

Background imagePrince Regent Collection: Results of the northern excursion, 1822. Artist: George Cruikshank

Results of the northern excursion, 1822. Artist: George Cruikshank
Results of the northern excursion, 1822. The image shows George IV and Sir William Curtis. The King is rubbing his fingers, a gesture known as playing the Scotch fiddle

Background imagePrince Regent Collection: Pray remember us poor children, 1795. Artist: Isaac Cruikshank

Pray remember us poor children, 1795. Artist: Isaac Cruikshank
Pray remember us poor children, 1795. Duke of York, Duke of Clarence and Prince of Wales at the door of the House of Commons. Henry Addington, Charles Fox and William Pitt speak

Background imagePrince Regent Collection: Lord Mayor of London, John Thomas Thorp, dressed for a royal coronation, 1821. Artist

Lord Mayor of London, John Thomas Thorp, dressed for a royal coronation, 1821. Artist
Lord Mayor of London, John Thomas Thorp, dressed in his coronation robe, ostrich feather hat and mace for the coronation of King George IV, 1821

Background imagePrince Regent Collection: King George IVs Coronation Procession, London, 1821

King George IVs Coronation Procession, London, 1821. Panoramic view of the royal procession from Westminster Hall to Westminster Abbey for King George IVs coronation

Background imagePrince Regent Collection: A_d_n Cur_it_is. a Trifle from Ramsgate, (Alderman Curtis), c1821

A_d_n Cur_it_is. a Trifle from Ramsgate, (Alderman Curtis), c1821. Showing a profile view of Sir William Curtis, later Lord Mayor of London

Background imagePrince Regent Collection: King George IV riding through Hyde Park, London, 1831. Artist: Matthew Dubourg

King George IV riding through Hyde Park, London, 1831. Artist: Matthew Dubourg
King George IV riding through Hyde Park, London, 1831. By-standers watch as the king rides past in his carriage

Background imagePrince Regent Collection: The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821

The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper

Background imagePrince Regent Collection: George III feeding himself on guineas, London, 1787

George III feeding himself on guineas, London, 1787
Monstrous craws, at a new coalition feast, London, 1787; showing King George III, Queen Charlotte and the Prince of Wales seated outside the treasury round a bowl of guineas

Background imagePrince Regent Collection: Monument to George IV, Battle Bridge (now Kings Cross), London, 1835

Monument to George IV, Battle Bridge (now Kings Cross), London, 1835
View of the octagonal monument to King George IV at Battle Bridge, London, 1835. The monument was erected in 1836 and the area of Battle Bridge was subsequently re-named Kings Cross



All Professionally Made to Order for Quick Shipping

"Prince Regent: A Glimpse into the Extravagant Life of Royalty" Step back in time and explore the world of the Prince Regent through captivating artworks and historical snapshots. "Princely Predilections or, Ancient Music and Modern Discord, 1812" unveils a colorful engraving that reflects his love for music amidst societal tensions. In "The Modern Job. Or John Bull and his Comforts. , 1816, " witness the satirical portrayal of this influential figure navigating political challenges. Delve into family dynamics with "Princess Amelia of Brunswick and Her Daughter Princess Charlotte, 1919, " a masterpiece by George Hayter capturing their intimate bond. Discover the enigmatic persona of George Canning in an intriguing portrait from c1810. Nature enthusiasts will appreciate glimpses of beauty within Regents Park, as Ethel Davies's lens transports us to its serene landscapes in 2005. Meanwhile, Thomas Gainsborough's enchanting artwork "Mrs. Robinson (Perdita), 1781" immortalizes one of Prince Regent's romantic interests. Uncover political unrest during this era through "Loyal Addresses and Radical Petitions, 1819. " The engraving titled "'A Strong Proof of the Flourishing State of the Country exemplified in the Proposed Emigration to the Cape of Good Hope. ', 1819" sheds light on emigration trends during turbulent times. Explore personal relationships with Mrs. Fitzherbert through J Cook's depiction from 1786, revealing a connection shrouded in secrecy. An anonymous creation called "The General Toast: Honor and Honesty, Love and Loyalty, Fitz and Good Company. . " celebrates camaraderie surrounding Prince Regent on October 20th. Immerse yourself further into history with "A Trip to Brighton a Hundred Years Ago; Saloon in the Prince of Wales’s Marine Pavilion, " offering insight into the lavish lifestyle of this regal figure.