Plate 24 Collection

Tavola XXIV Delle antichita di Ercolano Baiardi
Tavola XXIV, Delle antichita di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, 1757-1792, Plate 24 on page 125. This is not an overall view of the page

Plate 24 Collection des tableaux et arabesques
Plate 24, Collection des tableaux et arabesques antiques, trouves a Rome dans les ruines des thermes de Titus: avec un avant-propos et un texte explicatif abrege des planches, Ponce, Nicolas

published le Charivari no du 4 Septembre 1842
published in le Charivari (no du 4 Septembre 1842): Ancient History, plate 24: The Abandonment of Ariadne, 4 September 1842. Honore Daumier (French, 1808-1879), Aubert

Suite Vases Plate 24 1746 Jacques Francois Saly
Suite of Vases: Plate 24, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 24 Ragland Castle Monmouthshire
Liber Studiorum: Plate 24, Ragland Castle, Monmouthshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching

published le Charivari no 4 du septembre 1842
published in le Charivari (no 4 du septembre 1842): Ancient History, plate 24: The Abandonment of Ariadne, 4 September 1842. Honore Daumier (French, 1808-1879), Aubert

Plate 24 Israelites Rebuilding Walls Jerusalem
Artokoloro

Rue Transnonain le 15 Avril 1834 Plate 24 l Association mensuelle
Artokoloro

Plate 24 Warring Men Born Serpent Teeth Militum Seges e draconis dentium seminio
Artokoloro

Plate 24 herdsman atop horse leads cattle down
Artokoloro

Drawings Prints, Print, Plate 24, Geometria XXIIII, E-Series Tarocchi Cards, Artist
Drawings and Prints, Print, Plate 24: Geometria XXIIII, from E-Series Tarocchi Cards, Artist, Anonymous, Italian, 15th century, Anonymous, Italian, 15th century, 1400, 1500

Plate 24 Arch Pola Istria Gate Arco di Pola Istria vicino alla Porta
Artokoloro

Studies Arms Shoulders Hands 1548-1628 Pen
Artokoloro

Plate 24 Advance Guard New Roman Troops Turned Back
Artokoloro

Coast Yorkshire Whitby Liber Studiorum part V
Artokoloro

Plate 24 donkeys Various animals Diversi animali
Artokoloro

Plate 24, Part of Section 10, Borough of the Bronx. Bounded by E. 152nd Street, Kelly Street, Avenue St. John, Southern Boulevard, E. 149th Street, Austin Place, E

Plate 24, Part of Sections 3&5: Bounded by E. 42nd Street, East River Piers First Avenue, E. 37th Street and Third Avenue

Plate 24, Part of Section 5: Bounded by E. 77th Street, Third Avenue, E. 71st Street
Plate 24, Part of Section 5: Bounded by E. 77th Street, Third Avenue, E.71st Street and Fifth Avenue

Plate 24: Bounded by Avenue I, Ocean Avenue, Avenue O, 22nd Avenue, Bay Ridge Street, 21st Avenue and West Street

Plate 24: Part of Section 6

Plate 24: Part of Ward 24 & 25. Brooklyn, N. Y
Plate 24: Part of Ward 24 & 25. Brooklyn, N.Y

Plate 24: Part of Ward 17. City of Brooklyn

Plate 24: Bounded by Twelfth Avenue Hudson River Piers, W. 60th Street, West End Avenue, W. 64th Street, Columbus Avenue, and W. 47th Street

Plate 24: Map bounded by Bowery, Rivington Street, Allen Street, Grand Street. 1852, 1854, William Perris, New York, N.Y. USA

Plate 24: Map bounded by Myrtle Avenue, Cumberland Street, Lafayette Avenue, Raymond Street. 1855, William Perris, Brooklyn, New York, N.Y. USA

Plate 24: Map bounded by Houston Street, Bowery, Broome Street, Crosby Street. 1857, 1862, Perris and Browne, New York, USA

Bungalow, Darjeeling, India, 1850 C016 / 5890
Bungalow belonging to the British naturalist Brian Houghton Hodgson (1800-1894) in Darjeeling, India, circa 1850. Plate 24, from the scrapbook collection made by Hodgson

Head of fly, 17th-century microscopy C016 / 5861
Head of a fly. 17th-century artwork showing the head of a drone fly, observed with an early microscope. Published in Micrographia (1665) by the English scientist Robert Hooke (1635-1703)

Orion constellations, 1829 C016 / 4410
Orion constellations. 19th-century map of stars and constellations from the celestial atlas Sozviezdiia Predstavlennyia na XXX Tablitsakh (1829) by Kornelius Reissig

Insects of Surinam, 18th century C013 / 6582
Insects of Surinam. 18th-century artwork showing two species of beetle, with larvae, on a Mexican or prickly poppy. This artwork is Plate 24 from Metamorphosibus Insectorum Surinamensium (1705)

Plate 24 by Louis-Isidore Duperrey from his Voyage de la Coquille 1822-1825, Zoologie Atlas, 1826

Plate 24 from Mineralogie
Mine de Fer grise de Saxe Coloree gorge de Pigeon. From Recuille complet de Mineralogie? vol.5 (1790) by F.L. Swebach Desfontaines

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Plate 24 showcases the remarkable design by Michelangelo for St Peter's Basilica, a masterpiece that has stood the test of time. This engraving from Vatican and St Peter's Basilica, created in 1882 by Paul Marie Letarouilly, Volume I, takes us on a visual journey through different designs for this iconic structure. The details captured in this plate focus on the tholobate and lantern of the great dome, highlighting their intricate beauty and architectural brilliance. The precision with which these elements are depicted is truly awe-inspiring. As we delve deeper into Plate 24, we encounter various other intriguing references. "Tavola XXIV Delle antichita di Ercolano Baiardi" transports us to ancient times while "Plate 24 Collection des tableaux et arabesques" immerses us in an artistic world filled with elegance and creativity. In addition to its historical significance, it also offers glimpses into different periods and themes. From Jacques Francois Saly's "Suite Vases Plate 24, " showcasing delicate craftsmanship from 1746, to the depiction of Ragland Castle Monmouthshire in William Turner's "Liber Studiorum Plate 24, " each artwork tells its own unique story. Furthermore, this plate brings attention to significant events such as the rebuilding of Jerusalem's walls by Israelites or Rue Transnonain le 15 Avril 1834 l'Association mensuelle published on September 4th in Charivari no du septembre1842. These historical moments remind us of human resilience and determination. Lastly, we witness scenes like Warring Men Born Serpent Teeth Militum Seges e draconis dentium seminio where conflict unfolds before our eyes or when a herdsman atop his horse leads cattle down a path – both capturing everyday life with extraordinary detail. Plate 24 serves as a window into history, artistry, and the human experience.