Piety Collection (page 6)

Christian armed (colour litho)
956028 Christian armed (colour litho) by Shaw, John Byam Liston (1872-1919); Private Collection; (add.info.: The Pilgrims Progress published by Charles Scribners & Sons); English, out of copyright

The Nun, c. 1836 (oil on canvas)
NYH149686 The Nun, c.1836 (oil on canvas) by Flagg, George Whiting (1816-97); 76.2x61 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American, out of copyright

Aureus (reverse) of Lucilla, daughter of Marcus Aurelius (AD 161-AD 180
BEN119147 Aureus (reverse) of Lucilla, daughter of Marcus Aurelius (AD 161-AD 180) depicting Pietas standing left sacrificing over altar

Bacon, the Great Sculptor; or, Piety and Genius combined (engraving)
6008144 Bacon, the Great Sculptor; or, Piety and Genius combined (engraving) by English School, (19th century); Private Collection; (add.info.: Bacon, the Great Sculptor; or)

"Christian armed"from The Pilgrims Progress From This World
5615802 " Christian armed" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

Window depicting the Pelican in her Piety above the Crucifixion (stained glass)
1277828 Window depicting the Pelican in her Piety above the Crucifixion (stained glass) by French School, (16th century); Eglise Saint Lo, Bourg-Achard, France; (add.info.: Bourg-Achard)

Old Woman Meditating, c. 1661-63 (oil on panel)
3704066 Old Woman Meditating, c.1661-63 (oil on panel) by Metsu, Gabriel (1629-67); 27.3x23.2 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: ); Dutch, out of copyright

Penitent Magdalene, 1453-55 (wood)
875240 Penitent Magdalene, 1453-55 (wood) by Donatello, (c.1386-1466); height: 188 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian, out of copyright

Two Men Contemplating the Moon, c. 1825-30 (oil on canvas)
3615975 Two Men Contemplating the Moon, c.1825-30 (oil on canvas) by Friedrich, Caspar David (1774-1840); 34.9x43.8 cm; Metropolitan Museum of Art, New York

View of Trinity Lavra of St. Sergius, 1912 (oil on canvas)
3122655 View of Trinity Lavra of St. Sergius, 1912 (oil on canvas) by Kustodiev, Boris Mikhailovich (1878-1927); Tretyakov Gallery, Moscow, Russia; Photo eFine Art Images; Russian, out of copyright

S Peters Basilica in the Vatican, The Piety (Michael Angelo) (b / w photo)
2802410s Peters Basilica in the Vatican, The Piety (Michael Angelo) (b/w photo) by Italian Photographer, (20th century); Private Collection; (add.info.:s Peters Basilica in the Vatican)

Royal Stone (Colour Litho)
2809065 Royal Stone (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Royal pity. Queen Elena has recently visited the Military Sanatorium of Anzio)

The Cold Water Army Pledge, 1842 (litho)
745903 The Cold Water Army Pledge, 1842 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: The Cold Water Army Pledge by Charles J)

William Page Wood, Baron Hatherley (colour litho)
612797 William Page Wood, Baron Hatherley (colour litho) by Pellegrini, Carlo (1866-1937); Private Collection; (add.info.: William Page Wood, Baron Hatherley)

Lords Northbrook, Granville, Selbourne and Salisbury (colour litho)
613019 Lords Northbrook, Granville, Selbourne and Salisbury (colour litho) by Chartran, Theobald (1849-1907); Private Collection; (add.info.: Lords Northbrook, Granville, Selbourne and Salisbury)

Portrait of Eva Booth at the grave of her father, General William Booth, c
MNY381342 Portrait of Eva Booth at the grave of her father, General William Booth, c.1915 (silver gelatin print) by Byron Company (fl.1890-1942); 25.4x20.3 cm; Museum of the City of New York

The Sacred Heart of Jesus, 2nd half of nineteenth century (mixed media)
CHT327018 The Sacred Heart of Jesus, 2nd half of nineteenth century (mixed media) by French School, (19th century); Private Collection; (add.info)

Detail from Madonna of Loreto, c. 1606 (oil on canvas)
704303 Detail from Madonna of Loreto, c.1606 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Chiesa di San Agostino, Rome, Italy; (add.info.: Madonna dei Pellegrini.); Italian

Saint Catherine of Alexandria (tempera & gold leaf on panel)
704155 Saint Catherine of Alexandria (tempera & gold leaf on panel) by Italian School, (14th century); Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: Saint Catherine of Alexandria)

St. Augustine, St. John and St. Jerome
704116 St. Augustine, St. John and St. Jerome by Guercino (Giovanni Francesco Barbieri) (1591-1666); Chiesa di San Agostino, Rome, Italy; Italian, out of copyright

Visiting the Virgin of Benodet, 1898 (oil on canvas)
XMP215948 Visiting the Virgin of Benodet, 1898 (oil on canvas) by Buland, Jean Eugene (1851-1927); 115.5x146.5 cm; Musee des Beaux-Arts, Quimper, France; French, out of copyright

Chapel of St. Ignatius of Loyola, Chiesa del Gesu, illustration from the album
REV326197 Chapel of St. Ignatius of Loyola, Chiesa del Gesu, illustration from the album Rome dans sa grandeur, 1870 (colour litho) by Benoist, Felix (1813-1896); Bibliotheque des Arts Decoratifs

The Crozier of the Abbesses of the Cistercian Convent Abbaye du Lys
XIR397308 The Crozier of the Abbesses of the Cistercian Convent Abbaye du Lys (silver gilt & rock crystal) by French School, (13th century); Musee Lambinet, Versailles

A young saint kneeling in prayer (pen & brown ink with brown wash and heightening)
CTS404683 A young saint kneeling in prayer (pen & brown ink with brown wash and heightening) by Muziano, Girolamo (1532-92) (circle of); 14.4x92 cm; eThe Devonshire Collections

Christ bearing His Cross encounters St Veronica (pen & brown ink with heightening)
CTS404483 Christ bearing His Cross encounters St Veronica (pen & brown ink with heightening) by Fontana, Lavinia (1552-1614) (attr)

Praying kneeling figure of Duc Jean de Berry (1340-1416) Count of Poitiers
XIR217785 Praying kneeling figure of Duc Jean de Berry (1340-1416) Count of Poitiers, 15th-18th century (stone) (b/w photo) by French School; Saint-Etienne Cathedral, Bourges

Offering to the Virgin the Day After the Wedding, 1885 (oil on canvas)
XIR222714 Offering to the Virgin the Day After the Wedding, 1885 (oil on canvas) by Buland, Jean Eugene (1851-1927); 144x209 cm; Musee des Beaux-Arts, Caen

The Treasure of Guarrazar (colour litho)
CHT293200 The Treasure of Guarrazar (colour litho) by Spanish School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Ms 40-1950, f. 7v: Dedication page from a Book of Hours belonging to John Talbot, c
FIT276934 Ms 40-1950, f.7v: Dedication page from a Book of Hours belonging to John Talbot, c.1424 (vellum) by French School, (15th century); 27.8x11.3 cm; Fitzwilliam Museum, University of Cambridge

St. Catherine of Alexandria, early 16th century (oil on panel)
FIT276924 St. Catherine of Alexandria, early 16th century (oil on panel) by Flemish School, (16th century); 86.5x31.8 cm; Fitzwilliam Museum, University of Cambridge

Decorating the Old Font, 1871 (oil on board)
CW278948 Decorating the Old Font, 1871 (oil on board) by Lobley, James (1829-88); 28.5x21.6 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

A seraphim, Aaron and the donor and family (stained glass)
PC316096 A seraphim, Aaron and the donor and family (stained glass) by French School, (13th century); Chartres Cathedral, Chartres, France; French, out of copyright

Marlay Cutting SP. 5: Four female saints, from a Book of Hours produced in Ghent or Bruges
FIT276931 Marlay Cutting SP.5: Four female saints, from a Book of Hours produced in Ghent or Bruges, c.1510 (vellum) by Flemish School, (16th century); 22.5x15.3 cm; Fitzwilliam Museum

Ms Lat 18014 Jean de France (1340-1416) Duke of Berry Praying Before the Eternal Father
BLY159990 Ms Lat 18014 Jean de France (1340-1416) Duke of Berry Praying Before the Eternal Father, from Les Petites Heures de Duc de Berry, c.1385-90 (vellum) by Hesdin

Reading lesson in a convent, 1810 (oil on canvas)
BWM153214 Reading lesson in a convent, 1810 (oil on canvas) by Granet, Francois-Marius (1775-1849); 99x76.8 cm; The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; French

Ms 372 fol. 59v A nun taking her vows and mass performed by a bishop
XIR181275 Ms 372 fol.59v A nun taking her vows and mass performed by a bishop, from Decrets de Gratien (vellum) (see 181276 for detail) by French School, (13th century); Bibliotheque Municipale

Sister Maria Caterina, 1732 (pastel)
FTB71855 Sister Maria Caterina, 1732 (pastel) by Carriera, Rosalba Giovanna (1675-1757); 44x35 cm; Ca Rezzonico, Museo del Settecento, Venice, Italy; Italian, out of copyright

Ms 48 fol. 181 Jean de France (1340-1416) Duke of Berry praying before St
XIR197292 Ms 48 fol.181 Jean de France (1340-1416) Duke of Berry praying before St. Andrew, from the Lectionnaire de la Sainte-Chapelle de Bourges, c.1404-10 (vellum) by French School

The Ex Voto, 1898 (oil on canvas)
XMP195500 The Ex Voto, 1898 (oil on canvas) by Royer, Henri (1869-1938); Musee des Beaux-Arts, Quimper, France; (add.info)

Piety, Love, and Sorrow (engraving)
1607970 Piety, Love, and Sorrow (engraving) by English School, (19th century); Private Collection; (add.info.: Piety, Love, and Sorrow. Illustration for The Illustrated London News, 23 December 1854)

Penitent Magdalene, c. 1453-55 (wood)
875239 Penitent Magdalene, c.1453-55 (wood) by Donatello, (c.1386-1466); height: 188 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian, out of copyright

Piety; Piedad, (oil on board)
824815 Piety; Piedad, (oil on board) by Figari, Pedro (1861-1938); 47.3x61.6 cm; Private Collection; (add.info.: Piety; Piedad. Pedro Figari (1861-1938). Oil on board

Piety, Prudence, and Charity, and the Modern Christian (engraving)
1052361 Piety, Prudence, and Charity, and the Modern Christian (engraving) by Gregory, Edward John (1850-1909); Private Collection; (add.info.: Piety, Prudence, and Charity, and the Modern Christian)

Bunyans "Pilgrims Progress"at Grosvenor House (engraving)
1059667 Bunyans " Pilgrims Progress" at Grosvenor House (engraving) by Woods, Henry (1846-1921); Private Collection; (add.info.: Bunyans " Pilgrims Progress" at Grosvenor House)

The Industrious Prentice Performing the Duty of a Christian, 1747 (engraving)
1071410 The Industrious Prentice Performing the Duty of a Christian, 1747 (engraving) by Hogarth, William (1697-1764); 26.4x34.9 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts

Industry and Idleness [after Hogarths The Industrious
1071408 Industry and Idleness [after Hogarths The Industrious Prentice Performing the Duty of a Christian], 1807 (engraving) by Cole, Thomas (1801-1848); 13.0175x16.8275x cm; Dallas Museum of Art

Pelican in Her Piety [reverse], c. 1446. Creator: Pisanello
Pelican in Her Piety [reverse], c. 1446

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"Exploring the Depths of Piety: A Glimpse into Art and Devotion" In the realm of art, piety finds its voice through masterpieces that transcend time. Jean Francois Millet's "The Angelus, 1857-1859" captures a moment of profound devotion, reminding us to pause and reflect on our spiritual connection. Another depiction emerges in "The Venerable Bede translating the last chapter of St John, " an illustration from "An Outline of Christianity. " This timeless image transports us back to a bygone era when faith was intertwined with scholarly pursuits. John Wesley's portrait from 1788 reveals a man whose unwavering dedication to God shaped his life and teachings. His countenance radiates piety as he stands as a testament to religious fervor during his time. Armand Jean le Bouthillier de Rance, depicted both in an engraving and an oil painting, exemplifies piety through his role as abbot. His commitment to monastic life serves as inspiration for those seeking spiritual enlightenment. St. Bruno's portrayal in "Praying in the Desert" showcases the power of solitude and contemplation in fostering deep connections with divinity. The canvas whispers stories of devotion amidst desolation. Thomas Becket's act of washing beggars' feet captured in an engraving reminds us that true piety lies not only in prayer but also in humble service towards others, and is a call to embrace compassion alongside our reverence for higher powers. Stephan Paumgartner portrayed as Saint George reflects how individuals intertwine their personal identity with saintly figures, finding strength and guidance within their chosen patron saints. Santiago de Compostela Cathedral stands tall against the Galician landscape—a beacon drawing countless pilgrims seeking solace or expressing gratitude for divine intervention along their arduous journeys. Its grandeur speaks volumes about collective acts of faith.