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Two Men Contemplating the Moon, c. 1825-30 (oil on canvas)

Two Men Contemplating the Moon, c. 1825-30 (oil on canvas)


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Two Men Contemplating the Moon, c. 1825-30 (oil on canvas)

3615975 Two Men Contemplating the Moon, c.1825-30 (oil on canvas) by Friedrich, Caspar David (1774-1840); 34.9x43.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: These two figures seen from behind have been identified as Friedrich and his friend and disciple August Heinrich (1794-1822). Fascination with the moon ran high among the German Romantics, who regarded the motif as an object of pious contemplation.); German, out of copyright

Media ID 22455234

© Bridgeman Images

Back Behind Contemplation Dark German Romanticism Moon Moonlight Motif Piety Pious Rear Silhouette Spiritual Symbolism Symbolic


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> Arts > Art Movements > Landscapes

> Arts > Art Movements > Romanticism

> Arts > Artists > Caspar David Friedrich

> Arts > Artists > F > Caspar David Friedrich

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Nature-inspired artwork

> Arts > Landscape paintings

> Fine Art Finder > Artists > Baldassarre (and workshop) Peruzzi

> Fine Art Finder > Artists > Caspar David Friedrich


EDITORS COMMENTS
This print showcases Friedrich's masterpiece, "Two Men Contemplating the Moon" painted between 1825 and 1830. The oil on canvas painting measures 34.9x43.8 cm and is housed in the prestigious Metropolitan Museum of Art in New York, USA. In this enigmatic artwork, we witness two figures standing amidst a serene landscape at nightfall. Viewed from behind, these individuals are believed to be Friedrich himself and his friend August Heinrich, who was also his disciple. Both men are immersed in deep thought as they gaze up at the moon with reverence. The German Romantics held a profound fascination for the moon, considering it an object of spiritual contemplation. This motif symbolizes their piety and devotion to nature's wonders. The dark silhouette of trees against the ethereal moonlight creates a mystical atmosphere that evokes a sense of awe and wonder. Friedrich's use of symbolism is evident throughout this composition; every element has its own significance within German Romanticism. From the rocky terrain representing nature's resilience to the figures' positioning emphasizing their pious introspection, each detail adds depth to this romantic portrayal. Through this remarkable piece, Friedrich invites us into a world where spirituality intertwines with nature's beauty—a testament to his mastery as one of Germany's most celebrated painters during that era.

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