Oil On Canvas Collection (page 2)

Gisber Vrou Old painting lady oil on canvas 16th century
Gisber Vrou, Old painting of a lady, oil on canvas, ca. 16th century, Picture frame, h 53.1 cm × w 37.2 cm × d 3 cm h 42.5 cm × w 29.4 cm

Picture frame Soager Vrou Old painting lady duck
Picture frame, h 53 cm × w 37.5 cm × d 2.8 cm h 42.5 cm × w 29.8 cm, Soager Vrou, Old painting of a lady holding a duck, oil on canvas, ca. 16th century

Mumkedamer Maecht Old painting lady red flower
Mumkedamer Maecht, Old painting of a lady holding a red flower, oil on canvas, ca. 16th century, Picture frame, h 52.8 cm × w 36.5 cm × d 3 cm h 42.4 cm × w 28.7 cm

Picture frame Staverse Vrou Old painting lady
Picture frame, h 53.2 cm × w 37.2 cm × d 3.8 cm, Staverse Vrou, Old painting of a lady holding a roll of fabric, oil on canvas, ca. 16th century

Enchuser Maecht Old painting lady flower oil on canvas
Enchuser Maecht, Old painting of a lady holding a flower, oil on canvas, ca. 16th century, Picture frame, h 52.5 cm × w 37.2 cm × d 3.1 cm h 42.2 cm × w 29.4 cm

Vafluaeier Vrou Old painting lady oil on canvas
Vafluaeier Vrou, Old painting of a lady with a butter churner, oil on canvas, ca. 16th century, Picture frame, h 52.8 cm × w 36.8 cm × d 2.9 cm h 42.5 cm × w 29.4 cm

Picture frame Hoechtwouder Vrou Old painting
Picture frame, h 52.4 cm × w 37.4 cm × d 2.9 cm h 42.2 cm × w 30 cm, Hoechtwouder Vrou, Old painting of a lady holding cheeses, oil on canvas, ca. 16th century

Edamer Vrou Old painting lady flower oil on canvas
Edamer Vrou, Old painting of a lady holding a flower, oil on canvas, ca. 16th century, Picture frame, h 53 cm × w 37.4 cm × d 2.1 cm h 42.7 cm × w 30.1 cm

Picture frame Harderwijker Vrou Old painting
Harderwijker Vrou, Old painting of a lady holding three wooden sticks, Picture frame, h 52.7 cm × w 32.1 cm × h 2.7 cm w 42.1 cm × d 29.4 cm, oil on canvas, ca. 16th century

Picture frame old painting lady duck basket Beetser
Old painting with a lady, a duck and a basket. Beetser Maecht. Picture frame, h 53 cm × w 36.5 cm × h 2.8 cm w 42.8 cm × d 29.7 cm, oil on canvas, ca. 16th century

Picture frame Enchuser Vrou Old painting lady
Picture frame, h 52.3 cm × w 37 cm × d 2.6 cm h 41.2 cm × w 29.5 cm, Enchuser Vrou, Old painting of a lady holding a fish, oil on canvas, ca. 16th century

Oosterleecker Vrou Old painting lady duck Picture frame
Oosterleecker Vrou, Old painting of a lady holding a duck, Picture frame, h 53.2 cm × w 37.3 cm × d 2.9 cm h 42.9 cm × w 29.6 cm, oil on canvas, ca. 16th century

Picture frame Harderwijker Maecht Old painting
Harderwijker Maecht, Old painting of a lady holding three brooms. Picture frame, h 52.8 cm × w 37.5 cm × d 3 cm h 42.2 cm × w 29.8 cm, oil on canvas, ca. 16th century

Picture frame Edammer Maecht Old painting lady
Edammer Maecht, Old painting of a lady holding a flower, Picture frame, h 53.5 cm × w 36.9 cm × d 2.9 cm h 43 cm × w 29.2 cm, oil on canvas, ca. 16th century

Picture frame Munkedamer Vrou Old painting lady
Munkedamer Vrou, Old painting of a lady holding a flower, Picture frame, h 52.5 cm × w 37.1 cm × d 2.8 cm h 42 cm × w 29.5 cm, oil on canvas, ca. 16th century

Lansmoer Vrou Old painting lady basket eggs Picture frame
Lansmoer Vrou, Old painting of a lady holding a basket with eggs, Picture frame, h 53.2 cm × w 37.2 cm × d 2.9 cm h 42.6 cm × w 29.5 cm, oil on canvas, ca. 16th century

Picture frame Benninzbroecher Vrou Old painting
Benninzbroecher Vrou, Old painting of a lady holding two cheeses, Picture frame, h 52.2 cm × w 36.8 cm × d 2.8 cm h 42.5 cm × w 29.4 cm, oil on canvas, ca. 16th century

Graster Vrou Old painting lady pair of scissors
Graster Vrou, Old painting of a lady holding a pair of scissors and a basket, Picture frame, h 53 cm × w 36.5 cm × d 3.1 cm h 42.6 cm × w 29 cm, oil on canvas, ca. 16th century

Wooded Hilly Landscape Signed and dated in yellow ocher, lower left: Apether
Wooded Hilly Landscape Signed and dated in yellow ocher, lower left: " Apether - Londini | 1785", Abraham Pether, 1756-1812, British

Ann Hogarth Anne Hogarth, William Hogarth, 1697-1764, British

Rubens - La Adoration de los Reyes - Adoration of the Magi, 1610 by Peter Paul Rubens (1577-1640) in the Prado in Madrid

Henry Bellenden, Allan Ramsay, 1713-1784, British

Mary Adam signed and dated 1754, Allan Ramsay, 1713-1784, British

Arabella Pershall, Lady Glenorchy Inscribed, lower left: Arabella | Pershall
Arabella Pershall, Lady Glenorchy Inscribed, lower left: " Arabella | Pershall Lady | Glenorchy Ano | 1740" ; upper left: " A. Ramsay pinx

Alexander Boswell, Lord Auchinleck, Allan Ramsay, 1713-1784, British

Quentin McAdam, Henry Raeburn, 1756-1823, British

A Country Gentleman, Henry Walton, 1746-1813, British

North Country Mails at the Peacock, Islington, London Signed and dated, lower right: " J. Pollard | 1821 [possibly 1824]", James Pollard, 1792-1867, British

Frederick, Prince of Wales Inscribed, lower center: Frederick Prince of Wales Atat
Frederick, Prince of Wales Inscribed, lower center: " Frederick Prince of Wales Atat: Suosz", Charles Philips, 1708-1747, British

Tea Party at Lord Harringtons House, St. Jamess, Charles Philips, 1708-1747
Tea Party at Lord Harringtons House, St. James s, Charles Philips, 1708-1747, British

River Scene Moonlight River Scene Signed and dated in green paint, lower left: S
River Scene Moonlight River Scene Signed and dated in green paint, lower left: "s Pether 1840", Sebastian Pether, 1790-1844, British

Widow Costards cow and goods, distrained for taxes, are redeemed by the generosity of Johnny Pearmain, Edward Penny, 1714-1791, British

The Profligate Punished by Neglect, Edward Penny, 1714-1791, British

Portrait of a Group of Gentleman, with the Artist Conversation Piece with a Portrait of the Artist Canvivial Party, Francis Hayman, 1707/8-1776, British

Lovers in a landscape, Pieter Jan van Reysschoot, 1702-1772, Flemish

Landscape with Figures, Capt. Thomas Hastings, 1778-1854, British

George Biggin Signed and dated in black paint, lower right: Julius Ibbeston
George Biggin Signed and dated in black paint, lower right: " Julius Ibbeston pinx 1783", Julius Caesar Ibbetson, 1759-1817, British

The revelation of Olivias betrothal, from Twelfth Night, Act V
The revelation of Olivias betrothal, from " Twelfth Night, " Act V, Scene i The Revelation of Olivias Betrothal A Scene from Twelfth Night, V, i, c.1790, William Hamilton, 1751-1801, British

Edinburgh from the Braids Signed, lower left: Patk [??], Patrick Nasmyth
Edinburgh from the Braids Signed, lower left: " Patk [??]", Patrick Nasmyth, 1787-1831, British

Hawthornden Castle, near Edinburgh, Alexander Nasmyth, 1758-1840, British

Loch Awe, Argyllshire, Alexander Nasmyth, 1758-1840, British

Joseph Nollekens, Mary Moser, 1744-1819, British

The Virtuous Comforted by Sympathy, Edward Penny, 1714-1791, British

Thomas Abraham of Gurrington, Devon, John Opie, 1761-1807, British

Sir Ralph Milbanke, Bt. in the Uniform of the Yorkshire (North Riding) Militia Signed and dated in paint, lower right: " J. Northcote [pinxit?] 178[?]", James Northcote, 1746-1831, British

Children Playing with a Hobby Horse, Joseph Francis Nollekens, 1702-1748, Flemish

Sir William Elford, Bart. William Elford Heron-Shooting in Devon, James Northcote, 1746-1831, British

Portrait of a Family Conversation Piece, Joseph Francis Nollekens, 1702-1748, Flemish

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.