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Newsprint Collection (page 5)

"Newsprint: A Journey Through Time and Ink" Typesetting by hand, a meticulous craft that brought words to life on the pages of the Morning Post newspaper in London

Background imageNewsprint Collection: Vente Publique, from French Political posters of the Paris Commune, May 1871

Vente Publique, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: Guetteurs Parisiens, from French Political posters of the Paris Commune, May 1871

Guetteurs Parisiens, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: Boucherie Canine et Feline, from French Political posters of the Paris Commune, May 1871

Boucherie Canine et Feline, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: 10th Arrondissement de Paris, from French Political posters of the Paris Commune, May 1871

10th Arrondissement de Paris, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: Club de la Resistance, from French Political posters of the Paris Commune, May 1871

Club de la Resistance, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: Ouvriers, from French Political posters of the Paris Commune, May 1871

Ouvriers, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: Chiffonnier de La Villette, from French Political posters of the Paris Commune, May 1871

Chiffonnier de La Villette, from French Political posters of the Paris Commune, May 1871

Background imageNewsprint Collection: La Republique Sociale newspaper of 13th October 1881

La Republique Sociale newspaper of 13th October 1881

Background imageNewsprint Collection: Cartoon, The Censor at Work, WW1

Cartoon, The Censor at Work, WW1
Cartoon, The Censor at Work as he is seen by the Press, with a quotation from The Taming of the Shrew: Heres snip, and nip, and cut, and slish, and slash, Like to a censer in a barbers shop

Background imageNewsprint Collection: Amedeo Modigliani Beatrice Portrait de BA atrice Hastings

Amedeo Modigliani Beatrice Portrait de BA atrice Hastings
Amedeo Modigliani: Beatrice (Portrait de Beatrice Hastings), Amedeo Modigliani, 1916, Oil on canvas with newsprint, A British poet and journalist, Beatrice Hastings moved to Paris in 1914

Background imageNewsprint Collection: Rich Harbor travel picture 1938 147 K 7 oil paste color

Rich Harbor travel picture 1938 147 K 7 oil paste color
Rich Harbor (a travel picture), 1938, 147 (K 7), oil and paste color on newsprint on jute, 75.4 x 165 cm, Inscribed on the reverse of the stretcher: 1938. K 7

Background imageNewsprint Collection: Delivery of paper for newsprint, Fleet Street, London

Delivery of paper for newsprint, Fleet Street, London
Delivery of large rolls of paper for newsprint outside The Sun premises in Fleet Street, London. Date: circa 1970s

Background imageNewsprint Collection: Snap Playing Card - Winners

Snap Playing Card - Winners, newspaper seller. circa 1900s

Background imageNewsprint Collection: Observator Broadsheet

Observator Broadsheet
Front cover of The Observator, a political broadsheet newspaper. Date: 1682

Background imageNewsprint Collection: WW2 Christmas card, Carrying On

WW2 Christmas card, Carrying On! Date: 1939

Background imageNewsprint Collection: WWI Poster, Defence of the Realm

WWI Poster, Defence of the Realm
Defence of the Realm at the Court at Buckingham Palace, 12th August 1914. A poster in the form of an announcement, confirming the new powers put in place on the outbreak of war. Date: 1914

Background imageNewsprint Collection: Jewish Musician Mogador Costume Morocco 1842

Jewish Musician Mogador Costume Morocco 1842
Artokoloro

Background imageNewsprint Collection: Goetz Aided Gypsies 1845 Wood engraving stereotype

Goetz Aided Gypsies 1845 Wood engraving stereotype
Artokoloro

Background imageNewsprint Collection: Honora Daumier, Un Abus de confiance, French, 1808-1879, 1842, lithograph on newsprint

Honora Daumier, Un Abus de confiance, French, 1808-1879, 1842, lithograph on newsprint
Honora© Daumier, Un Abus de confiance, French, 1808-1879, 1842, lithograph on newsprint

Background imageNewsprint Collection: Honora Daumier, Trois heures du matin

Honora Daumier, Trois heures du matin
Honora© Daumier, Trois heures du matin... French, 1808-1879, 1847, lithograph on newsprint

Background imageNewsprint Collection: Josa Guadalupe Posada, Serafina, Mexican, 1851 - 1913, 1914?, metalcut on yellow

Josa Guadalupe Posada, Serafina, Mexican, 1851 - 1913, 1914?, metalcut on yellow
Josa© Guadalupe Posada, Serafina, Mexican, 1851 - 1913, 1914?, metalcut on yellow newsprint

Background imageNewsprint Collection: Honora Daumier (French, 1808 - 1879), Oh! la tant mieux aza prouve qu elle vient

Honora Daumier (French, 1808 - 1879), Oh! la tant mieux aza prouve qu elle vient
Honora© Daumier (French, 1808 - 1879), Oh! la tant mieux aza prouve qu elle vient!, 1847, lithograph on newsprint

Background imageNewsprint Collection: Honora Daumier (French, 1808 - 1879), Comme quoi, au village, la vertu la plus grla e

Honora Daumier (French, 1808 - 1879), Comme quoi, au village, la vertu la plus grla e
Honora© Daumier (French, 1808 - 1879), Comme quoi, au village, la vertu la plus grla© e, 1845, lithograph on newsprint

Background imageNewsprint Collection: Honora Daumier (French, 1808 - 1879), Eh! Eh! mais il parait que, 1843, lithograph

Honora Daumier (French, 1808 - 1879), Eh! Eh! mais il parait que, 1843, lithograph
Honora© Daumier (French, 1808 - 1879), Eh! Eh! mais il parait que, 1843, lithograph on newsprint

Background imageNewsprint Collection: Honora Daumier (French, 1808 - 1879), Attention, Gargouillet, v la le bourgeois

Honora Daumier (French, 1808 - 1879), Attention, Gargouillet, v la le bourgeois
Honora© Daumier (French, 1808 - 1879), Attention, Gargouillet, v la le bourgeois qui passe, 1842, lithograph on newsprint

Background imageNewsprint Collection: Honora Daumier (French, 1808 - 1879), Pas fameux? N est-ce pas!!, 1839, lithograph

Honora Daumier (French, 1808 - 1879), Pas fameux? N est-ce pas!!, 1839, lithograph
Honora© Daumier (French, 1808 - 1879), Pas fameux? N est-ce pas!!, 1839, lithograph on newsprint

Background imageNewsprint Collection: Honora Daumier (French, 1808 - 1879), Ma foi! c est comme on dit, 1840, lithograph

Honora Daumier (French, 1808 - 1879), Ma foi! c est comme on dit, 1840, lithograph
Honora© Daumier (French, 1808 - 1879), Ma foi! c est comme on dit, 1840, lithograph on newsprint



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"Newsprint: A Journey Through Time and Ink" Typesetting by hand, a meticulous craft that brought words to life on the pages of the Morning Post newspaper in London. The smell of fresh ink mingling with the hustle and bustle of Fleet Street, where delivery trucks unloaded bundles of newsprint. In c. 1942, amidst the chaos of war, an artist found solace in meditation as they delicately painted gouache on newsprint laid upon a board. Their brushstrokes captured moments of tranquility amid turmoil. During WW1, a powerful cartoon titled "The Censor at Work" depicted the struggles faced by journalists striving for truth amidst censorship. Newsprint became both weapon and shield against propaganda. Gaston Doumergue's stern gaze immortalized through Le Monde Illustre's b/w photo on June 21st, 1914 - forever etched onto fragile newsprint - capturing a moment before history took its course. Southland Paper mill in Lufkin, Texas churned out rolls using Kraft pulp in 1943. The machinery hummed tirelessly as paper transformed into vessels for information and stories. Traveling back to March 5th, 1770 - litho prints recounting the horrid Boston Massacre adorned brittle sheets of newsprint. They served as eyewitness accounts etching history onto their delicate fibers. March 16th, 1885 saw Huckleberry Finn banned in Concord, Massachusetts; an article from the Boston Daily Globe chronicled this controversial decision on faded newsprint pages that still held echoes of dissent. A litho print from c. 1854 showcased Boston's fight against slavery with fiery determination splashed across layers upon layers of aged newsprint – each stroke echoing cries for freedom within courtrooms' walls. On February 2nd, 1898 The New York World graced front pages with bold headlines that stirred hearts and minds.