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Mid 18th Century Collection (page 6)

Step back in time to the mid 18th century, where elegance and beauty abound. A lady gracefully strolls through a garden, her small child holding onto her hand tightly

Background imageMid 18th Century Collection: Christ Healing the Blind Man, c. 1751 (oil on canvas)

Christ Healing the Blind Man, c. 1751 (oil on canvas)
827762 Christ Healing the Blind Man, c.1751 (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 44.5x65.5 cm; Private Collection; (add.info.: Christ Healing the Blind Man)

Background imageMid 18th Century Collection: Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa

Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa
828313 Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa and Yemen up to Jiddah, c.1740 (ink and wash on paper) by French School

Background imageMid 18th Century Collection: The Piazza San Marco, on the Doges Coronation Day, (oil on canvas)

The Piazza San Marco, on the Doges Coronation Day, (oil on canvas)
827932 The Piazza San Marco, on the Doges Coronation Day, (oil on canvas) by Guardi, Francesco (1712-93); 55.9x73.5 cm; Private Collection; (add.info.: The Piazza San Marco)

Background imageMid 18th Century Collection: The Bacino di San Marco, Venice, looking west, c. 1740s (oil on canvas)

The Bacino di San Marco, Venice, looking west, c. 1740s (oil on canvas)
827854 The Bacino di San Marco, Venice, looking west, c.1740s (oil on canvas) by Joli, Antonio (1700-77); 55.3x97.8 cm; Private Collection; (add.info.: The Bacino di San Marco, Venice, looking west)

Background imageMid 18th Century Collection: Sciurnus Niger (Fox squirrel) (with) Calceolus (lady s-slipper orchid), plate 73

Sciurnus Niger (Fox squirrel) (with) Calceolus (lady s-slipper orchid), plate 73
986392 Sciurnus Niger (Fox squirrel) (with) Calceolus (lady s-slipper orchid), plate 73, 1754 (hand-coloured engraving) by Catesby

Background imageMid 18th Century Collection: Chrysanthemum &c (with) Anas Bahamensis (White-cheeked Pintail

Chrysanthemum &c (with) Anas Bahamensis (White-cheeked Pintail
986391 Chrysanthemum &c (with) Anas Bahamensis (White-cheeked Pintail, Bahama Pintail or Summer duck), 1754 (hand-coloured engraving) by Catesby

Background imageMid 18th Century Collection: Villa di Bella Vista, Plate 27, from Views, 1757 (engraving)

Villa di Bella Vista, Plate 27, from Views, 1757 (engraving)
986357 Villa di Bella Vista, Plate 27, from Views, 1757 (engraving) by Zocchi, Giuseppe (1711-67); Private Collection; (add.info.: Villa di Bella Vista, Plate 27, from Views)

Background imageMid 18th Century Collection: The Kingdom of France divided into local governments, 1751 (hand-coloured engraving)

The Kingdom of France divided into local governments, 1751 (hand-coloured engraving)
986322 The Kingdom of France divided into local governments, 1751 (hand-coloured engraving) by French School, (18th century); 115x150 cm; Private Collection; (add.info)

Background imageMid 18th Century Collection: Frontispiece from A Natural History of Uncommon Birds

Frontispiece from A Natural History of Uncommon Birds
986234 Frontispiece from A Natural History of Uncommon Birds, and of some other rare and undescribed Animals, .. 1739-1751 (hand-coloured lithograph) by Edwards

Background imageMid 18th Century Collection: Carcere V (the lion bas-reliefs), 1753-1837 (etching and engraving)

Carcere V (the lion bas-reliefs), 1753-1837 (etching and engraving)
986171 Carcere V (the lion bas-reliefs), 1753-1837 (etching and engraving) by Piranesi, Francesco (c.1756-1810); about 60x40 cm; Private Collection; (add.info.: Carcere V (the lion bas-reliefs)

Background imageMid 18th Century Collection: Taffeta, Brocaded, c. 1750. Creator: Unknown

Taffeta, Brocaded, c. 1750. Creator: Unknown
Taffeta, Brocaded, c. 1750

Background imageMid 18th Century Collection: Sampler, 1743. Creator: Unknown

Sampler, 1743. Creator: Unknown
Sampler, 1743

Background imageMid 18th Century Collection: Sampler, 1742. Creator: Unknown

Sampler, 1742. Creator: Unknown
Sampler, 1742

Background imageMid 18th Century Collection: Panel, mid 1700s. Creator: Unknown

Panel, mid 1700s. Creator: Unknown
Panel, mid 1700s

Background imageMid 18th Century Collection: O connell Street Bridge, Dublin, Co Dublin, Ireland

O connell Street Bridge, Dublin, Co Dublin, Ireland

Background imageMid 18th Century Collection: The Jealous Wall, Belvedere House And Gardens, Co Westmeath, Ireland

The Jealous Wall, Belvedere House And Gardens, Co Westmeath, Ireland, Irelands Largest Man-Made Folly

Background imageMid 18th Century Collection: Derrymore House, Co. Armagh, Ireland

Derrymore House, Co. Armagh, Ireland

Background imageMid 18th Century Collection: Westport House, Co. Mayo, Ireland

Westport House, Co. Mayo, Ireland

Background imageMid 18th Century Collection: Mussenden Temple, Portstewart, Co. Londonderry, Ireland

Mussenden Temple, Portstewart, Co. Londonderry, Ireland

Background imageMid 18th Century Collection: Florence Court, Co Fermanagh, Ireland; 18Th Century National Trust Property

Florence Court, Co Fermanagh, Ireland; 18Th Century National Trust Property

Background imageMid 18th Century Collection: Mussenden Temple, Downhill Estate, Co Derry, Ireland; 18Th Century Building On The Cliffs Over The

Mussenden Temple, Downhill Estate, Co Derry, Ireland; 18Th Century Building On The Cliffs Over The Atlantic (National Trust Property)

Background imageMid 18th Century Collection: Virgin of Guadalupe, together with the Virgin the various possible crossbreedings

Virgin of Guadalupe, together with the Virgin the various possible crossbreedings of American races and fruits from the new continent are represented. Castes Table

Background imageMid 18th Century Collection: Carnival in the Streets of Paris, 1757. Artist: Etienne Jeaurat

Carnival in the Streets of Paris, 1757. Artist: Etienne Jeaurat
Carnival in the Streets of Paris, 1757. From the Musee Carnavalet, Paris, France

Background imageMid 18th Century Collection: View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. Artist: Canaletto

View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. Artist: Canaletto
View of the Salute from the Entrance of the Grand Canal, Venice, c1727-1728. From the Collection Kaufman

Background imageMid 18th Century Collection: The City and Roads of Toulon, France, 1756. Artist: Claude-Joseph Vernet

The City and Roads of Toulon, France, 1756. Artist: Claude-Joseph Vernet
The City and Roads of Toulon, France, 1756. From the Musee du Louvre, Paris, France

Background imageMid 18th Century Collection: Sacrifice of Iphigenia, 1735. Artist: Giovanni Battista Tiepolo

Sacrifice of Iphigenia, 1735. Artist: Giovanni Battista Tiepolo
Sacrifice of Iphigenia, 1735. Artemis, the Greek goddess of hunting, watches the preparations for the sacrifice of Iphigenia, daughter of Agamemnon, that she has demanded

Background imageMid 18th Century Collection: The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo

The Martyrdom of St Agatha, c1756. Artist: Giovanni Battista Tiepolo
The Martyrdom of St Agatha, c1756. From the Staatliche Museen, Berlin, Germany

Background imageMid 18th Century Collection: The Princess Nyosan, 1765. Artist: Suzuki Harunobu

The Princess Nyosan, 1765. Artist: Suzuki Harunobu
The Princess Nyosan, 1765

Background imageMid 18th Century Collection: Christopher Columbus landing in America, c1760(?)-1770. Artist: Jean Robert Ango

Christopher Columbus landing in America, c1760(?)-1770. Artist: Jean Robert Ango
Christopher Columbus landing in America, c1760(?)-1770. Piece taken from the collection of paintings of the Baillif of Breteuil in 1770

Background imageMid 18th Century Collection: Portrait of Richard Milles, (probably 1760s). Artist: Pompeo Batoni

Portrait of Richard Milles, (probably 1760s). Artist: Pompeo Batoni
Portrait of Richard Milles, (probably 1760s). This portrait of Milles, who was Member of Parliament for Canterbury, was probably painted when he was in Rome whilst undertaking the Grand Tour

Background imageMid 18th Century Collection: Portrait of the Marquis of Marigny, 1755. Artist: Louis Tocque

Portrait of the Marquis of Marigny, 1755. Artist: Louis Tocque
Portrait of the Marquis of Marigny, 1755. The Marquis of Marigny was an architect and the brother of Madame de Pompadour. From Madame de Pompadours upper apartments, the Palace of Versailles

Background imageMid 18th Century Collection: Allegory of France and Navarre, 1740. Artist: Francois Boucher

Allegory of France and Navarre, 1740. Artist: Francois Boucher
Allegory of France and Navarre, 1740. Cartoon for a tapestry, Palais de Justice, Rouen, France

Background imageMid 18th Century Collection: A Lady in a Garden taking Coffee with some Children, probably 1742. Artist: Nicolas Lancret

A Lady in a Garden taking Coffee with some Children, probably 1742. Artist: Nicolas Lancret
A Lady in a Garden taking Coffee with some Children, probably 1742. From the National Gallery, London

Background imageMid 18th Century Collection: The Four Times of the Day: Morning, 1739. Artist: Nicolas Lancret

The Four Times of the Day: Morning, 1739. Artist: Nicolas Lancret
The Four Times of the Day: Morning, 1739. From the National Gallery, London

Background imageMid 18th Century Collection: The Procession of the Trojan Horse into Troy, c1760. Artist: Giovanni Battista Tiepolo

The Procession of the Trojan Horse into Troy, c1760. Artist: Giovanni Battista Tiepolo
The Procession of the Trojan Horse into Troy, c1760. From the National Gallery, London

Background imageMid 18th Century Collection: The Wonderful Barn, Leixlip, Co Kildare, Ireland

The Wonderful Barn, Leixlip, Co Kildare, Ireland

Background imageMid 18th Century Collection: Fort William Bengal East India Company Kolkata

Fort William Bengal East India Company Kolkata
Fort William in the kingdom of Bengal belonging to the East India Company of England. (Modern day Kolkata, or Calcutta, India). After a mid-18th century print by an unidentified artist

Background imageMid 18th Century Collection: Westminster bridge; London; England over the River Thames in the mid-18th century

Westminster bridge; London; England over the River Thames in the mid-18th century. After a contemporary print

Background imageMid 18th Century Collection: London bridge, London, England, over the River Thames in the mid-18th century

London bridge, London, England, over the River Thames in the mid-18th century. After a contemporary print

Background imageMid 18th Century Collection: Long Room Library, Dublin, Co Dublin, Ireland

Long Room Library, Dublin, Co Dublin, Ireland

Background imageMid 18th Century Collection: Castle Ward, Co Down, Ireland

Castle Ward, Co Down, Ireland

Background imageMid 18th Century Collection: Mussenden Temple, Downhill, County Derry, Ireland

Mussenden Temple, Downhill, County Derry, Ireland

Background imageMid 18th Century Collection: Downhill, Co Londonderry, Northern Ireland, Mussenden Temple

Downhill, Co Londonderry, Northern Ireland, Mussenden Temple

Background imageMid 18th Century Collection: Emo Court, Co Laois, Ireland; Sculpture Amongst Bluebells During Spring

Emo Court, Co Laois, Ireland; Sculpture Amongst Bluebells During Spring

Background imageMid 18th Century Collection: The Customs House, Dublin, Ireland

The Customs House, Dublin, Ireland

Background imageMid 18th Century Collection: Bishops Palace, Downhill, Co Derry, Ireland

Bishops Palace, Downhill, Co Derry, Ireland

Background imageMid 18th Century Collection: Downhill, Co Derry, Northern Ireland, Mussenden Temple

Downhill, Co Derry, Northern Ireland, Mussenden Temple

Background imageMid 18th Century Collection: Vase Flowers Follower Jan van Huysum Dutch 1682

Vase Flowers Follower Jan van Huysum Dutch 1682
Vase of Flowers; Follower of Jan van Huysum (Dutch, 1682 - 1749); mid-18th century; Oil on canvas; 54.6 x 40.6 cm (21 1, 2 x 16 in.)



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Step back in time to the mid 18th century, where elegance and beauty abound. A lady gracefully strolls through a garden, her small child holding onto her hand tightly. The vibrant colors of the Laurel Tree catch your eye, as you admire its hand-colored etching from 1731-1743. In another scene, witness the intense moment of The Death of Bhishma. Mortally wounded by Arjuna's numerous arrows, Bhishma's fate hangs in the balance. Meanwhile, across the waters in Dublin, Ireland stands Guinness Boat, Custom House and Liberty Hall - iconic landmarks that have witnessed centuries of history. Nature takes center stage with a stunning Magnolia depicted on a hand-colored engraved plate from 1750-1773. Its delicate petals seem to come alive before your eyes. Equally captivating is Lilium corona Imperialis (Crown imperial lily), an engraved and mezzotint plate dating back to 1737-1745. Artistic masterpieces also grace this era; Francois Boucher's The Raised Skirt showcases his talent for capturing sensual beauty while Pierre Charles Tremolieres' Ulysses Lands on the Isle of Calypso transports you into Greek mythology. Traveling further north brings us to Limerick, captured beautifully in watercolor plans circa 1750. This picturesque city invites exploration and discovery around every corner. Delve into Indian folklore with The Young Krishna Kills the Demon Vatsasura who came disguised as a calf - an intricate watercolor and ink creation on orange paper from c. 1730-1740 that tells tales of bravery and triumph over evil. The Infant Hercules gazes at you with determination in his eyes as he flexes his tiny muscles painted meticulously on canvas - a symbol of strength even at such a young age. Lastly, immerse yourself in Amsterdam's charm through Vue of Kleveniers Canal captured between 1740-1770.