Julia Collection (page 4)

Pilgrims at the source of the Ganges, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Indian landscape and temple, 1847. Artist: Robinson
Indian landscape and temple, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Goa, from the Upper Curtain, India, 1847. Artist: Dean & Co
Goa, from the Upper Curtain, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Dowlatabad, India, 1847. The detached and precipitous rock on which Daulatabad stands. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Artist: Robinson
Vasco da Gamas introduction to the Zamorin, India, 1498, (1847). Portuguese explorer Vasco da Gama (1469-1524) is received by Manavikraman Raja, the Saamoothiri (or Zamorin) of Kozhikode

Temple of Somnath, Gujarat, India, 1847. Artist: Robinson
Temple of Somnath, Gujarat, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Headman of the village holding his court, 1847. Meeting under a tree in an Indian village. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Caves of Ellora, India, 1847. Artist: Robinson
Caves of Ellora, India, 1847. Ellora is famous for its rock temples, a series of caves carved out of the rocky hillside, one and a quarter miles long, in three sections: Buddhist

Vishnu, Shiva, and Brahma, 1847. Artist: Robinson
Vishnu, Shiva, and Brahma, 1847. Hindu deities. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Map of India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Victoria Town, Hong Kong Island, 1847. Victoria City, one of the first urban settlements after Hong Kong became a British colony in 1842, was often said to be the capital of Hong Kong

Golden Island, China, 1847. Artist: Palmer
Golden Island, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

House at Ningbo, China, 1847. Artist: Armstrong
House at Ningbo, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Buddhist temple, China, 1847. Artist: Mason
Buddhist temple, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The bay and island of Hong Kong, 1847. Artist: E Gilks
The bay and island of Hong Kong, 1847. Drawn by B Clayton, from a painting by Borget. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Culture and preparation of tea, China, 1847. Artist: E Gilks
Culture and preparation of tea, China, 1847. Drawn by B Clayton, from a painting by Piqua. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Domestic scene, ladies at their usual employments, 1847. Artist: Evans
Domestic scene, ladies at their usual employments, 1847. Chinese women painting and playing musical instruments. Illustration from The History of China and India, by Miss Corner, (Dean and Co)

Ladies walking, garden scene of one of the wealthier classes, 1847. Artist: Armstrong
Ladies walking, garden scene of one of the wealthier classes, 1847. Chinese women with fans. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847). Artist: JW Giles
The present Emperor of China when a young man, saving his fathers life during an insurrection, c1796-1804, (1847). The Daoguang Emperor (1782-1850) protecting his father the Jiaqing Emperor

Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles
Appearance in public of a Viceroy attended by his retinue, 1847. A Chinese dignitary being carried in a litter. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London)

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

The Emperors vow, 18th century, (1847). Artist: Evans
The Emperors vow, 18th century, (1847). Kien Long, or the Qianlong Emperor 1711-1799) was the fifth emperor of the Manchu Qing Dynasty and ruled from 1735-1796

Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans
Giving out corn to the people, during a season of scarcity, 1847. Chinese people receiving food. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual spring festival, 1847. Artist: Evans
The annual spring festival, 1847. Chinese seasonal celebration. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Artist: JW Giles
The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Drawn by G F Sargent, from a painting by Fo Shang

Annual ceremony of presenting the almanacks, 1847. Artist: Giles
Annual ceremony of presenting the almanacks, 1847. Chinese traditions. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Grand ceremony of trying the cannon, 1847. Artist: Giles
Grand ceremony of trying the cannon, 1847. Chinese ceremony. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Interior of a mandarins house, China, 1847. Artist: Walmsley
Interior of a mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Camoens grotto, Macao, 1847. Artist: Armstrong
Camoens grotto, Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

View of Macao, 1847. Artist: Giles
View of Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Dramatic performance in the open air, 1847. Artist: B Clayton
Dramatic performance in the open air, 1847. People watching a show in China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Artist: B Clayton
The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Scene in the Chinese imperial court. Illustration from The History of China and India, by Miss Corner

Street and shops in Pekin, 1847. Artist: Walmsley
Street and shops in Pekin, 1847. Scene in what is now known as Beijing, China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Artist: Armstrong
Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The Emperor Weit-Soong and his court, taken prisoners by the Tartars, 1847. Artist: JW Giles
The Emperor Weit-Soong and his court, taken prisoners by the Tartars, (1847). Episode from Chinese history. Drawn by B Clayton, from a painting by Fo Shang

Boat drawn over a sluice or lock on a canal, 1847. Artist: Giles
Boat drawn over a sluice or lock on a canal, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chinese summer villa, 1847. Artist: Evans
Chinese summer villa, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chinese maidens weeping with a bride, 1847. Artist: Evans
Chinese maidens weeping with a bride, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Burning of the Chinese books, 3rd century BC, (1847). Artist: JW Giles
Burning of the Chinese books, by order of the emperor who built the Great Wall, 3rd century BC, (1847). Drawn by B Clayton, from a painting by Fo Shang

Confucius and his disciples, 5th century BC, (1847). Artist: Giles
Confucius and his disciples, 5th century BC, (1847). The Chinese philosopher and thinker Confucius or K ung-fu-tzu (551 BC-479 BC)

Map of China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Artist: JW Giles
The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Chinese empress and retinue. Drawn by B Clayton, from a painting by Fo Shang

Julia Neilson and Fred Terry in a scene from Dorothy O The Hall, early 20th century. Artist: Ellis & Walery
Julia Neilson and Fred Terry in a scene from Dorothy O The Hall, early 20th century

Julia Neilson (1868-1957), English actress, early 20th century. Artist: J Beagles & Co
Julia Neilson (1868-1957), English actress, early 20th century

Julia Neilson and Fred Terry in The Scarlet Pimpernel, c1905. Artist: Ellis & Walery
Julia Neilson and Fred Terry in The Scarlet Pimpernel, c1905. Terry and Neilson starred in the play, set during the French Revolution, at Londons New Theatre in 1905

The Scarlet Pimpernel, 20th century. Artist: Ellis & Walery
Scene from The Scarlet Pimpernel, c1905. Julia Neilson, Fred Terry, Horace Hodges, Malcolm Cherry and Alfred Kendrick. The play, set during the French Revolution

Julia Neilson and Horace Hodges in The Scarlet Pimpernel, c1905. Artist: Ellis & Walery
Julia Neilson and Horace Hodges in The Scarlet Pimpernel, c1905. Neilson and Hodges starred with Fred Terry in the play, set during the French Revolution, at Londons New Theatre in 1905

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"Julia: A Captivating Journey Through Time and Art" Step into the world of Julia, a name that echoes through history and art. From the enchanting portrayal of Ophelia by Julia Margaret Cameron to the ancient sarcophagus from Cerveteri, this captivating journey begins. Intriguingly, we encounter the celebrated bearded lady of the 19th century, Julia Pastrana, whose wood engraving immortalizes her unique beauty. The regal presence of Queen Alexandra captured in a Downey photograph on a postcard adds an air of elegance to our narrative. As we delve further, we stumble upon Bruce Forsyth's charismatic charm that has entertained generations. Ballet dancer Julia Farron gracefully takes center stage as Mlle. Theodore in Scene 1 - her movements painting poetry in motion. The image of Ellen Terry at age sixteen reminds us that even youth can possess wisdom beyond its years. Alexandra Of Denmark emerges as a formidable figure - Queen Consort who left an indelible mark on the United Kingdom and British Dominions during her reign. Shakespeare's timeless tragedy comes alive with Julia Arthur's portrayal of Juliet - love and passion personified on stage. Venus chiding Cupid serves as a reminder that even gods face reprimand for their mischievous ways. Amidst these diverse personalities and artistic expressions stands "Julia, " mysterious yet familiar. Perhaps she is but an enigma waiting to be unraveled or simply an embodiment of strength and resilience hidden within stone house interiors. Join us on this enthralling odyssey through time where each glimpse into "Julia" reveals layers upon layers of stories untold – tales woven together by artistry, history, and human spirit itself.