Inferno Collection (page 8)

The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V
995605 The Circle of the Lustful: Paolo and Francesca, Inferno, Canto V, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII
995599 The Circle of the Corrupt Officials: The Devils Mauling Each Other, Canto XXII, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Scenes from the Inferno (fresco)
938084 Scenes from the Inferno (fresco) by Modena, Giovanni da (fl.1409-56); San Petronio, Bologna, Italy; eGiuliano Valsecchi; Italian, out of copyright

Plan des Enfers du Dante (engraving)
3644545 Plan des Enfers du Dante (engraving) by French School, (19th century); Private Collection; (add.info.: Plan des Enfers du Dante. Illustration for Le Magasin Pittoresque (1850)

Inferno, Canto 2 : The darkening sky of the first night
GIA745745 Inferno, Canto 2 : The darkening sky of the first night, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 1 : The lion suddently confronts Dante, illustration from
GIA745742 Inferno, Canto 1 : The lion suddently confronts Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls
GIA745728 Inferno, Canto 5 : Minos judges the transgressions and dispatches the souls, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 4 : The innocent souls in Limbo, illustration from
GIA745726 Inferno, Canto 4 : The innocent souls in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 10 : Farinata degli Uberti addresses Dante
GIA745718 Inferno, Canto 10 : Farinata degli Uberti addresses Dante, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 8 : The soul of the Florentine Philippo Argenti (Filippo Argenti
GIA745713 Inferno, Canto 8 : The soul of the Florentine Philippo Argenti (Filippo Argenti) accosts the poets on the Styx, illustration from The Divine Comedy by Dante Alighieri

Inferno, Canto 23 : A crucified Pharisee among the hypocrites
GIA745692 Inferno, Canto 23 : A crucified Pharisee among the hypocrites, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch
GIA745689 Inferno, Canto 22 : Alichino and Calcabrina grapple above the pitch, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 29 : Virgil reproves Dantes curiosity
GIA745684 Inferno, Canto 29 : Virgil reproves Dantes curiosity, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 34 : The poets emerge from hell, illustration from
GIA745682 Inferno, Canto 34 : The poets emerge from hell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 34 : Virgil and Dante ascend to the upper world
GIA745681 Inferno, Canto 34 : Virgil and Dante ascend to the upper world, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 32 : Dante addresses the traitor Bocca degli Abati
GIA745675 Inferno, Canto 32 : Dante addresses the traitor Bocca degli Abati, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Satan Enthroned in Hell (oil on canvas)
492505 Satan Enthroned in Hell (oil on canvas) by Colman, Samuel (1780-1845); 47x67.5 cm; Private Collection; Haldane Fine Art; English, out of copyright

Illustration for Dantes Divine Comedy (colour litho)
727189 Illustration for Dantes Divine Comedy (colour litho) by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info.: Venne all porta, e con una verghetta / L aperse)

The Baffled Devils Fighting, illustration from Inferno of
BIR99628 The Baffled Devils Fighting, illustration from Inferno of The Divine Comedy by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper) by Blake

Dante and Virgil Encounter Lucifer in Hell, 1923 (pencil & w / c on paper)
1262536 Dante and Virgil Encounter Lucifer in Hell, 1923 (pencil & w/c on paper) by Stock, Henry John (1853-1931); 26.7x35.3 cm; Private Collection; Photo eChristies Images; British, out of copyright

Dis, or Lucifer, Inferno, Canto 34 (engraving)
5213975 Dis, or Lucifer, Inferno, Canto 34 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Dis, or Lucifer, Inferno, Canto 34)

The Contention for Guido De Montefeltro, Inferno, Canto 27 (engraving)
5213968 The Contention for Guido De Montefeltro, Inferno, Canto 27 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Contention for Guido De Montefeltro, Inferno)

Dante Discoursing with his Preceptor, Inferno, Canto 15 (engraving)
5213955 Dante Discoursing with his Preceptor, Inferno, Canto 15 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Dante Discoursing with his Preceptor, Inferno)

Cerberus, Inferno, Canto 6 (engraving)
5213950 Cerberus, Inferno, Canto 6 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Cerberus, Inferno, Canto 6)

Virgil and Beatrice Meeting, Inferno, Canto 2 (engraving)
5213939 Virgil and Beatrice Meeting, Inferno, Canto 2 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Virgil and Beatrice Meeting, Inferno, Canto 2)

The Fiery Serpents, Inferno, Canto 24 (engraving)
5213965 The Fiery Serpents, Inferno, Canto 24 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Fiery Serpents, Inferno, Canto 24)

The Rain of Fire, Inferno, Canto 16 (engraving)
5213954 The Rain of Fire, Inferno, Canto 16 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Rain of Fire, Inferno, Canto 16)

Forest of Harpies, Inferno, Canto 13 (engraving)
5213953 Forest of Harpies, Inferno, Canto 13 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Forest of Harpies, Inferno, Canto 13)

The Furies, Inferno, Canto 9 (engraving)
5213947 The Furies, Inferno, Canto 9 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Furies, Inferno, Canto 9)

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995617 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995602 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

The Passage over the Styx to the City of Dis (engraving)
1097947 The Passage over the Styx to the City of Dis (engraving) by Scheffer, Ary (1795-1858) (after); Private Collection; (add.info.: The Passage over the Styx to the City of Dis)

Dante Alighieri, Italian poet (chromolitho)
1093447 Dante Alighieri, Italian poet (chromolitho) by French School, (19th century); Private Collection; (add.info.: Dante Alighieri, Italian poet)

The Inferno, after the Fresco in the Camposanto of Pisa, c. 1480 / 1500. Creator: Unknown
The Inferno, after the Fresco in the Camposanto of Pisa, c. 1480/1500

Path to the Inferno
John Souza

Daferno
Gilbert Claes

Scena Quinta di Inferno, 1637. Creator: Stefano della Bella
Scena Quinta di Inferno, 1637

The Circle of the Thieves; Buoso Donati Attacked by the Serpent, 1827

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the stench, 1827

The Circle of the Corrupt Officials; the Devils Mauling Each Other, 1827

The Circle of the Lustful: Paolo and Francesca, 1827. Creator: William Blake
The Circle of the Lustful: Paolo and Francesca, 1827

The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent, 1827

Hell Gate, 1916. Creator: Sedlacek, Franz (1891-1945)
Hell Gate, 1916. Private Collection

The Circle of Corrupt Officials: The Devils Tormenting Ciampolo, from Dantes Inferno, Canto XXII, ca. 1825-27

The Circle of Traitors: Dantes Foot Striking Bocca degli Abbate, from Dantes Inferno, Canto XXXII, ca. 1825-27

Fifth scene, the Inferno, from The marriage of the gods (Le nozze degli Dei), 1637

The Rich Man in Hell and the Poor Lazarus in Abrahams Lap, from Das Plenarium, 1517

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"Inferno: A Journey through the Depths of Hell" Step into the haunting world of Dante's Divine Comedy, where darkness reigns and souls are tormented. The frontispiece of this timeless masterpiece captures the essence of Inferno, with Dante himself at its center, embarking on a treacherous quest. As we delve deeper into this infernal realm, a woodcut from a Venetian edition transports us to the very mouth of hell. Its fiery jaws beckon sinners towards their eternal damnation, while Charon stands as an ominous figure ready to ferry them across the river Styx. Dante and Virgil navigate through icy terrain in their harrowing journey. Their presence amidst frozen landscapes symbolizes their resilience against evil forces that lurk within these depths. Together they face unimaginable horrors as they traverse through each circle of hell. The suicides and Harpies stand as a chilling reminder of the consequences faced by those who took their own lives. Their souls forever trapped in twisted forms, serving as an everlasting testament to despair and regret. But it is Satan himself who commands attention with his imposing presence. Engravings depict him alongside Beelzebub, fallen angels forever condemned for rebelling against heaven's order. These illustrations capture both awe-inspiring power and profound sorrow. In Gustave Doré's wood engraving from 1861, Charon takes center stage once again - his skeletal frame embodying death itself as he ferries lost souls across Styx's black waters. This image serves as a visual representation of mankind's inevitable journey towards judgment. Through these captivating artworks spanning centuries, we witness Dante Alighieri's vivid imagination brought to life – an exploration into humanity’s darkest impulses and divine justice intertwined within Inferno’s intricate tapestry.