Inferno Collection (page 6)

Inferno, Canto 23 : The poets escape the demons of the fifth bolgia
GIA745690 Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from
GIA745730 Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : Virgil and Dante at the gates of Hell
GIA745723 Inferno, Canto 3 : Virgil and Dante at the gates of Hell, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : Devils torment the barrators, illustration from
GIA745710 Inferno, Canto 21 : Devils torment the barrators, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 34 : Lucifer, king of Hell, frozen in the ice
GIA745680 Inferno, Canto 34 : Lucifer, king of Hell, frozen in the ice, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop
GIA745676 Inferno, Canto 32 : Ugolino (Ugolin della Gherardesca) gnaws upon the head of Archbishop Ruggieri (Ruggeri Ubaldini), illustration from The Divine Comedy by Dante Alighieri

Inferno, Canto 31 : Ephialtes (Ephialte) in manacles among the giants
GIA745672 Inferno, Canto 31 : Ephialtes (Ephialte) in manacles among the giants, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The Vale of Disease, Inferno, Canto 29 (engraving)
5213970 The Vale of Disease, Inferno, Canto 29 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Vale of Disease, Inferno, Canto 29)

The Reascent, Inferno, Canto 34 (engraving)
5213976 The Reascent, Inferno, Canto 34 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Reascent, Inferno, Canto 34)

The Statue of Four Metals, Inferno, Canto 14 (engraving)
5213956 The Statue of Four Metals, Inferno, Canto 14 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Statue of Four Metals, Inferno, Canto 14)

Entering the Dark Wood, Inferno, Canto 1 (engraving)
5213937 Entering the Dark Wood, Inferno, Canto 1 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Entering the Dark Wood, Inferno, Canto 1)

The Last Angel, 1912 (tempera on cardboard)
5642593 The Last Angel, 1912 (tempera on cardboard) by Roerich, Nicholas (1874-1947); 52.5A--73.8 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright

The Torments of Hell (fresco)
702440 The Torments of Hell (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

Portrait of Gustave Dore (1832-83) (engraving) (b / w photo)
CHT202837 Portrait of Gustave Dore (1832-83) (engraving) (b/w photo) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

The Circle of the Traitors, illustration from Canto 32 of Inferno from
BIR99626 The Circle of the Traitors, illustration from Canto 32 of Inferno from The Divine Comedy by Dante Alighieri (1265-1321) (pen & ink, pencil, w/c on paper) by Blake

Paolo and Francesca
BI88601 Paolo and Francesca by Ingres, Jean Auguste Dominique (1780-1867); 35x28 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

The Divine Comedy, by Dante: engraving by Gustave Dore
3753480 The Divine Comedy, by Dante: engraving by Gustave Dore. by Dore, Gustave (1832-83); (add.info.: The Divine Comedy, by Dante with engraving by Gustave Dore)

The fires in London (colour litho)
2778528 The fires in London (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The fires in London)

The Angel with the Sword marking Dante with the Sevenfold
1066271 The Angel with the Sword marking Dante with the Sevenfold, illustration from Purgatorio, Dantes Divine Comedy, c.1825-27 (pen & ink with w/c on paper) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995615 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827-38 (engraving) by Blake

The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno
995611 The Circle of the Traitors: Dantes Foot striking Bocca degli Abbate, Inferno, Canto XXXII, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake

The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno
995600 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Inferno, Canto 8 : Phlegyas (Phlegias) ferries Dante and Virgil across the Styx
GIA745739 Inferno, Canto 8 : Phlegyas (Phlegias) ferries Dante and Virgil across the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy
GIA745737 Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones, illustration from The Divine Comedy by Dante Alighieri

Inferno, Canto 18 : Virgil shows Dante the shade of Thais
GIA745708 Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : Nimrod of the giants (Nimrud, Nemrod)
GIA745671 Inferno, Canto 31 : Nimrod of the giants (Nimrud, Nemrod), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Francesca Da Rimini describes her death
GIA745733 Inferno, Canto 5 : Francesca Da Rimini describes her death, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 11 : The burning tomb of Pope Anastasius II (Anastase II)
GIA745719 Inferno, Canto 11 : The burning tomb of Pope Anastasius II (Anastase II), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 9 : The burning sepulchres of the heresiarchs
GIA745717 Inferno, Canto 9 : The burning sepulchres of the heresiarchs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 18 : Devils and seducers, illustration from The Divine Comedy
GIA745706 Inferno, Canto 18 : Devils and seducers, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : The centaurs attack the souls in boiling blood
GIA745698 Inferno, Canto 12 : The centaurs attack the souls in boiling blood, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 25 : Agnello transforming into a serpent
GIA745694 Inferno, Canto 25 : Agnello transforming into a serpent, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Dante and Virgil crossing the Styx (engraving)
2808039 Dante and Virgil crossing the Styx (engraving) by Delacroix, (Ferdinand Victor) Eugene (1798-1863) (attr. to); Private Collection; (add.info)

The Torments of Hell (fresco)
702439 The Torments of Hell (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

Funerary vessel found in a tomb of Balamku, Yucatan Peninsula, Mexico
JPC252809 Funerary vessel found in a tomb of Balamku, Yucatan Peninsula, Mexico, Early Classic Period (300-600 AD) (terracotta) by Mayan; Museo de Antropologia de Campeche, Mexico; out of copyright

Study for Dante and Virgil, c. 1856-57 (pencil with white chalk on paper)
CLK405198 Study for Dante and Virgil, c.1856-57 (pencil with white chalk on paper) by Degas, Edgar (1834-1917); 30.8x22.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Portrait of Dante Alighieri, c. 1560 (oil on canvas)
5055811 Portrait of Dante Alighieri, c.1560 (oil on canvas) by Altissimo, Cristofano dell (c.1525-1605) (and workshop); 74.5 x 63 cm; Kunstmuseum, Basel

Belial at the Gates of Hell, illustration from a German translation of
BAL105951 Belial at the Gates of Hell, illustration from a German translation of Das Buch Belial, 1473 (coloured woodcut) by German School

The Irish Inferno! (colour litho)
3648305 The Irish Inferno! (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: The Irish Inferno)

Hell, illustration from Festkalender published in Leipzig c. 1910 (colour litho)
AFC215874 Hell, illustration from Festkalender published in Leipzig c.1910 (colour litho) by Thoma, Hans (1839-1924); Private Collection; German, out of copyright

Dante, Virgil and the Plague-stricken, from The Divine Comedy
XIR159052 Dante, Virgil and the Plague-stricken, from The Divine Comedy by Dante Alighieri (1265-1321) (vellum) by Italian School, (14th century); Biblioteca Nazionale Marciana, Venice

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w / c on paper)
BIR99625 The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper) by Blake, William (1757-1827); 51.9x36.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

Scene of Hell, 1731 (engraving)
STC133991 Scene of Hell, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

The Schismatics, Inferno, Canto 28 (engraving)
5213971 The Schismatics, Inferno, Canto 28 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Schismatics, Inferno, Canto 28)

Impostors, Inferno, Canto 30 (engraving)
5213969 Impostors, Inferno, Canto 30 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Impostors, Inferno, Canto 30)

The Gulf of Simony, Inferno, Canto 19 (engraving)
5213959 The Gulf of Simony, Inferno, Canto 19 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Gulf of Simony, Inferno, Canto 19)

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"Inferno: A Journey through the Depths of Hell" Step into the haunting world of Dante's Divine Comedy, where darkness reigns and souls are tormented. The frontispiece of this timeless masterpiece captures the essence of Inferno, with Dante himself at its center, embarking on a treacherous quest. As we delve deeper into this infernal realm, a woodcut from a Venetian edition transports us to the very mouth of hell. Its fiery jaws beckon sinners towards their eternal damnation, while Charon stands as an ominous figure ready to ferry them across the river Styx. Dante and Virgil navigate through icy terrain in their harrowing journey. Their presence amidst frozen landscapes symbolizes their resilience against evil forces that lurk within these depths. Together they face unimaginable horrors as they traverse through each circle of hell. The suicides and Harpies stand as a chilling reminder of the consequences faced by those who took their own lives. Their souls forever trapped in twisted forms, serving as an everlasting testament to despair and regret. But it is Satan himself who commands attention with his imposing presence. Engravings depict him alongside Beelzebub, fallen angels forever condemned for rebelling against heaven's order. These illustrations capture both awe-inspiring power and profound sorrow. In Gustave Doré's wood engraving from 1861, Charon takes center stage once again - his skeletal frame embodying death itself as he ferries lost souls across Styx's black waters. This image serves as a visual representation of mankind's inevitable journey towards judgment. Through these captivating artworks spanning centuries, we witness Dante Alighieri's vivid imagination brought to life – an exploration into humanity’s darkest impulses and divine justice intertwined within Inferno’s intricate tapestry.