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Impasto Collection

Impasto is a technique that brings paintings to life, adding texture and depth to the canvas

Background imageImpasto Collection: Daylight Raid from my Studio Window, July

Daylight Raid from my Studio Window, July
" Daylight Raid from my Studio Window, 7 July 1917. Lavery, Sir John 1856-1941. From 1929 catalogue card:If the screen across the lower part of the window be examined it will be seen that Lady

Background imageImpasto Collection: Hampstead Heath, Branch Hill Pond, 1828 (oil on canvas)

Hampstead Heath, Branch Hill Pond, 1828 (oil on canvas)
STC5737 Hampstead Heath, Branch Hill Pond, 1828 (oil on canvas) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

Background imageImpasto Collection: Self-portrait with pipe, 1886 (oil on canvas)

Self-portrait with pipe, 1886 (oil on canvas)
XOS1765542 Self-portrait with pipe, 1886 (oil on canvas) by Gogh, Vincent van (1853-90); 46x38 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageImpasto Collection: Flowering almond branch in a glass with a book, 1888 (oil on canvas)

Flowering almond branch in a glass with a book, 1888 (oil on canvas)
828999 Flowering almond branch in a glass with a book, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 24.2x19.1 cm; Private Collection; (add.info.: Nature morte, branche d amandier)

Background imageImpasto Collection: Violin 3

Violin 3
Rafal Kulik

Background imageImpasto Collection: Violin 2

Violin 2
Rafal Kulik

Background imageImpasto Collection: Violin 1

Violin 1
Rafal Kulik

Background imageImpasto Collection: Portrait of a Man, c.1610-c.1620. Creator: Unknown

Portrait of a Man, c.1610-c.1620. Creator: Unknown
Portrait of a Man, c.1610-c.1620

Background imageImpasto Collection: Red tones abstract expressionist watercolor hand painted backgro

Red tones abstract expressionist watercolor hand painted backgro Red tones abstract expressionist watercolor hand painted background

Background imageImpasto Collection: The Turnip Field

The Turnip Field
An oil painting of an old farmer tending to a turnip field, painted with impasto brush strokes. Date: circa 1921

Background imageImpasto Collection: Harvesters

Harvesters
An impasto oil painting depicting a strong, white workhorse, led by a farmer, pulling a wagon stacked with hay. Date: circa 1920

Background imageImpasto Collection: Pont Des Arts, Paris

Pont Des Arts, Paris
An impasto painting of the Pont des Arts, a pedestrian bridge of Paris, which spans the river Seine. The bridge was constructed circa 1804, designed by architects and engineers

Background imageImpasto Collection: Wheat Field With Cypresses

Wheat Field With Cypresses
A landscape oil painting by Van Gogh, showing the wheat field with cypresses, using a rich impasto technique and signature swirling brush strokes. Date: circa 1932

Background imageImpasto Collection: Mrs George Batten Singing, 1895 (oil on canvas)

Mrs George Batten Singing, 1895 (oil on canvas)
1199787 Mrs George Batten Singing, 1895 (oil on canvas) by Sargent, John Singer (1856-1925); Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageImpasto Collection: Creech Barrow, Dorset, 1910 (oil on canvas)

Creech Barrow, Dorset, 1910 (oil on canvas)
1772679 Creech Barrow, Dorset, 1910 (oil on canvas) by Cheston, Evelyn (1875-1929); 84x111 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: Interior, 1924 (oil on canvas)

Interior, 1924 (oil on canvas)
2653948 Interior, 1924 (oil on canvas) by John, Gwen (1876-1939); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: At the Window (oil on canvas)

At the Window (oil on canvas)
2632476 At the Window (oil on canvas) by Rothenstein, William (1872-1945); Manchester Art Gallery, UK; © Manchester Art Gallery ; © NPL - DeA Picture Library

Background imageImpasto Collection: Victor Lecour, 1922-24 (oil on canvas)

Victor Lecour, 1922-24 (oil on canvas)
1746646 Victor Lecour, 1922-24 (oil on canvas) by Sickert, Walter Richard (1860-1942); 81.3x60.5 cm; Manchester Art Gallery, UK; (add.info.: Victor Lecour)

Background imageImpasto Collection: La Plage, Dieppe, c. 1885 (oil on panel)

La Plage, Dieppe, c. 1885 (oil on panel)
1772682 La Plage, Dieppe, c.1885 (oil on panel) by Sickert, Walter Richard (1860-1942); 23x35 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: Cumberland Landscape, 1928 (oil on plywood)

Cumberland Landscape, 1928 (oil on plywood)
2957748 Cumberland Landscape, 1928 (oil on plywood) by Wood, Christopher (1901-30); 51x61 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: Landscape with Farmhouses, c. 1912-13 (oil on canvas)

Landscape with Farmhouses, c. 1912-13 (oil on canvas)
3318967 Landscape with Farmhouses, c.1912-13 (oil on canvas) by Ginner, Charles (1878-1952); 51x69 cm; Manchester Art Gallery, UK; (add.info.: Location believed to be Gollick Park Farm)

Background imageImpasto Collection: Flowers (oil on canvas)

Flowers (oil on canvas)
MAN430868 Flowers (oil on canvas) by John, Gwen (1876-1939); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: February, 1929 (oil on canvas)

February, 1929 (oil on canvas)
MAN430858 February, 1929 (oil on canvas) by Henriques, Ethel Quixano (1868-1936); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: The Grey Dress, 1884 (oil on canvas)

The Grey Dress, 1884 (oil on canvas)
1199810 The Grey Dress, 1884 (oil on canvas) by Sickert, Walter Richard (1860-1942); 50.9x30.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: O Nuit d'Amour (oil on canvas)

O Nuit d'Amour (oil on canvas)
1746597 O Nuit d'Amour (oil on canvas) by Sickert, Walter Richard (1860-1942); 90x70 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpasto Collection: Portrait of Signora Pantaleoni, 1894 (oil on canvas)

Portrait of Signora Pantaleoni, 1894 (oil on canvas)
868273 Portrait of Signora Pantaleoni, 1894 (oil on canvas) by Mancini, Antonio (1852-1930); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; Photo © Stefano Baldini

Background imageImpasto Collection: In the Valency Valley, 1920 (oil on canvas)

In the Valency Valley, 1920 (oil on canvas)
PCD282339 In the Valency Valley, 1920 (oil on canvas) by Ginner, Charles (1878-1952); 50.5x61 cm; Private Collection; (add.info.: near Boscastle, Cornwall;); Piccadilly Gallery, London, UK

Background imageImpasto Collection: The Red House, Late Snow (oil on canvas)

The Red House, Late Snow (oil on canvas)
471287 The Red House, Late Snow (oil on canvas) by Wouters, Rik (1882-1916); 40x48 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageImpasto Collection: Antwerp Harbour in Winter (oil on canvas)

Antwerp Harbour in Winter (oil on canvas)
471381 Antwerp Harbour in Winter (oil on canvas) by Blieck, Maurice (1876-1922); 111x138 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageImpasto Collection: Boy (oil on wood)

Boy (oil on wood)
471561 Boy (oil on wood) by Netherlandish School (16th century); 24x18 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageImpasto Collection: Women on the Rokin (oil on canvas)

Women on the Rokin (oil on canvas)
3471322 Women on the Rokin (oil on canvas) by Breitner, Georg-Hendrik (1857-1923); 185x135 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageImpasto Collection: Potato harvest (oil on canvas)

Potato harvest (oil on canvas)
471251 Potato harvest (oil on canvas) by Gogh, Vincent van (1853-90); 30x38 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageImpasto Collection: Portrait of a woman (oil on canvas)

Portrait of a woman (oil on canvas)
2617431 Portrait of a woman (oil on canvas) by Belleroche, Albert de (1864-1944); 72x49 cm; Private Collection; © Liss Fine Art

Background imageImpasto Collection: Furnace and Snow, Landscape (oil on canvas)

Furnace and Snow, Landscape (oil on canvas)
WAG423030 Furnace and Snow, Landscape (oil on canvas) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; © Wolverhampton Art Gallery; British, out of copyright

Background imageImpasto Collection: Begonias, 1939-40 (oil on panel)

Begonias, 1939-40 (oil on panel)
423934 Begonias, 1939-40 (oil on panel) by Nicholson, William (1872-1949); 38x46 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum; © Desmond Banks

Background imageImpasto Collection: Berhelos (oil on board)

Berhelos (oil on board)
476571 Berhelos (oil on board) by Salinas Tervel, Juan Pablo (1871-1946); 30.7x19 cm; Private Collection; Photo © Christies Images

Background imageImpasto Collection: Landscape of the Malvern Distance, 1943 (oil on board)

Landscape of the Malvern Distance, 1943 (oil on board)
908515 Landscape of the Malvern Distance, 1943 (oil on board) by Nash, Paul (1889-1946); 55.9x76.2 cm; Southampton City Art Gallery, Hampshire, UK; © Southampton City Art Gallery; English

Background imageImpasto Collection: The Blue Grenade, 1946 (oil on canvas)

The Blue Grenade, 1946 (oil on canvas)
XIR238620 The Blue Grenade, 1946 (oil on canvas) by Wols, Alfred Otto Wolfgang Schulze (1913-51); 46x33 cm; Musee National d Art Moderne, Centre Pompidou, Paris, France

Background imageImpasto Collection: Breakfast before the Hunt, 1903 (oil on canvas)

Breakfast before the Hunt, 1903 (oil on canvas)
2973083 Breakfast before the Hunt, 1903 (oil on canvas) by Ancher, Anna Kirstine (1859-1935); 48x56 cm; Skagens Museum, Denmark; Photo © O. Vaering

Background imageImpasto Collection: An Aftenposten Subscriber, 1887 (oil on canvas)

An Aftenposten Subscriber, 1887 (oil on canvas)
2973092 An Aftenposten Subscriber, 1887 (oil on canvas) by Krohg, Oda (1860-1935); 47x54 cm; Private Collection; Photo © O. Vaering

Background imageImpasto Collection: Winter, 1889 (oil on canvas)

Winter, 1889 (oil on canvas)
2973088 Winter, 1889 (oil on canvas) by Collett, Frederik (1839-1914); 61x81 cm; Private Collection; Photo © O. Vaering

Background imageImpasto Collection: Sunshine, 1916 (oil on canvas)

Sunshine, 1916 (oil on canvas)
2973085 Sunshine, 1916 (oil on canvas) by Holmboe, Thorolf (1866-1935); 100x110 cm; Private Collection; Photo © O. Vaering

Background imageImpasto Collection: A Rest, 1885 (oil on canvas)

A Rest, 1885 (oil on canvas)
693665 A Rest, 1885 (oil on canvas) by Heyerdahl, Hans Olaf (1857-1913); 101x83 cm; Private Collection; Photo © O. Vaering

Background imageImpasto Collection: Two Geisha Girls, 1894 (oil on canvas)

Two Geisha Girls, 1894 (oil on canvas)
995620 Two Geisha Girls, 1894 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); The Hunterian, University of Glasgow, Scotland; eHunterian Museum & Art Gallery; Scottish, out of copyright

Background imageImpasto Collection: Coloured Forms III, 1913 (oil on panel)

Coloured Forms III, 1913 (oil on panel)
NUL445582 Coloured Forms III, 1913 (oil on panel) by Macke, August (1887-1914); 28.5x24 cm; Private Collection; German, out of copyright

Background imageImpasto Collection: Tunisian street scene (oil on canvas)

Tunisian street scene (oil on canvas)
CH466610 Tunisian street scene (oil on canvas) by Rolshoven, Julius C. (1858-1930); 71.6x91.4 cm; Private Collection; Photo eChristies Images; American, out of copyright



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Impasto is a technique that brings paintings to life, adding texture and depth to the canvas. It allows artists to create bold and expressive brushstrokes, capturing the essence of their subject matter. In "Daylight Raid from my Studio Window, July, " impasto is used to depict the vibrant colors of a bustling cityscape. The thickly applied paint gives a sense of movement and energy, as if the scene is unfolding right before our eyes. Van Gogh's "Flowering almond branch in a glass with a book" showcases his mastery of impasto. The thick layers of paint bring out the delicate petals and branches, making them almost tangible. This technique adds an extra dimension to the painting, inviting viewers to reach out and touch its textured surface. J. M. W Turner's "Red and White Sails, Abersoch" uses impasto strokes to capture the raw power of nature. The rough waves crashing against the boats are brought alive through thick applications of paint that seem ready to jump off the canvas. In Monet's "The Turnip Field, " impasto creates a tactile representation of nature's bounty. Each stroke reveals not only lush greenery but also hints at hidden treasures beneath the soil – turnips waiting for harvesters' hands. Pont Des Arts in Paris comes alive through Vincent van Gogh's use in his eponymous artwork. The heavy brushstrokes give depth and structure to this iconic bridge while conveying Van Gogh's emotional connection with this beloved cityscape. "Wheat Field With Cypresses" by Van Gogh showcases his love for nature using impasto techniques. Each blade stands tall on its own due to thickly layered paints that evoke both visual beauty and tactile sensations associated with wheat fields swaying under sunlight or wind gusts. John Singer Sargent employs impasto in "Mrs George Batten Singing. " Her voice seems captured within each stroke as her emotions are brought to life through the textured surface of the canvas.