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Impasto Collection (page 5)

Impasto is a technique that brings paintings to life, adding texture and depth to the canvas

Background imageImpasto Collection: Study of a Cloudy Sky, ca. 1825. Creator: John Constable

Study of a Cloudy Sky, ca. 1825. Creator: John Constable
Study of a Cloudy Sky; Cloud study; Landscape with Grey Windy Sky; Study of Clouds over a Landscape, ca. 1825

Background imageImpasto Collection: Little Town on the Edge of the Water, at Dusk, 1899 (oil on canvas)

Little Town on the Edge of the Water, at Dusk, 1899 (oil on canvas)
3090821 Little Town on the Edge of the Water, at Dusk, 1899 (oil on canvas) by Baertsoen, Albert (1866-1922); Musee d Orsay, Paris, France; Belgian, out of copyright

Background imageImpasto Collection: Field with Flowers near Arles, 1888 (oil on canvas)

Field with Flowers near Arles, 1888 (oil on canvas)
1765648 Field with Flowers near Arles, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 54x65 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageImpasto Collection: Cottage in the Woods, 1903 (oil on wood)

Cottage in the Woods, 1903 (oil on wood)
XBP390705 Cottage in the Woods, 1903 (oil on wood) by Jawlensky, Alexej von (1864-1941); 51.4x48.9 cm; Private Collection; Photo eBoltin Picture Library; German, out of copyright

Background imageImpasto Collection: Etruscan Urn in the shape of a Hut, Impasto, 9th century BC-8th century BC

Etruscan Urn in the shape of a Hut, Impasto, 9th century BC-8th century BC. Possibly used to contain the cremated remains of an individual

Background imageImpasto Collection: Hummingbird and Ranunculus

Hummingbird and Ranunculus
Close up of hummingbird in-flight and pink ranunculus flower

Background imageImpasto Collection: Vincents Chair, 1888 (oil on canvas)

Vincents Chair, 1888 (oil on canvas)
BAL73387 Vincents Chair, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 93x73.5 cm; National Gallery, London, UK; Dutch, out of copyright

Background imageImpasto Collection: Portrait of Victor Chocquet, 1876-77 (oil on canvas)

Portrait of Victor Chocquet, 1876-77 (oil on canvas)
BAL73364 Portrait of Victor Chocquet, 1876-77 (oil on canvas) by Cezanne, Paul (1839-1906); 45.7x36.8 cm; Private Collection; (add.info.: formerly in the collection of Victor Rothschild)

Background imageImpasto Collection: Still Life of a Leg of Mutton and Bread, 1865 (oil on canvas)

Still Life of a Leg of Mutton and Bread, 1865 (oil on canvas)
XIR51693 Still Life of a Leg of Mutton and Bread, 1865 (oil on canvas) by Cezanne, Paul (1839-1906); Kunsthaus, Zurich, Switzerland; (add.info.: Nature morte au gigot de mouton et au pain; ); French

Background imageImpasto Collection: 2962727; out of copyright

2962727; out of copyright

Background imageImpasto Collection: Scene from the Steeplechase: The Fallen Jockey, 1866 (oil on canvas)

Scene from the Steeplechase: The Fallen Jockey, 1866 (oil on canvas)
XOS779039 Scene from the Steeplechase: The Fallen Jockey, 1866 (oil on canvas) by Degas, Edgar (1834-1917); 180x152 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageImpasto Collection: Road Through the Woods (oil on canvas)

Road Through the Woods (oil on canvas)
XMV2962773 Road Through the Woods (oil on canvas) by Murphy, John Francis (1853-1921); Private Collection; American, out of copyright

Background imageImpasto Collection: 2962738; out of copyright

2962738; out of copyright

Background imageImpasto Collection: By the Seashore, 1883 (oil on canvas)

By the Seashore, 1883 (oil on canvas)
XOS2920887 By the Seashore, 1883 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 92x72 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageImpasto Collection: Portrait of Cecil John Rhodes (1853-1902) 1898 (oil on canvas)

Portrait of Cecil John Rhodes (1853-1902) 1898 (oil on canvas)
XCF266082 Portrait of Cecil John Rhodes (1853-1902) 1898 (oil on canvas) by Watts, George Frederick (1817-1904); 85.7X67.9 cm; National Portrait Gallery, London

Background imageImpasto Collection: 2639906; out of copyright

2639906; out of copyright

Background imageImpasto Collection: Portrait of Dr Paul Gachet (oil on canvas)

Portrait of Dr Paul Gachet (oil on canvas)
XMV2639904 Portrait of Dr Paul Gachet (oil on canvas) by Gogh, Vincent van (1853-90); 67x56 cm; Private Collection; Dutch, out of copyright

Background imageImpasto Collection: Agapanthus, 1914-26 (oil on canvas)

Agapanthus, 1914-26 (oil on canvas)
XMV2639902 Agapanthus, 1914-26 (oil on canvas) by Monet, Claude (1840-1926); 198.2x178.4 cm; Museum of Modern Art, New York, USA; French, out of copyright

Background imageImpasto Collection: The Red Christ, 1922 (oil on canvas)

The Red Christ, 1922 (oil on canvas)
XIR171804 The Red Christ, 1922 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); Staatsgalerie Moderner Kunst, Munich, Germany; German, out of copyright

Background imageImpasto Collection: Vague VII, 1900-01 (oil on canvas)

Vague VII, 1900-01 (oil on canvas)
XIR216624 Vague VII, 1900-01 (oil on canvas) by Strindberg, August Johan (1849-1912); 57x36 cm; Musee d Orsay, Paris, France; (add.info.: Vagen; ); Swedish, out of copyright

Background imageImpasto Collection: Head of a Man, 1884-5 (oil on canvas)

Head of a Man, 1884-5 (oil on canvas)
XOS1765651 Head of a Man, 1884-5 (oil on canvas) by Gogh, Vincent van (1853-90); 37.7x29.5 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageImpasto Collection: Gauguins Chair, 1888 (oil on canvas)

Gauguins Chair, 1888 (oil on canvas)
XOS1765650 Gauguins Chair, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 90.5x72.7 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageImpasto Collection: Self portrait as the Apostle Paul, 1661 (oil on canvas)

Self portrait as the Apostle Paul, 1661 (oil on canvas)
XOS1109208 Self portrait as the Apostle Paul, 1661 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 91x77 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageImpasto Collection: Sketch for The Haywain, John Constable, 1776-1837, British

Sketch for The Haywain, John Constable, 1776-1837, British
Sketch for " The Haywain", John Constable, 1776-1837, British

Background imageImpasto Collection: Study of a Cloudy Sky Cloud study Landscape with Grey Windy Sky, John Constable

Study of a Cloudy Sky Cloud study Landscape with Grey Windy Sky, John Constable, 1776-1837, British

Background imageImpasto Collection: A View at Hampstead with Stormy Weather Hampstead after a Thunder Storm Hampstead

A View at Hampstead with Stormy Weather Hampstead after a Thunder Storm Hampstead in a Storm, John Constable, 1776-1837, British

Background imageImpasto Collection: Stanislawa de Karlowska (Mrs. Robert Bevan) Stanislawa de Karlowska (Mrs

Stanislawa de Karlowska (Mrs. Robert Bevan) Stanislawa de Karlowska (Mrs. Robert Polhill Bevan), Harold Gilman, 1876-1919, British

Background imageImpasto Collection: Hadleigh Castle Sketch of Hadleigh Castle Verso: Study of Five Horned Cattle, John

Hadleigh Castle Sketch of Hadleigh Castle Verso: Study of Five Horned Cattle, John Constable, 1776-1837, British



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Impasto is a technique that brings paintings to life, adding texture and depth to the canvas. It allows artists to create bold and expressive brushstrokes, capturing the essence of their subject matter. In "Daylight Raid from my Studio Window, July, " impasto is used to depict the vibrant colors of a bustling cityscape. The thickly applied paint gives a sense of movement and energy, as if the scene is unfolding right before our eyes. Van Gogh's "Flowering almond branch in a glass with a book" showcases his mastery of impasto. The thick layers of paint bring out the delicate petals and branches, making them almost tangible. This technique adds an extra dimension to the painting, inviting viewers to reach out and touch its textured surface. J. M. W Turner's "Red and White Sails, Abersoch" uses impasto strokes to capture the raw power of nature. The rough waves crashing against the boats are brought alive through thick applications of paint that seem ready to jump off the canvas. In Monet's "The Turnip Field, " impasto creates a tactile representation of nature's bounty. Each stroke reveals not only lush greenery but also hints at hidden treasures beneath the soil – turnips waiting for harvesters' hands. Pont Des Arts in Paris comes alive through Vincent van Gogh's use in his eponymous artwork. The heavy brushstrokes give depth and structure to this iconic bridge while conveying Van Gogh's emotional connection with this beloved cityscape. "Wheat Field With Cypresses" by Van Gogh showcases his love for nature using impasto techniques. Each blade stands tall on its own due to thickly layered paints that evoke both visual beauty and tactile sensations associated with wheat fields swaying under sunlight or wind gusts. John Singer Sargent employs impasto in "Mrs George Batten Singing. " Her voice seems captured within each stroke as her emotions are brought to life through the textured surface of the canvas.