High Renaissance Collection (#16)

John Knox (c. 1510-1572), wood engraving, published in 1877
John Knox (c. 1510 - 1572), Scottish clergyman and a leader of the Protestant Reformation who is considered the founder of the Presbyterian denomination in Scotland

Ancient Rome - School of Medicine
Illustration of Ancient Rome - School Medicine

Madonna of the Rocks (detail of Saint John and the Angel), 1483-6 (oil on canvas)
XIR901323 Madonna of the Rocks (detail of Saint John and the Angel), 1483-6 (oil on canvas) by Vinci, Leonardo da (1452-1519); 199x122 cm; Louvre, Paris, France; (add.info.: La Vierge)

Study of Sibyl (ink on paper)
BAL42706 Study of Sibyl (ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.5/2/115 Recto (W.29); etude; sibylle; ); Italian, out of copyright

St. Bassianus and St. Ambrose, Bishop of Milan, 1507 (oil on panel)
BAL211884 St. Bassianus and St. Ambrose, Bishop of Milan, 1507 (oil on panel) by Chiesa, Matteo (fl.1500-1520); Chiesa dell Incoronata, Lodi, Milan

Tuscany landscape around Siena
Siena and outskirts, seen from above

The Madonna Adoring the Christ Child, 15th century, (1910). Artist: Filippino Lippi
The Madonna Adoring the Christ Child, 15th century, (1910). Filippino Lippi (1459-1504) was an Italian painter working during the High Renaissance in Florence, Italy. From The Connoisseur Vol XXVIII

Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto
Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. The Cassotti family were wealthy textile merchants from Bergamo

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

St. Mary Magdalene, 1500, (1912). Artist: Perugino
St. Mary Magdalene, 1500, (1912). High renaissance portrait of Mary Magdalene or Mary of Magdala, a figure in Christianity who, according to the Bible, traveled with Jesus as one of his followers

Narcissus, c1500. Artist: Giovanni Antonio Boltraffio
Narcissus, c1500. Painting held in The National Gallery, London. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Portrait of a gentleman with gloves, c1543. Artist: Lorenzo Lotto
Portrait of a gentleman with gloves, c1543. Painting held at the Pinacoteca di Brera, Milan. From The Connoisseur Volume 103. [Otto Limited, London, 1939]

The Virgin and Child, c1493-9. Artist: Giovanni Antonio Boltraffio
The Virgin and Child, c1493-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

Caricature of the Laocoon group, 1937. Artist: Nicolo Boldrini
Caricature of the Laocoon group, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Samson and Delilah, 1937. Artist: Nicolo Boldrini
Samson and Delilah, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

St Francis Receiving the Stigmata, 1937. Artist: Nicolo Boldrini
St Francis Receiving the Stigmata, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Large Landscape with St Jerome, 1937. Artist: Nicolo Boldrini
Large Landscape with St Jerome, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Adoration of the Shepherds, 1937. Artist: Domenico dalle Greche
Adoration of the Shepherds, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Destruction of Pharaohs Host in the Red Sea, 1549, (1937). Artist: Domenico dalle Greche
Destruction of Pharaohs Host in the Red Sea, 1549, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Abrahams Sacrifice, 1516-1518, (1937). Artist: Ugo da Carpi
Abrahams Sacrifice, 1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi
Vision of St John the Evangelist, 1937. Formerly in the Scula di San Giovanni Evangelista at Venice. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna

The Scourging of Christ, 1568, (1937). Artist: Martino Rota
The Scourging of Christ, 1568, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Vulcans Forge, 16th century, (1937). Artist: Cornelis Cort
Vulcans Forge, 16th century, (1937). Ceiling painting, formerly in the town hall at Brescia. Engraved by Melchior Meier of Cornelis Cort

Tantalus, 16th century, (1937). Artist: Guilo Sanuto
Tantalus, 16th century, (1937). Ceiling painting for Queen Maria of Hungary. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Landscape with St Jerome, 16th century, (1937). Artist: Cornelis Cort
Landscape with St Jerome, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

St Peter Martyr, 16th century, (1937). Artist: Luca Bertelli
St Peter Martyr, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Votive picture of Doge Andrea Gritti, 1937. Woodcut after the burnt picture by Titian formaly in the Ducal Palace, Venice, 1531

Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio
Annunciation, 16th century, (1937). Painted by Titian in 1537 for the Convent of Santa Maria degli Angeli at Murano. A print from Titian Paintings and Drawings, introduction by Hans Tietze

Martydom of St Peter Martyr, 16th century, (1937). Artist: Martino Rota
Martydom of St Peter Martyr, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Formaly in SS Giovanni e Paolo, Venice

Horseman, c1565, (1937). Artist: Titian
Horseman, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Graphische Sammlung, Munich

Horseman Falling, c1565, (1937). Artist: Titian
Horseman Falling, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Ashmolean Museum, Oxford

Angel of the Annunciation, c1565, (1937). Artist: Titian
Angel of the Annunciation, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Uffizi Gallery, Florence

Lovers (Jupiter and Io), c1560, (1937). Artist: Titian
Lovers (Jupiter and Io), c1560, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). Artist: Titian
Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Medor and Angelica or Jason and Medea, c1535-1545, (1937). Artist: Titian
Medor and Angelica or Jason and Medea, c1535-1545, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). Artist: Titian
Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Sketch for the portrait of the Duke of Urbino, 1536, (1937). Artist: Titian
Sketch for the portrait of the Duke of Urbino, 1536, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Horseman for the Battle of Cadore, c1525, (1937). Artist: Titian
Horseman for the Battle of Cadore, c1525, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Head of a Moor, c1525, (1937). Artist: Titian
Head of a Moor, c1525, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Uffizi Gallery, Florence

Landscape with Shepherd and Flock, c1520, (1937). Artist: Titian
Landscape with Shepherd and Flock, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Landscape with Flock of Sheep, c1520, (1937). Artist: Titian
Landscape with Flock of Sheep, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

Landscape with Satyrs, c1530-1540, (1937). Artist: Titian
Landscape with Satyrs, c1530-1540, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Musee Bonnat, Bayonne

Sketch for the St Sebastian, c1518, (1937). Artist: Titian
Sketch for the St Sebastian, c1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Forest Landscape, c1516-1518, (1937). Artist: Titian
Forest Landscape, c1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of The Metropolitan Museum, New York

The Triumph of Faith, 1510-1511, (1937). Artist: Titian
The Triumph of Faith, 1510-1511, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Sketches for the St Sebastian in Brescia, c1518, (1937). Artist: Titian
Sketches for the St Sebastian in Brescia, c1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Polyphemus, c1515, (1937). Artist: Titian
Polyphemus, c1515, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Musee Wicar, Lille

Group of Apostles, 1516-1518, (1937). Artist: Titian
Group of Apostles, 1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

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The High Renaissance, a period of artistic brilliance in the 16th century, showcased the mastery and innovation of renowned artists. From Leonardo da Vinci's captivating "Mona Lisa" to Michelangelo's awe-inspiring frescoes on the Sistine Ceiling, this era left an indelible mark on art history. In his "Study of the Virgin for La Belle Jardinière, " Raphael skillfully captures the tender bond between mother and child. The delicate brushstrokes bring forth a sense of serenity and grace that epitomize this period. Speaking of Leonardo da Vinci, his enigmatic masterpiece "Mona Lisa" continues to captivate audiences with her enigmatic smile. Painted with oil on canvas, this portrait showcases Leonardo's unparalleled ability to infuse life into his subjects. Moving beyond paintings, we delve into cartography as we explore the breathtaking Gallery of Maps in Vatican City. Published in 1878, these intricately detailed maps offer a glimpse into geographical knowledge during that time. Delving deeper into sketches and studies, we encounter a pen & ink sketch titled "Sketch of a Nude Man. " This piece reveals an artist's exploration of human anatomy and serves as a testament to their dedication towards perfecting their craft. Shifting our focus from drawings to sculptures, Michelangelo's "Madonna and Child" carved from marble exudes divine beauty. The intricate details showcase Michelangelo's ability to breathe life into stone while conveying profound emotions through his work. Another remarkable red chalk study is found in "Figure Study. " With each stroke capturing movement and form effortlessly, it exemplifies how artists sought perfection through meticulous observation. Hands play an essential role in artistry; thus, one cannot overlook the iconic detail from The Creation of Adam - Hands of God and Adam. This powerful image symbolizes humanity's connection with divinity while showcasing Michelangelo's genius on the Sistine Ceiling.