Handwriting Collection (page 7)

Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618
Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol & Luna. A, 1618. Private Collection

Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618
Emblem 24. The wolf ate the king, and how he burned the life back to him. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618
Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 22. If you have the white lead, do the woman's work, that is, cooking, 1618
Emblem 22. If you have the white lead, do the woman's work, that is, cooking. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618
Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle, make a circle, and you shall have, 1618. Private Collection

Emblem 20. Nature teaches nature to overcome fire. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 19. If you kill one of the four, soon they will all die, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 19. If you kill one of the four, soon they will all die. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 18. Fire makes fiery, not gold, but gold. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael..., 1618
Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 17. A fourfold ball of fire governs this work. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618
Emblem 15. The potter's work, consisting of dry and wet, shall teach you. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 14. This is the dragon eating its own tail. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 12. The stone that Saturn ate and spat out before Jupiter's son is remembered..., 1618
Emblem 12. The stone that Saturn ate and spat out before Jupiter's son is remembered on the mountain, 1618. Private Collection

Emblem 10. Give fire to fire, Mercurius to Mercurius, and it is enough for you, 1618
Emblem 10. Give fire to fire, Mercurius to Mercurius, and it is enough for you. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 3. Go to the woman who washes her smiles, do the same, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 3. Go to the woman who washes her smiles, do the same. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 2. The earth is his wet nurse. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 1. The wind carried him in his belly. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Hermes Trismegistus. From De divinatione et magicis praestigiis, 1616. Creator: Bry, Johann Theodor de (1561-1623)
Hermes Trismegistus. From De divinatione et magicis praestigiis, 1616. Private Collection

Saturn. (Planetarum effectus et eorum in signis zodiaci), 1585. Creator: Sadeler, Jan (Johannes), the Elder (1550-1600)
Saturn. (Planetarum effectus et eorum in signis zodiaci), 1585. Private Collection

De lapide philosophorum: Philosopher's Stone. From Alchymia by Andreas Libavius, 1606. Private Collection

De lapide philosophorum: Philosopher's Stone. From Alchymia by Andreas Libavius, 1606. Private Collection

The Alchemical World Landscape, from Opus medico-chymicum by Johann Daniel Mylius, 1618. Private Collection

Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist
Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Private Collection

Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist
Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Private Collection

Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Creator: Unknown artist
Azoth, Sive Aureliae Occultae Philosophorum... by Basilius Valentinus, 1613. Private Collection

Phanes, the Orphic deity, Second quarter of the 2nd century. Creator: Klassische Antike Kunst
Phanes, the Orphic deity, Second quarter of the 2nd century. Found in the Collection of the Galleria Estense, Modena.

Emblem 29. As the salamander lives in fire, so does the stone, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 29. As the salamander lives in fire, so does the stone. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

The red angels of Mars and the golden angels of the sun. ?From "The Sworn Book of..., 15th century
The red angels of Mars and the golden angels of the sun. ?From "The Sworn Book of Honorius" (BL Royal 17 A), 15th century. Found in the Collection of the British Library.

Angels of Saturn, Jupiter, Mars, Sun and Venus, 15th century. Creator: Unknown artist
Angels of Saturn, Jupiter, Mars, Sun and Venus. From "The Sworn Book of Honorius" (BL Royal 17 A), 15th century. Found in the Collection of the British Library.

Emblem 6. Sow only gold in the white leafed earth. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 5. Put the toad on the woman's breast so that it sucks, and the woman dies, and the..., 1618
Emblem 5. Put the toad on the woman's breast so that it sucks, and the woman dies, and the toad will grow very large with milk. Out of, 1618. Private Collection

Emblem 4. Add the brother to the sister and give them the cup of love, 1618
Emblem 4. Add the brother to the sister and give them the cup of love. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 7. The young bird flies from the nest and falls back into the nest, 1618
Emblem 7. The young bird flies from the nest and falls back into the nest. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

The Gutenberg Bible, 1455. Creator: Unknown artist
The Gutenberg Bible, 1455. Found in the Collection of the Staatsbibliothek zu Berlin.

Emblem 11. Machet knows the Latona and tears up the books, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 11. Machet knows the Latona and tears up the books. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 9. Lock the tree and the old man in a house full of dew, and whoever eats its fruit..., 1618
Emblem 9. Lock the tree and the old man in a house full of dew, and whoever eats its fruit will be rejuvenated. Out of ", 1618. Private Collection

Emblem 8. Take the egg and hit it with a glowing sword, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 8. Take the egg and hit it with a glowing sword. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Scraper, compass and adze, Selkups, 1920. Creator: A. G. Vargin
Scraper, compass and adze, Selkups, 1920. V. I. Surikov Museum of Art in Krasnoiarsk

Women's fur coat for extraordinary occasions, 1925. Creator: Aleksei Vasilevich Voshchakin
Women's fur coat for extraordinary occasions, 1925. Novosibirsk State Museum of Regional History and Folklife

Home Is Where We Are Together
Sofie Björkgren-Näse

Queen Sophia of Sweden & Norway, 1900. Creator: Gosta Florman. Queen Sophia of Sweden & Norway, 1900
Queen Sophia of Sweden & Norway, 1900

Dendropicos fuscescens (Cardinal woodpecker)and Estrilda astrild (Common waxbill), 1777-1786

Oreotragus oreotragus (Klipspringer), 1777-1786. Creator: Robert Jacob Gordon
Oreotragus oreotragus (Klipspringer), 1777-1786. Klipspringer (Oreotragus Oreotragus), the ram, on a mountain plateau; with Rhenish (Rijnlandse) scale

Agricultural Labourers Union at the Memorial Hall, Farringdon-Street...1876. Creator: Unknown
Agricultural Labourers Union at the Memorial Hall, Farringdon-Street, [London]: Delegates signing Petition, 1876. About a thousand persons from different parts of the country were present

Allegorical Sketch, 1815. Creator: Benjamin West
Allegorical Sketch, 1815. This ink drawing is a "holograph"- a document written entirely by the hand of the person whose signature it bears

Beach at Cape May, c1840. Creator: Alfred Jacob Miller
Beach at Cape May, c1840. Two men seated on folding stools sit on the sand despite clouds of annoying insects. Cape May, New Jersey, is among the oldest American seaside resorts

A Baltimore Watchman, 19th century. Creator: Alfred Jacob Miller
A Baltimore Watchman, 19th century

Man and woman in Masquerade costumes, 1804-1866. Creator: Paul Gavarni
Man and woman in Masquerade costumes, 1804-1866

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"Unveiling the Beauty of Handwriting: A Journey Through Time and Words" Handwriting, a timeless art form that transcends centuries, holds within it the power to capture history, emotions, and personal expressions. From the intricate strokes of the Brudenell Magna Carta to the sacred words of The Hippocratic Oath penned in a cross-shaped Byzantine manuscript from the 12th century, it has been an instrument for preserving knowledge and values. Inscribed on paper with ink, Abigail Adams' heartfelt letter to John Adams in 1776 echoes through time as a testament to love and resilience. The Lindisfarne Gospels unveil their divine beauty in delicate calligraphy, showcasing Saint Matthew's portrait with meticulous detail dating back to 700 AD. Olimpio Fusco's work by John Singer Sargent captures not only his talent but also his unique personality through every brushstroke. Similarly, John Hampden's letter after the Battle of Edgehill reveals bravery etched onto paper – a glimpse into history itself. As we turn each page of Chaucer's Canterbury Tales or marvel at Bach's Cantata No. , we witness how handwriting breathes life into literature and music. Even Sigmund Freud's signed photograph from c. 1921 carries his essence beyond words. Amidst these treasures lies an empowering message: "Be yourself" and "Trust your journey. " These golden foil messages remind us that our own handwriting is more than just pen on paper; it is an extension of ourselves—a unique mark that tells our story. So let us celebrate this ancient craft that connects generations across time—handwriting—the silent narrator whispering tales from long ago while inspiring new chapters yet unwritten.