Handwriting Collection (page 6)

Mushrooms: shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu
FLO4646956 Mushrooms: shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants

Mushrooms: varieties of milk (Lactarius flavidulus and akahatsu) - Japanese print by Kanen Iwasaki (1786-1842)
FLO4646907 Mushrooms: varieties of milk (Lactarius flavidulus and akahatsu) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Kihatsudake

Mushrooms: benitake varietes and fragile russule - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu
FLO4646874 Mushrooms: benitake varietes and fragile russule - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants

Mushrooms: green russule (or palomet) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu
FLO4646807 Mushrooms: green russule (or palomet) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Anutake mushrooms

Mushrooms: varieties of shimeji - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu
FLO4646769 Mushrooms: varieties of shimeji - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants

Mushrooms: enfume lyophyll and shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu
FLO4646701 Mushrooms: enfume lyophyll and shimeji varietes - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Numeri mushroom

Mushrooms: shimeji varietes (edible) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu
FLO4646661 Mushrooms: shimeji varietes (edible) - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Ippon shimeji mushrooms

Title page to Volume 1, Book 2, with vignette of a bust of Lessing and three putti: one with a wreath
FLO4704017 Title page to Volume 1, Book 2, with vignette of a bust of Lessing and three putti: one with a wreath, one with trumpet and torch, and one with mantle

Calligraphic title page to Volume 1, Book 1, with a bust of Winkelmann and two putti with instruments of geometry
FLO4703357 Calligraphic title page to Volume 1, Book 1, with a bust of Winkelmann and two putti with instruments of geometry, globe, palette and lyre

Signature of Dr Samuel Johnson (litho)
8634893 Signature of Dr Samuel Johnson (litho) by English School, (19th century); Private Collection; (add.info.: Dr Samuel Johnson)

Signature of Samuel Pepys (litho)
8634891 Signature of Samuel Pepys (litho) by English School, (19th century); Private Collection; (add.info.: Samuel Pepys)

Signature of James Watt (litho)
8634887 Signature of James Watt (litho) by English School, (19th century); Private Collection; (add.info.: James Watt. Illustration for Autograph Collecting by Henry T Scott (L Upcott Gill)

Receipt from Heath & George English Gymnastic Works, London, 1893 (litho)
8677593 Receipt from Heath & George English Gymnastic Works, London, 1893 (litho) by English School, (19th century); Private Collection; (add.info)

ALS of the Abbe Liszt to Secretary of Princess of Wales, Queen Alexandra, 16 April 1886 (litho)
8668073 ALS of the Abbe Liszt to Secretary of Princess of Wales, Queen Alexandra, 16 April 1886 (litho) by English School

Galloping Horse, 1944-45 (ink on paper)
1764897 Galloping Horse, 1944-45 (ink on paper) by Xu Beihong (1895-1953); Private Collection; (add.info.: Galloping Horse. Xu Beihong (1895-1953). Ink on paper

Portrait of P. Tchaikovsky
673222 Portrait of P. Tchaikovsky; (add.info.: Pyotr Ilyich Tchaikovsky (7 May 1840 - 6 November 1893) was a Russian composer whose works included symphonies, concertos, operas, ballets

Autograph manuscript, in German, notes on philosophy and the University of Konigsberg (pen & ink on paper)
8714536 Autograph manuscript, in German, notes on philosophy and the University of Konigsberg (pen & ink on paper) by Kant

Letter from Horatio Nelson (1758-1805) to Francis Drake concerning a Mr Duval's situation on the 'Zealous'
CWA124881 Letter from Horatio Nelson (1758-1805) to Francis Drake concerning a Mr Duval's situation on the 'Zealous', 1798 (ink on paper); City of Westminster Archive Centre, London

Autograph score for the lied 'Hektors Abschied' by Franz Schubert (1797-1828)
XIR194130 Autograph score for the lied 'Hektors Abschied' by Franz Schubert (1797-1828) poem by Freidrich von Schiller (1759-1805) 1815 (pen and ink on paper) (b/w photo)

Portrait of P. Tchaikovsky
673223 Portrait of P. Tchaikovsky; (add.info.: Pyotr Ilyich Tchaikovsky (7 May 1840 - 6 November 1893) was a Russian composer whose works included symphonies, concertos, operas, ballets

A boy writing on a slate
3586206 A boy writing on a slate; (add.info.: illustration of a boy writing on a slate (English) circa 1880.); Universal History Archive/UIG.

Resolution of a Council of War of the English Naval Commanders to pursue the Spanish Armada until 'we have cleared
KDC441054 Resolution of a Council of War of the English Naval Commanders to pursue the Spanish Armada until 'we have cleared our own coast', 1 August

Signature of Charles Robert Darwin, from Meyers Lexicon, pub. 1924 (print)
3473172 Signature of Charles Robert Darwin, from Meyers Lexicon, pub. 1924 (print) by German School, (20th century); (add.info.: Signature of Charles Robert Darwin, 1809 - 1882)

Signature of Arthur Wellesley, 1st Duke of Wellington (1769-1852) (pen and ink on paper)
KW141827 Signature of Arthur Wellesley, 1st Duke of Wellington (1769-1852) (pen and ink on paper); Private Collection.

Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816
Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood. From "Atalanta fugiens" by Mich, 1816. Private Collection

Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816
Emblem 49. The philosophical child recognizes three fathers, like Orion. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816
Emblem 48. The king gets an illness from drinking water, but when healed by doctors he regains health. From "Atalanta f, 1816. Private Collection

Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816
Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have bitten each other. From "Atalanta fugiens" v, 1816. Private Collection

Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816
Emblem 46. Two eagles, one from the east, the other from the west, come together. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 45. The sun and its shadow accomplish the work. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings...,1816 Creator: Merian
Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings together Isis, as far as is known, 1816. Private Collection

Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816
Emblem 43. Listen to the talking vulture, who in no way deceives you. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816
Emblem 42. To him who is in Chymicis be nature, reason, experience and reading as a guide, staff, glasses and, 1816. Private Collection

Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816
Emblem 41. Adonis is killed by a wild boar. As Venus wanted to help him, she colored the roses red with blood. Ow, 1816. Private Collection

Emblem 40. Make two waters into one, and it will be the water of health, 1816
Emblem 40. Make two waters into one, and it will be the water of health. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816
Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother as his wife. From "Atalanta fugiens" by Mich, 1816. Private Collection

Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816
Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816
Emblem 37. Three things are sufficient for mastery, the white smoke, which is water, the green lion, the ore Hermes, and the embroidery, 1816. Private Collection

Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air and is fed in rivers, that is, 1816. Private Collection

Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the ..., 1816 Creator: Merian
Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection

Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816
Emblem 34. He is conceived in a water bath and born in the air, but when he turns red he leaves the water. From "Atala, 1816. Private Collection

Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816
Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816
Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone. From "Atalanta fugiens" v, 1816. Private Collection

Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816
Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me will receive a great gift. From "At, 1816. Private Collection

Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus
Emblem 30. The sun needs the moon, like the rooster needs the hens. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618
Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618
Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a man who wants to go without feet, 1618. Private Collection

Emblem 26. The fruit of human wisdom is the wood of life, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 26. The fruit of human wisdom is the wood of life. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

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"Unveiling the Beauty of Handwriting: A Journey Through Time and Words" Handwriting, a timeless art form that transcends centuries, holds within it the power to capture history, emotions, and personal expressions. From the intricate strokes of the Brudenell Magna Carta to the sacred words of The Hippocratic Oath penned in a cross-shaped Byzantine manuscript from the 12th century, it has been an instrument for preserving knowledge and values. Inscribed on paper with ink, Abigail Adams' heartfelt letter to John Adams in 1776 echoes through time as a testament to love and resilience. The Lindisfarne Gospels unveil their divine beauty in delicate calligraphy, showcasing Saint Matthew's portrait with meticulous detail dating back to 700 AD. Olimpio Fusco's work by John Singer Sargent captures not only his talent but also his unique personality through every brushstroke. Similarly, John Hampden's letter after the Battle of Edgehill reveals bravery etched onto paper – a glimpse into history itself. As we turn each page of Chaucer's Canterbury Tales or marvel at Bach's Cantata No. , we witness how handwriting breathes life into literature and music. Even Sigmund Freud's signed photograph from c. 1921 carries his essence beyond words. Amidst these treasures lies an empowering message: "Be yourself" and "Trust your journey. " These golden foil messages remind us that our own handwriting is more than just pen on paper; it is an extension of ourselves—a unique mark that tells our story. So let us celebrate this ancient craft that connects generations across time—handwriting—the silent narrator whispering tales from long ago while inspiring new chapters yet unwritten.