Hand Writing Collection (page 4)

Pages from a sample book, 1890-95 (pen & ink and textile on paper)
3084482 Pages from a sample book, 1890-95 (pen & ink and textile on paper) by English School, (19th century); 48.8x75 cm; The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English

Articles of Beliefs & Acts of Religion by Benjamin Franklin
PNP377451 Articles of Beliefs & Acts of Religion by Benjamin Franklin, published 20th November, 1728 (ink on paper) by American School

Sabre Dance (pencil on paper)
1769843 Sabre Dance (pencil on paper) by Gerome, Jean Leon (1824-1904); 27.9x22.9 cm; Private Collection; (add.info.: Sabre Dance. Jean Leon Gerome (1824-1904). Pencil on paper

Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations
652024 Designs for the Riding School of the Horse Guards, St. Petersburg: Elevations, Section and Ground Plan, (pen and grey ink and watercolour) by Quarenghi

Charter signed by Hugues I Capet (941-996), King of France
ARH157462 Charter signed by Hugues I Capet (941-996), King of France, 988 (pen and ink on paper) (detail of 157461) by French School, (10th century); Centre Historique des Archives Nationales, Paris

Pages from a sample book, 1890-95 (pen & ink and textile on paper)
3084479 Pages from a sample book, 1890-95 (pen & ink and textile on paper) by English School, (19th century); 48.8x75 cm; The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English

Pages from a book of textile samples, annotated by hand with the date range 1887-94
3084474 Pages from a book of textile samples, annotated by hand with the date range 1887-94 (pen & ink and textile on paper) by English School

Little Louise, 1915 (oil on board)
990733 Little Louise, 1915 (oil on board) by Modigliani, Amedeo (1884-1920); 74.6x51.7 cm; Private Collection; (add.info.: Little Louise; La Petite Louise. Amedeo Modigliani (1883-1920)

Still-life with Fruit Dish; Nature Morte au Compotier, 1919 (pencil on buff paper)
825690 Still-life with Fruit Dish; Nature Morte au Compotier, 1919 (pencil on buff paper) by Gris, Juan (1887-1927); 25.7x30.8 cm; Private Collection; (add.info)

Study for the Two Augurs, (black chalk on paper)
827071 Study for the Two Augurs, (black chalk on paper) by Gerome, Jean Leon (1824-1904); 33.9x20.8 cm; Private Collection; (add.info.: Study for the Two Augurs. Jean Leon Gerome (1824-1904)

Pages from a sample book, 1890-95 (textile & paper)
2972987 Pages from a sample book, 1890-95 (textile & paper) by English School, (19th century); The Geffrye Museum of the Home, London

St. Veran exorcising the possessed in the north aisle of the Cathedral of Notre-Dame de
MMT233237 St. Veran exorcising the possessed in the north aisle of the Cathedral of Notre-Dame de Paris, verso, from the Heures d Etienne Chevalier, 1452-60 (vellum) by Fouquet

Campanula Trachelium, c. 1700 (watercolour drawing, framed in black)
986031 Campanula Trachelium, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Campanula Trachelium)

Canadian Jasmine, c. 1700 (watercolour drawing, framed in black)
986026 Canadian Jasmine, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Canadian Jasmine; Jasmin du Canada)

Printed menu signed by Winston Churchill and Franklin D. Roosvelt, U
985767 Printed menu signed by Winston Churchill and Franklin D. Roosvelt, U.S Flagship Augusta, Ships Harbour, Newfoundland, dated 9 August 1943

Rosina Ferrara - The Capri Girl, 1878 (oil on board)
985027 Rosina Ferrara - The Capri Girl, 1878 (oil on board) by Sargent, John Singer (1856-1925); 33x26.1 cm; Private Collection; (add.info.: Rosina Ferrara - The Capri Girl)

Heu-Topa, Four Horns or Jagoo, The Storyteller, Chief of the Hunkpapa Sioux
984862 Heu-Topa, Four Horns or Jagoo, The Storyteller, Chief of the Hunkpapa Sioux, 1881 (graphite and wash on paper) by Cronau

Section of Findlater Castle from the North West to the South East, 1789 (pen and grey ink
659218 Section of Findlater Castle from the North West to the South East, 1789 (pen and grey ink, grey, pink and yellow wash) by Adam

Charter signed by Hugues I Capet (941-996), King of France, 988 (pen and ink on paper)
ARH157461 Charter signed by Hugues I Capet (941-996), King of France, 988 (pen and ink on paper) by French School, (10th century); Centre Historique des Archives Nationales, Paris

Letter of Introduction (gouache on paper)
1767539 Letter of Introduction (gouache on paper) by Pyle, Howard (1853-1911); 24.8x29.2 cm; Private Collection; (add.info.: Letter of Introduction. Howard Pyle (1853-1911). Gouache on paper

A message of condolence, from the court at Lucknow to Queen Victoria
1196728 A message of condolence, from the court at Lucknow to Queen Victoria, on the death of her husband Prince Albert, 1861 (manuscript on vellum) by Indian School

Portrait of Madame X, (black charcoal on paper)
989627 Portrait of Madame X, (black charcoal on paper) by Boldini, Giovanni (1842-1931); 27x18.8c cm; Private Collection; (add.info.: Portrait of Madame X. Giovanni Boldini (1842-1931)

Asplenium Braziliense, South America, c. 1850 (cyanotype, mounted, unique print)
990485 Asplenium Braziliense, South America, c.1850 (cyanotype, mounted, unique print) by Atkins, Anna (1799-1871); 34.92x24.44 cm; Private Collection; (add.info.: Asplenium Braziliense)

Street Scene in Canton, c. 1870s (albumen print)
990457 Street Scene in Canton, c.1870s (albumen print) by Chinese Photographer, (19th century); Private Collection; (add.info.: Street Scene in Canton)

Self portrait, 1923 (black & white chalk on cream paper)
989376 Self portrait, 1923 (black & white chalk on cream paper) by Liebermann, Max (1847-1935); 29.8x23.2 cm; Private Collection; (add.info.: Self-Portrait. Max Liebermann (1847-1935)

Persian Iris, c. 1700 (watercolour drawing, framed in black)
986027 Persian Iris, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Persian Iris; Iris de Perse)

Yellow Tulip with red and black streaks, c. 1700 (watercolour drawing, framed in black)
986020 Yellow Tulip with red and black streaks, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info)

Design for a wall, table and doors, for A. S. Ball, Berlin, 1905 (pencil, watercolour)
991030 Design for a wall, table and doors, for A.S. Ball, Berlin, 1905 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 25.1x49 cm; Private Collection; (add.info.: Design for a wall)

Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour)
991029 Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 25.7x29.8 cm; Private Collection; (add.info)

Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour)
991027 Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 57.9x39.6 cm; Private Collection; (add.info)

Costume design for Bacchanale, soloist ballerina
985513 Costume design for Bacchanale, soloist ballerina, (pencil and gouache on paper) by Bakst, Leon (1866-1924); 30.5x21 cm; Private Collection; (add.info.: Costume design for Bacchanale)

Two leaves from an album of native and European portraits, c
1196950 Two leaves from an album of native and European portraits, c.1830-1850 (pencil and w/c on paper, mounted on card) by Indian School

Dancer at Rest; Danseuse au repos, 1879 (pastel and charcoal on paper)
1196331 Dancer at Rest; Danseuse au repos, 1879 (pastel and charcoal on paper) by Degas, Edgar (1834-1917); 30.7x47.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

A Satisfying Meal (one of a pair), (oil on canvas)
989771 A Satisfying Meal (one of a pair), (oil on canvas) by Bellei, Gaetano (1857-1922); 36.2x26 cm; Private Collection; (add.info.: A Satisfying Meal (one of a pair). Gaetano Bellei (1857-1922)

Spring Song, (pencil and watercolour)
985954 Spring Song, (pencil and watercolour) by Greenaway, Kate (1846-1901); 19.7x13.7 cm; Private Collection; (add.info.: Spring Song. Kate Greenway (1846-1886). Pencil and watercolour

Double page spread with a portrait of Dickens, and a dedication by Dickens to William
985760 Double page spread with a portrait of Dickens, and a dedication by Dickens to William Harrison Ainsworth, 1839 (book) by English School

An Illustration from Les Fleurs du Mal by Charles Baudelaire
985599 An Illustration from Les Fleurs du Mal by Charles Baudelaire, with a Portrait of the Author, c.1899 (colour etching) by Rassenfosse

Julius Krauskopf (1787-1869), c. 1866 (pencil on paper)
1769790 Julius Krauskopf (1787-1869), c.1866 (pencil on paper) by Menzel, Adolph Friedrich Erdmann von (1815-1905); 20.3x12.7 cm; Private Collection; (add.info.: Julius Krauskopf (1787-1869)

Lotus and Green Birds, 1932 (hanging scroll, ink and colour on paper)
1764887 Lotus and Green Birds, 1932 (hanging scroll, ink and colour on paper) by Wang Zhen (1866-1938); 154 x 84 cm; Private Collection; (add.info.: Lotus and Green Birds. Wang Zhen (1866-1938)

Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa
828313 Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa and Yemen up to Jiddah, c.1740 (ink and wash on paper) by French School

Portrait of Heinrich Heine, 1839 (lithograph)
986084 Portrait of Heinrich Heine, 1839 (lithograph) by Giere, Julius (1807-1880) (after); 47.8x36.7 cm; Private Collection; (add.info.: Portrait of Heinrich Heine. After Julius Giere (1807-1880)

Red Adonis, c. 1700 (watercolour drawing, framed in black)
986022 Red Adonis, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Red Adonis; Adonis rubis)

Bouquet Narcissus, c. 1700 (watercolour drawing, framed in black)
986019 Bouquet Narcissus, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Bouquet Narcissus; Narcisse a Bouquet)

Signature of Henry James (colour litho)
KW387027 Signature of Henry James (colour litho) by American School; Private Collection; (add.info.: James (1843-1916), American-born author; ); Photo eKen Welsh; American, out of copyright

Handwriting and signature of George Washington, 1758 (pen & ink on paper)
KW478293 Handwriting and signature of George Washington, 1758 (pen & ink on paper) by American School, (18th century); Private Collection; (add.info.: George Washington (1732 -99)

BAUDELAIRE: JEANNE DUVAL. Drawing by Charles Baudelaire, of his muse, Jeanne Duval, mid-19th century

DAY SIX OF CREATION. The sixth day of creation (Genesis 1: 24-31). French manuscript illumination, c1250

ADAM AND EVE. The Expulsion from Paradise (Genesis 3: 22-24): French manuscript illumination, c1250

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"Unveiling History Through Handwriting: A Glimpse into the Past" In a world where digital communication dominates, there is something undeniably captivating about handwritten artifacts that have stood the test of time. Each stroke of ink on paper tells a unique story, offering us a window into moments long gone. The Galapagos Admiralty map by Fitzroy Beagle reveals the meticulous craftsmanship of an explorer's hand, mapping out uncharted territories with precision and curiosity. Meanwhile, the court record from the Salem witch trials transports us to a dark chapter in history, where penmanship served as evidence against innocent lives. Nadia-Juliette Boulanger's elegant French cursive captures her passion for music teaching, preserving her legacy through delicate curves and flourishes. The Beethoven Manuscript takes us back to 1806 when genius flowed onto paper; its musical notes whispering melodies that still resonate today. Among these treasures lies an unexpected duo - a Titanic whistle and Turkish Bath ticket - remnants of dreams shattered by tragedy. In contrast, Princess Elizabeth and Prince Philip's marriage certificate symbolizes love eternal; their union forever etched in graceful calligraphy. The Reverend Stuart Holden's unused first-class ticket for the ill-fated Titanic serves as a haunting reminder of missed opportunities and unforeseen twists of fate. On another note, Tom Mudd's postcard echoes tales from aboard this majestic ship – words penned amidst hope or perhaps trepidation. Centuries ago, William Langland crafted his masterpiece Piers Plowman with quill and ink; his Middle English manuscript page now stands as testament to literary brilliance preserved through generations. Sigmund Freud's sepia-toned photograph bears both his signature and enigmatic gaze – capturing the essence of psychoanalysis within its frame. Lastly, Percy Bysshe Shelley’s handwriting dances across paper like poetry itself – each word carrying profound meaning imbued with romanticism and rebellion.