Half Goat Collection

Nymph and Satyr (pencil on paper)
BBC192617 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Nymph and Satyr (pencil on paper)
BBC192618 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Nymph and Satyr (pencil on paper)
BBC192616 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Nymph and Satyr (pencil on paper)
BBC192615 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

L Apres-Midi d un Faune, engraving by H. Reidel, 1920 (pochoir print)
1123816 L Apres-Midi d un Faune, engraving by H. Reidel, 1920 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Diana and her Nymphs Surprised by Fauns, 1638-40 (oil on canvas)
XIR3996 Diana and her Nymphs Surprised by Fauns, 1638-40 (oil on canvas) by Rubens, Peter Paul (1577-1640); 128x314 cm; Prado, Madrid

A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk
827586 A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash) by Tiepolo

Sweet, piercing sweet was the music of Pans pipe, illustration from
STC306486 Sweet, piercing sweet was the music of Pans pipe, illustration from The Story of Greece by Mary Macgregor, 1st edition, 1913 (colour print) by Crane

The Faun by Edward Knoblauch. First produced at the Prince of Wales Theatre, London on 10th June 1913. A piece of whimsy in which a faun enters a London drawing room to prevent a man from taking his

Bacchus with a young Faun (detail of the young faun), 1496-7 (marble)
XIR900464 Bacchus with a young Faun (detail of the young faun), 1496-7 (marble) by Buonarroti, Michelangelo (1475-1564); Museo Nazionale del Bargello, Florence

Dancing Faun, 1722-4 (bronze)
XOS1765285 Dancing Faun, 1722-4 (bronze) by Cipriani, Pietro (c.1680-before 1745); 143.5 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: This is based on a Greek statue in the Uffizi Gallery)

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"The Enchanting World of Half Goat: Exploring the Mythical Creatures in Art" Step into the captivating realm creatures, as depicted in various artworks throughout history. From Edward Knoblauch's mesmerizing play "The Faun" to intricate pencil sketches like "Nymph and Satyr, " these depictions offer a glimpse into the allure and mystique surrounding these mythical beings. In H. Reidel's pochoir print titled "L'Apres-Midi d'un Faune, " we witness a faun lost in his own world, indulging in sensual pleasures amidst nature's beauty. The delicate strokes bring this scene to life, evoking a sense of both tranquility and desire. "Diana and her Nymphs Surprised by Fauns" by an unknown artist showcases the mischievous nature of these half goat creatures. With their playful antics interrupting Diana's serene gathering, it reminds us that even divine beings are not immune to temptation. A black chalk drawing captures a moment frozen in time – a faun with outstretched arm reaching towards another fauness holding a tambour. This intimate gesture hints at love or camaraderie between them, leaving us wondering about their story. "Bacchus with a young Faun" reveals the close bond between humans and half goat creatures. Carved from marble, this sculpture depicts Bacchus embracing his young companion with affectionate tenderness—a testament to their enduring friendship. The enchantment continues with an intriguing engraving titled "Satyr Woman Playing Bagpipe. " Here we see gender boundaries blurred as this hybrid creature captivates us with its musical talent while challenging societal norms. Finally, let us not forget the lively spirit captured in bronze through the "Dancing Faun. " Frozen mid-movement, this sculpture embodies joyous celebration—reminding us that sometimes it is necessary to surrender ourselves to pure bliss without reservation.