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Gospel Collection (page 9)

"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings

Background imageGospel Collection: Saint John the Baptist Pointing to Christ, c. 1655. Creator

Saint John the Baptist Pointing to Christ, c. 1655. Creator
Saint John the Baptist Pointing to Christ, c. 1655

Background imageGospel Collection: Bookmark with Tassel, Coventry, 19th century. Creator: Thomas Stevens

Bookmark with Tassel, Coventry, 19th century. Creator: Thomas Stevens
Bookmark with Tassel, Coventry, 19th century

Background imageGospel Collection: The Deposition, 1507 (oil on panel)

The Deposition, 1507 (oil on panel)
XJL62308 The Deposition, 1507 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 184x176 cm; Galleria Borghese, Rome, Lazio, Italy; (add.info.: Also known as The Entombment)

Background imageGospel Collection: St. Mark, c. 1870 (stained glass)

St. Mark, c. 1870 (stained glass)
BAL1638 St. Mark, c.1870 (stained glass) by Morris, William and Company (fl.19th-20th century); Christchurch, Southgate, Enfield, Greater London

Background imageGospel Collection: The Four Evangelists and their symbols (oil on canvas)

The Four Evangelists and their symbols (oil on canvas)
BAL14108 The Four Evangelists and their symbols (oil on canvas) by Lastman, Pieter (1583-1633); Alan Jacobs Gallery, London

Background imageGospel Collection: Journey of Saint Brandan - Meeting of Saint Brendan (Brandan)

Journey of Saint Brandan - Meeting of Saint Brendan (Brandan)
GIA4756787 Journey of Saint Brandan - Meeting of Saint Brendan (Brandan), monk navigator of the 6th century with a flying marine monster

Background imageGospel Collection: Saint Mathieu et l Angel Painting by Harmensz van Rijn dit Rembrandt (1606-1669

Saint Mathieu et l Angel Painting by Harmensz van Rijn dit Rembrandt (1606-1669
JLJ4577329 Saint Mathieu et l Angel Painting by Harmensz van Rijn dit Rembrandt (1606-1669) 17th century Sun. 0, 96x0, 81 m by Rembrandt Harmensz

Background imageGospel Collection: Saint John a Patmos. 'Miniature in '

Saint John a Patmos. "Miniature in "
JLJ4601003 Saint John a Patmos. " Miniature in " The very rich hours of the Duke of Berry" by Pol De Limburg (15th century)

Background imageGospel Collection: Incipit page to the Gospel of St. Matthew (1, 18) with decorated letters XPI

Incipit page to the Gospel of St. Matthew (1, 18) with decorated letters XPI
LRI4657789 Incipit page to the Gospel of St. Matthew (1, 18) with decorated letters XPI, symbol of good fortune, which will then become Christmas, ca

Background imageGospel Collection: Gospel book of the Lombard Queen Theodolinda, covered with gold plaques adorned with

Gospel book of the Lombard Queen Theodolinda, covered with gold plaques adorned with
LRI4671928 Gospel book of the Lombard Queen Theodolinda, covered with gold plaques adorned with enamel, precious stones encrusted forming a Latin cross, 603

Background imageGospel Collection: The Four Evangelists Painting by Jacob Jordaens (1593-1678) 17th century

The Four Evangelists Painting by Jacob Jordaens (1593-1678) 17th century
JLJ4648056 The Four Evangelists Painting by Jacob Jordaens (1593-1678) 17th century. Dim 1, 34 x 1, 18 m by Jordaens, Jacob (1593-1678); Louvre, Paris

Background imageGospel Collection: Apostle Saint Matthew. 1610-1614 (Oil on canvas)

Apostle Saint Matthew. 1610-1614 (Oil on canvas)
LRI4607043 Apostle Saint Matthew. 1610-1614 (Oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Casa y Museo del Greco, Toledo, Spain; (add.info.: Apotre Saint Matthew)

Background imageGospel Collection: The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas)

The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas)
LRI4606942 The Apotle Saint John the Evangelist. 1602-1605 (Oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Toledo Cathedral, Castilla y Leon

Background imageGospel Collection: Saint Mathieu Writing and an Angel - in 'Aurea Bibbia classica

Saint Mathieu Writing and an Angel - in "Aurea Bibbia classica
LSE4102422 Saint Mathieu Writing and an Angel - in " Aurea Bibbia classica: storia della rivelazione divina nell antico e nel nouvo tesiamento" by Giovanni Ladislao Sykora (vol)

Background imageGospel Collection: Saint Paul proclaiming the Gospel - from a Bible written for King Charles the Bald in

Saint Paul proclaiming the Gospel - from a Bible written for King Charles the Bald in
LSE4093412 Saint Paul proclaiming the Gospel - from a Bible written for King Charles the Bald in the Abbey of Saint Martin of Tours, 9th century by Unknown Artist

Background imageGospel Collection: Gustave Dore Bible: The Apostles preaching the Gospel (engraving)

Gustave Dore Bible: The Apostles preaching the Gospel (engraving)
5221522 Gustave Dore Bible: The Apostles preaching the Gospel (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: The Apostles preaching the Gospel)

Background imageGospel Collection: I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving)

I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving)
5218286 I saw another angel fly in the midst of heaven, Revelation XIV, 6, 7 (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageGospel Collection: Mosaics in the main apse, 12th century (mosaic)

Mosaics in the main apse, 12th century (mosaic)
3611418 Mosaics in the main apse, 12th century (mosaic) by Byzantine, (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily

Background imageGospel Collection: The apostles gathered for the replacement of Judas by Matthias, folio from the Rabula Gospels

The apostles gathered for the replacement of Judas by Matthias, folio from the Rabula Gospels
3506811 The apostles gathered for the replacement of Judas by Matthias, folio from the Rabula Gospels, 586 AD (tempera on vellum) by Byzantine School

Background imageGospel Collection: Descent of the Holy Spirit, folio from the Rabula Gospels, 586 AD (tempera on vellum)

Descent of the Holy Spirit, folio from the Rabula Gospels, 586 AD (tempera on vellum)
3506809 Descent of the Holy Spirit, folio from the Rabula Gospels, 586 AD (tempera on vellum) by Byzantine School, (6th century); 34x27 cm; Biblioteca Medicea-Laurenziana, Florence

Background imageGospel Collection: St Matthew, 1876 (stained glass)

St Matthew, 1876 (stained glass)
3474898 St Matthew, 1876 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Martin in The Bull Ring, Birmingham, UK; (add.info.: Manufactured by Morris & Co); eAlastair Carew-Cox; English

Background imageGospel Collection: St. John, detail from The Good Shepherd, 1863 (stained glass)

St. John, detail from The Good Shepherd, 1863 (stained glass)
3474831 St. John, detail from The Good Shepherd, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); Church of St Mary, Higham

Background imageGospel Collection: Jesus appears to the disciples at the sea of Galilee - Bible

Jesus appears to the disciples at the sea of Galilee - Bible
3780541 Jesus appears to the disciples at the sea of Galilee - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus appears to the disciples at the sea of Galilee)

Background imageGospel Collection: Peter and John hurry to the empty tomb - Bible

Peter and John hurry to the empty tomb - Bible
3780535 Peter and John hurry to the empty tomb - Bible by Hole, William Brassey (1846-1917); (add.info.: Peter and John hurry to the empty tomb and inspect the linen cloths)

Background imageGospel Collection: The transfiguration of Jesus - Bible

The transfiguration of Jesus - Bible
3780505 The transfiguration of Jesus - Bible by Hole, William Brassey (1846-1917); (add.info.: The transfiguration (transform into divine image) of Jesus before Peter, James and John

Background imageGospel Collection: Jesus and his disciples at Caesarea Philippi - Bible

Jesus and his disciples at Caesarea Philippi - Bible
3780504 Jesus and his disciples at Caesarea Philippi - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus and his disciples at Caesarea Philippi)

Background imageGospel Collection: Jesus walks on the water - Bible

Jesus walks on the water - Bible
3780502 Jesus walks on the water - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus walks on the water on the Sea of Galilee)

Background imageGospel Collection: The feeding of the five thousand - Bible

The feeding of the five thousand - Bible
3780500 The feeding of the five thousand - Bible by Hole, William Brassey (1846-1917); (add.info.: The feeding of the five thousand: And when he had taken the five loaves and the two fishes)

Background imageGospel Collection: Jesus raises the son of the widow of Nain - Bible

Jesus raises the son of the widow of Nain - Bible
3779856 Jesus raises the son of the widow of Nain - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus raises the son of the widow of Nain. And he said, Young Man, I say unto thee, Arise)

Background imageGospel Collection: Mary Magdalene, the repentant sinner - Bible

Mary Magdalene, the repentant sinner - Bible
3779837 Mary Magdalene, the repentant sinner - Bible by Dore, Gustave (1832-83); (add.info.: Mary Magdalene, the repentant sinner. Nineteenth-century engraving by Gustave Dore, 1832 - 1883)

Background imageGospel Collection: Jesus healing a man sick of the palsy - Bible

Jesus healing a man sick of the palsy - Bible
3779821 Jesus healing a man sick of the palsy - Bible by Dore, Gustave (1832-83); (add.info.: Jesus healing a man sick of the palsy)

Background imageGospel Collection: Jesus and the twelve apostles - Bible

Jesus and the twelve apostles - Bible
3779810 Jesus and the twelve apostles - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus and the twelve apostles)

Background imageGospel Collection: Philip and Nathaneal become Jesuss disciples - Bible

Philip and Nathaneal become Jesuss disciples - Bible
3779793 Philip and Nathaneal become Jesuss disciples - Bible by Hole, William Brassey (1846-1917); (add.info.: Philip and Nathaneal become Jesuss disciples)

Background imageGospel Collection: Jesus is baptised by Saint John - Bible

Jesus is baptised by Saint John - Bible
3779788 Jesus is baptised by Saint John - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus is baptised by Saint John)

Background imageGospel Collection: Icon: Unidentified Gospel subject, 17th century (painting)

Icon: Unidentified Gospel subject, 17th century (painting)
5938097 Icon: Unidentified Gospel subject, 17th century (painting) by Moscow School, (17th century); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Russian, out of copyright

Background imageGospel Collection: The Four Evangelists, c. 1625-26 (oil on panel)

The Four Evangelists, c. 1625-26 (oil on panel)
937116 The Four Evangelists, c. 1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x16.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageGospel Collection: Mocking of Christ, c. 1630 (etching, engraving)

Mocking of Christ, c. 1630 (etching, engraving)
1070550 Mocking of Christ, c.1630 (etching, engraving) by Dyck, Anthony van (1599-1641); 60.2x20.5 cm; Dallas Museum of Art, Texas, USA; Anonymous Gift; Flemish, out of copyright

Background imageGospel Collection: The final days of the Venerable bede translating the Gospel of St John into English 735

The final days of the Venerable bede translating the Gospel of St John into English 735
1122698 The final days of the Venerable bede translating the Gospel of St John into English 735 AD, c.1950 (litho) by Valda

Background imageGospel Collection: Ms65 f3v, Commentary on the Apocalypse of St John, late 13th century

Ms65 f3v, Commentary on the Apocalypse of St John, late 13th century
833773 Ms65 f3v, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Background imageGospel Collection: Ms65 f28r, Commentary on the Apocalypse of St John, late 13th century

Ms65 f28r, Commentary on the Apocalypse of St John, late 13th century
833767 Ms65 f28r, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Background imageGospel Collection: Laban and His People (engraving)

Laban and His People (engraving)
820592 Laban and His People (engraving) by Dutch School, (19th century); Private Collection; (add.info.: Laban and His People, Laban und Sein Gesinde)

Background imageGospel Collection: St. Matthew and St. John, right cover of the Washington Manuscript III

St. Matthew and St. John, right cover of the Washington Manuscript III
FSG380385 St. Matthew and St. John, right cover of the Washington Manuscript III (encaustic painting on wooden panel) by Byzantine School (7th century); 21.3x14.3 cm; Freer Gallery of Art

Background imageGospel Collection: The Apocalypse, title page, 1511 (woodcut)

The Apocalypse, title page, 1511 (woodcut)
741849 The Apocalypse, title page, 1511 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 38.2x26.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageGospel Collection: The Parable of the Pharisee and the Publican, c. 1910 (colour litho)

The Parable of the Pharisee and the Publican, c. 1910 (colour litho)
KW441411 The Parable of the Pharisee and the Publican, c.1910 (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageGospel Collection: Matthew, from The Four Evangelists, 1539 (engraving in black on ivory laid paper)

Matthew, from The Four Evangelists, 1539 (engraving in black on ivory laid paper)
2971895 Matthew, from The Four Evangelists, 1539 (engraving in black on ivory laid paper) by Aldegrever, Heinrich (1502-c.1561); 11.6x7.6 cm; The Art Institute of Chicago, IL



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"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.