Gospel Collection (page 3)

Lutrin decorated with an eagle. Church of St. Leonardo de Leau, anonymous author, 1468
ETI4396598 Lutrin decorated with an eagle. Church of St. Leonardo de Leau, anonymous author, 1468.; (add.info.: Lutrin decorated with an eagle. Church of St)

Jesus and the Cyrenian, 1848
1574872 Jesus and the Cyrenian, 1848; (add.info.: Jesus and the Cyrenian. Simon of Cyrene was the man compelled by the Romans to carry the cross of Christ as Jesus was taken to his crucifixion)

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8625907

8625904

The Dark Day of May19, 1780 (engraving)
8655503 The Dark Day of May19, 1780 (engraving) by English School, (19th century); Private Collection; (add.info.: The Dark Day of May19, 1780)

Saint Marc. Incipit de l'evangile de Saint Marc. Xeme siecle
GIA5034665 Saint Marc. Incipit de l'evangile de Saint Marc. Xeme siecle.; (add.info.: Saint Marc. Incipit de l'evangile de Saint Marc. Xeme siecle.); © Giancarlo Costa.

Saint Marc. Incipit de l'evangile de Saint Marc. XIeme siecle. Manuscrit Grec
GIA5034666 Saint Marc. Incipit de l'evangile de Saint Marc. XIeme siecle. Manuscrit Grec.; (add.info.: Saint Marc. Incipit de l'evangile de Saint Marc. XIeme siecle)

Incipit de l'Evangile selon Saint Mathieu, manuscrit du 10eme siecle. Collection privee, Milan
GIA5035958 Incipit de l'Evangile selon Saint Mathieu, manuscrit du 10eme siecle. Collection privee, Milan.; (add.info.: Incipit de l'Evangile selon Saint Mathieu, manuscrit du 10eme siecle)

Saint Jerome, detail of the hand and the book. Painting by Pierre Subleyras (1699-1749)
BEN5473913 Saint Jerome, detail of the hand and the book. Painting by Pierre Subleyras (1699-1749). Pinacoteca di Brera is in Milan. 481.1; Photo © Raffaello Bencini.

Gospel belonging to Metropolitan Iona in the vestry of the Assumption Cathedral..., 1911
Gospel belonging to Metropolitan Iona in the vestry of the Assumption Cathedral in the Kremlin, Rostov Velikii, 1911.

Gospel belonging to the nun Varsanofiia, the tsarevnas' governess, Trinity Monastery..., 1911
Gospel belonging to the nun Varsanofiia, the tsarevnas' governess, Trinity Monastery, Aleksandrov, 1911.

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Cross and the Gospel; gift from Tsar Mikhail Feodorovich, vestry of the Assumption Cathedral...1911
Cross and the Gospel; gift from Tsar Mikhail Feodorovich, vestry of the Assumption Cathedral in the Kremlin, Rostov Velikii, 1911.

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Pictures from the 1603 Gospel, vestry of the Ipatievsky Monastery. Kostroma, 1911.

Pictures from the 1603 Gospel, sacristy of the Ipatievsky Monastery, Kostroma, 1911.

Tsar Aleksei Mikhailovich's gospel and Tsar Mikhail Feodorovich's sacramental vessels..., 1911
Tsar Aleksei Mikhailovich's gospel and Tsar Mikhail Feodorovich's sacramental vessels [Trinity Monastery, Aleksandrov], 1911.

Musician Portrait Series
Hans ML Spiegel

The Four Evangelists, from c.1616 until 1624. Creator: Pieter Soutman
The Four Evangelists, from c.1616 until 1624. The Evangelists are seated together at a table, each engaged in the writing of his Gospel. Matthew's attribute is an angel, Mark's a lion

St Peter Repentant, 1624-1670. Creator: Karel van Mander III
St Peter Repentant, 1624-1670. (During the Last Supper, Jesus predicted that Peter would disown him before the rooster crowed the next morning)

Moonlight landscape with the Good Samaritan, 1623-1626. Creator: Moses van Wtenbrouck
Moonlight landscape with the Good Samaritan, 1623-1626

The Good Samaritan, mid 19th century. Creator: Alfred Jacob Miller
The Good Samaritan, mid 19th century

The Symbols of the Four Evangelists, 1400-1404. Creator: Unknown
The Symbols of the Four Evangelists, 1400-1404. Page from "Tafel van den Kersten Ghelove" (Handbook of the Christian Faith) by Dutch Dominican theologian Dirc van Delf

Gospel Book, c1100. Creator: Unknown
Gospel Book, c1100. Saint with book, and decorative initial

Saint Matthew, c1616. Creator: Joachim Anthonisz Wtewael
Saint Matthew, c1616. Receiving inspiration in composing his Gospel from a divinely sent, winged human figure, one of the four winged creatures described in Revelation that were understood as

The Visitation, c15th century. Creator: Unknown
The Visitation, c15th century

The Brigands Robbing the Traveler, c1600. Creator: Crispijn de Passe I
The Brigands Robbing the Traveler, c1600. Series: Set of six landscapes (with the history of the Good Samaritan); Plate: plate 2

Ox, Gospel of Luke, 1502. Creator: Petrus von Rosenheim
Ox, Gospel of Luke, 1502. Mnemonic, or memory, device, intended to help one remember the Gospel of Luke. His symbol, the ox, presents imagery representing key moments in each chapter

Christ with two disciples at Emmaus, c17th century. Creator: Unknown
Christ with two disciples at Emmaus, c17th century

Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century. Creator: Unknown
Landscape with Christ and the Two Disciples on the Way to Emmaus, 17th century

Design for embroidery: angel, symbol of St Matthew the Evangelist, c.1850-c.1875. Creator: Hardman & Co
Design for embroidery: angel, symbol of St Matthew the Evangelist, c.1850-c.1875

Design for embroidery: lion, symbol of St Mark the Evangelist, c.1850-c.1875. Creator: Hardman & Co
Design for embroidery: lion, symbol of St Mark the Evangelist, c.1850-c.1875

Design for embroidery: bull, symbol of St Luke the Evangelist, c.1850-c.1875. Creator: Hardman & Co
Design for embroidery: bull, symbol of St Luke the Evangelist, c.1850-c.1875

Design for embroidery: eagle, symbol of St John the Evangelist, c.1850-c.1875. Creator: Hardman & Co
Design for embroidery: eagle, symbol of St John the Evangelist, c.1850-c.1875. John the Evangelist, the author of the fourth gospel account, is symbolized by an eagle

Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Creator: Unknown
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569

The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat

The raising of Jairus daughter 1847-1849. Creator: Petrus Theodorus van Wijngaerdt
The raising of Jairus daughter 1847-1849. Jesus raises a girl from the dead. Jairus and his wife shower him with their thanks

The expulsion of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The expulsion of the prodigal son, c.1540-c.1550. The son (Filius Prodigus) is driven out by poverty (Paupertas), while superstition (Superstitio) and heresy (Haeresis)

The prodigal son eats from the pigstrog, c.1540-c.1550. Creator: Cornelis Anthonisz
The prodigal son eats from the pigs trough, c.1540-c.1550. The son (Filius Prodigus) eats with the pigs from a trough, it says: Ferment of the Pharisees (Fermentum Pharisaeorum)

The return of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The return of the prodigal son, c.1540-c.1550. Son (Filius Prodigus) kneeling and embraced by father. Around them love (Dilectio), truth (Veritas), Hope (Spes)

The prodigal son receives his inheritance, c.1540-c.1550. Creator: Cornelis Anthonisz
The prodigal son receives his inheritance, c.1540-c.1550. Father sitting at the table under canopy, son (Filius Prodigus) opposite him with money pouch

Christ Blessing the Children, c.1570. Creator: Anon
Christ Blessing the Children, c.1570

The Evangelist Saint Mark, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Mark, 1610-1615

The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Luke, 1610-1615

Lazarus and the Rich Man, 1544-1700. Creator: Jacopo Bassano (copy after)
Lazarus and the Rich Man, 1544-1700

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"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.