George Frederic Collection (#3)

Christ in glory with the symbols of the four Evangelists, c1200. From the Westminster Psalter. Illustration from Illuminated Manuscripts in the British Museum, Miniatures, Borders

Initial letter H, 1148. Initial letter with interlacing acanthus decoration from the beginning of the Book of Exodus in the Worms Bible, originally produced in Germany

William Morris, Poet, Socialist, and Craftsman, (1923). Artist: Rischgitz Collection
William Morris, Poet, Socialist, and Craftsman, (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

The Cinerary Casket of G. F. Watts, R. A. Compton Mortuary Chapel, Thursday, 7 July, 1904, c1904
The Cinerary Casket of G. F. Watts, R.A. Compton Mortuary Chapel, Thursday, 7 July, 1904, c1904. George Frederic Watts (1817-1904). From The Studio Volume 32

Sir Frederic Leighton, British artist, c1880-1882 Artist: Paul Adolphe Rajon
Sir Frederic Leighton, British artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

King Alfred Inciting the Anglo-Saxons to Repel the Invasion of the Danes, 896, (c1847). Artist: Herbert Bourne
King Alfred Inciting the Anglo-Saxons to Repel the Invasion of the Danes, 896, (c1847)

William Ewart Gladstone, 19th century British Liberal statesman and prime minister, c1905. William Gladstone (1809-1898) was born in Liverpool

George Frederick Watts, artist and Royal Academician, 1882. Artist: Lock & Whitfield
George Frederick Watts, artist and Royal Academician, 1882. A popular Victorian painter and sculptor, Watts (1817-1904) was best known for his portraits.George Frederick Watts

George Frederic Watts, English Victorian painter and sculptor, (1913). Artist: George Frederick Watts
George Frederic Watts, English Victorian painter and sculptor, (1913). Watts (1817-1904) is associated with the Symbolist movement. Supplement to The Bookman, 1913

Love and Life, 1893, (1912). Artist: George Frederick Watts
Love and Life, 1893, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Lifes Illusions, 1849, (1912). Artist: George Frederick Watts
Lifes Illusions, 1849, (1912). A colour print from Famous Paintings with an introduction by Gilbert Chesterton, (Cassell and Company, London, New York, Toronto, 1912)

Christ being found by his mother in the temple disputing with doctors, c1310-1320. Hunting scene below. From the Queen Mary Psalter, produced in England

Scenes from the life of Joseph, c1310-1320. Joseph bringing his two sons to his father for a blessing, and below, Joseph leading his mother and father into Canaan

Physical Energy, 19th century. Artist: George Frederick Watts
Physical Energy, 19th century

Statue known as Physical Energy, 1900s, Artist: George Frederick Watts
Physical Energy by G. F. Watts (23 February 1817 - 1 July 1904), in Kensington Gardens, London. G. F. Watts was a popular Victorian sculptor and painter in the Symbolist movement, 1900s

Hope, 1886. Artist: George Frederick Watts
Hope, 1886. From the Tate Gallery, London

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George Frederic Watts was a renowned artist and painter who lived in the late 19th and early 20th centuries. His works spanned various genres, from religious art to portraiture, showcasing his immense talent and versatility. One of his notable creations is the initial page from the Lindisfarne Gospels, dating back to the late 7th or early 8th century. This masterpiece reflects Watts' deep appreciation for history and his ability to bring ancient manuscripts to life. In addition to historical pieces, Watts also captured contemporary figures on canvas. Ellen Terry, a prominent actress of her time, became one of his subjects in 1864. Through this portrait, he immortalized her beauty and grace for generations to come. Watts' fascination with spirituality is evident in "The Dweller in the Innermost, " created around 1885. This ethereal artwork portrays a mystical figure surrounded by celestial beings, representing our connection with something greater than ourselves. "For He Had Great Possessions" is another captivating piece by Watts that delves into themes of wealth and materialism. Painted in 1894 but not released until later years, it serves as a powerful reminder of how possessions can consume us if we let them. Exploring mythology through art was also an area where Watts excelled. In "Uldra: The Scandinavian Spirit of the Rainbow in the Waterfall, " he brings forth Norse folklore with vibrant colors and intricate details that transport viewers into a world filled with enchantment. Watts wasn't limited to painting alone; he also dabbled in capturing historic events such as "Two of the Horsemen of the Apocalypse. " Inspired by early 14th-century depictions, this work showcases his ability to recreate iconic scenes while adding his unique touch. Religious themes continued to inspire him throughout his career as seen in "Ascension and Pentecost" from around 1290-1300.