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General Collection (page 5)

"From Stamford Bridge to Chancellorsville: A Glimpse into the Lives of Generals" In this captivating collection, we embark on a journey through history

Background imageGeneral Collection: Picture No. 11014400

Picture No. 11014400
The White Town of Gaucin - below a Moorish fort Malaga province, Andalusia, Spain Date:

Background imageGeneral Collection: London, Covent Garden, 16 February 1925

London, Covent Garden, 16 February 1925

Background imageGeneral Collection: Tour Eiffel

Tour Eiffel
The Eiffel Tower in Paris, as seen from the Trocadero, circa 1925. (Photo by Gall/General Photographic Agency/Hulton Archive/Getty Images)

Background imageGeneral Collection: 18th President of the United States. Photographed by Mathew Brady in 1864 or 1865

18th President of the United States. Photographed by Mathew Brady in 1864 or 1865
ULYSSES S. GRANT (1822-1885). 18th President of the United States. Photographed by Mathew Brady in 1864 or 1865, in the uniform of a lieutenant general

Background imageGeneral Collection: 18th President of the United States. Steel engraving, c1865

18th President of the United States. Steel engraving, c1865
ULYSSES S. GRANT (1822-1885). 18th President of the United States. Steel engraving, c1865

Background imageGeneral Collection: MONTGOMERY MEIGS (1816-1892). American engineer and general. Wood engraving, 1864

MONTGOMERY MEIGS (1816-1892). American engineer and general. Wood engraving, 1864

Background imageGeneral Collection: GRANTs INAUGURATION, 1869. Ulysses S. Grant entering the White House after his inauguration as

GRANTs INAUGURATION, 1869. Ulysses S. Grant entering the White House after his inauguration as 18th President of the United States on 4 March 1869. Wood engraving from a contemporary newspaper

Background imageGeneral Collection: Saladin, Sultan of Egypt and Syria

Saladin, Sultan of Egypt and Syria
Saladin (1137-1193), Sultan of Egypt and Syria. Saladin led Islamic opposition to the European armies during the Crusades

Background imageGeneral Collection: Marc Antony and Cleopatra aboard her royal barge. After a painting by French artist Henri-Pierre

Marc Antony and Cleopatra aboard her royal barge. After a painting by French artist Henri-Pierre Picou in the book Triumphs of Modern Art, published 1891

Background imageGeneral Collection: View town Chios island name left plate Scio title

View town Chios island name left plate Scio title
View of the town of Chios on the island of the same name (left plate) Scio (title on object), city view in general, veduta Chios, Jan Luyken, Delft, 1698, paper, etching, h 301 mm × w 639 mm

Background imageGeneral Collection: General Map Of British South Africa. From The Book South Africa And The Transvaal War

General Map Of British South Africa. From The Book South Africa And The Transvaal War, Volume 1 By Louis Creswicke, Published 1900

Background imageGeneral Collection: James Butler, 2Nd. Duke Of Ormond, 1665-1745. Irish General. 19Th Century Print Engraved By H

James Butler, 2Nd. Duke Of Ormond, 1665-1745. Irish General. 19Th Century Print Engraved By H. Robinson From The Original Of Kneller

Background imageGeneral Collection: James Graham 5Thearl And 1St Marquess Of Montrose, Earl Of Kincardine, Lord Graham And Mugdock

James Graham 5Thearl And 1St Marquess Of Montrose, Earl Of Kincardine, Lord Graham And Mugdock, 1612-1650. Scottish General During English Civil Wars

Background imageGeneral Collection: Lazio Roma Rome Fontana delle Tartarughe Italy

Lazio Roma Rome Fontana delle Tartarughe Italy
Lazio Roma Rome Fontana delle Tartarughe, this is my Italy, the italian country of visual history, General and detail views of late Renaissance fountain in the Piazza Mattei

Background imageGeneral Collection: Portrait of Fernando Alvarez de Toledo, 3rd Duke of Alba (1508 - 1582), 1549 (oil

Portrait of Fernando Alvarez de Toledo, 3rd Duke of Alba (1508 - 1582), 1549 (oil
XIR897946 Portrait of Fernando ulvarez de Toledo, 3rd Duke of Alba (1508 - 1582), 1549 (oil on canvas) by Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77)

Background imageGeneral Collection: The Logierian system, or unveiling the new light to ye musical world

The Logierian system, or unveiling the new light to ye musical world. With the discovery of a general thoro base [altered to bass]discord in the old school, Cruikshank, George, 1792-1878, Logier

Background imageGeneral Collection: Portrait of Prince Mikhail Barclay de Tolly (1761-1818), 1829 (oil on canvas)

Portrait of Prince Mikhail Barclay de Tolly (1761-1818), 1829 (oil on canvas)
BAL170636 Portrait of Prince Mikhail Barclay de Tolly (1761-1818), 1829 (oil on canvas) by Dawe, George (1781-1829); 361x258 cm; State Hermitage Museum, St

Automotive 2023: Autosport International
NATIONAL EXHIBITION CENTRE, UNITED KINGDOM - JANUARY 14: A view of the cars and stands on display at the Autosport International Show during the Autosport International at National Exhibition Centre

Automotive 2023: Autosport International
NATIONAL EXHIBITION CENTRE, UNITED KINGDOM - JANUARY 13: Engineering stands on display at the Autosport International Show during the Autosport International at National Exhibition Centre on January

Automotive 2023: Autosport International
NATIONAL EXHIBITION CENTRE, UNITED KINGDOM - JANUARY 14: Attendees take a look around the cars and stands on display at the Autosport International Show during the Autosport International at National

Background imageGeneral Collection: History of the Pirates...of all nations. Life and adventures of Paul Jones, the pirate, 1836 (print)

History of the Pirates...of all nations. Life and adventures of Paul Jones, the pirate, 1836 (print)
7339232 History of the Pirates...of all nations. Life and adventures of Paul Jones, the pirate, 1836 (print) by Unknown Artist, (19th century); 25.4x16.3 cm; National Maritime Museum, London

Background imageGeneral Collection: Duncan receiving the surrender of de Winter at the Battle of Camperdown, 1797 (oil on canvas)

Duncan receiving the surrender of de Winter at the Battle of Camperdown, 1797 (oil on canvas)
7338081 Duncan receiving the surrender of de Winter at the Battle of Camperdown, 1797 (oil on canvas) by Orme, Daniel (1766-p.1832); 152x201 cm; National Maritime Museum, London

Background imageGeneral Collection: Maarten Harpertszoon Tromp (1597-1653), early 19th century (oil on canvas)

Maarten Harpertszoon Tromp (1597-1653), early 19th century (oil on canvas)
7338068 Maarten Harpertszoon Tromp (1597-1653), early 19th century (oil on canvas) by Lievensz, Jan (1607-74) (after); 127x101.6 cm; National Maritime Museum, London

Admiral Sir Edward Thornborough (1754-1834), 1821 (oil on canvas)
7338064 Admiral Sir Edward Thornborough (1754-1834), 1821 (oil on canvas) by Lane, Samuel (1780-1859); 127x101.6 cm; National Maritime Museum, London

Background imageGeneral Collection: Lord Hugh Seymour (1759-1801), 1799 (oil on canvas)

Lord Hugh Seymour (1759-1801), 1799 (oil on canvas)
7338055 Lord Hugh Seymour (1759-1801), 1799 (oil on canvas) by Hoppner, John (1758-1810); 76.3x63.3 cm; National Maritime Museum, London

Background imageGeneral Collection: Captain Justinian Nutt (circa 1710-59), 1750s (oil on canvas)

Captain Justinian Nutt (circa 1710-59), 1750s (oil on canvas)
7338004 Captain Justinian Nutt (circa 1710-59), 1750s (oil on canvas) by British School, (18th Century); 76.2x63.5 cm; National Maritime Museum, London

Background imageGeneral Collection: Vice-Admiral Horatio Nelson, 1st Viscount Nelson (1758-1805), c.1801-03 (oil on canvas)

Vice-Admiral Horatio Nelson, 1st Viscount Nelson (1758-1805), c.1801-03 (oil on canvas)
7337995 Vice-Admiral Horatio Nelson, 1st Viscount Nelson (1758-1805), c.1801-03 (oil on canvas) by Koster, Simon de (19th century); 61x50.8 cm; National Maritime Museum, London

Rear-Admiral Sir Thomas Graves (1680-1755), 1801-02 (oil on canvas)
7337914 Rear-Admiral Sir Thomas Graves (1680-1755), 1801-02 (oil on canvas) by Northcote, James (1746-1831); 179x136 cm; National Maritime Museum, London

Rear-Admiral Sir James Alexander Gordon (1782-1869), 1839 (oil on canvas)
7337913 Rear-Admiral Sir James Alexander Gordon (1782-1869), 1839 (oil on canvas) by Morton, Andrew (1802-1845); 91.7x71.2 cm; National Maritime Museum, London

Background imageGeneral Collection: Admiral Sir John Fisher (1841-1920), 1902 (oil on canvas)

Admiral Sir John Fisher (1841-1920), 1902 (oil on canvas)
7337899 Admiral Sir John Fisher (1841-1920), 1902 (oil on canvas) by Cope, Arthur Stockdale (1857-1940); 127x101.6 cm; National Maritime Museum, London

Admiral Richard Edwards (1715-1795), 1780 (oil on canvas)
7337891 Admiral Richard Edwards (1715-1795), 1780 (oil on canvas) by Dance, Nathaniel (1735-1811); 127x101.6 cm; National Maritime Museum, London

Background imageGeneral Collection: Captain George Duff (1764-1805) (oil on canvas)

Captain George Duff (1764-1805) (oil on canvas)
7337888 Captain George Duff (1764-1805) (oil on canvas) by Raeburn, Henry (1756-1823) (after); 91.5x71 cm; National Maritime Museum, London

Background imageGeneral Collection: Admiral Sir John Thomas Duckworth (1748-1817), late 18th to early 19th century (oil painting)

Admiral Sir John Thomas Duckworth (1748-1817), late 18th to early 19th century (oil painting)
7337886 Admiral Sir John Thomas Duckworth (1748-1817), late 18th to early 19th century (oil painting) by Beechey, William (1753-1839); 127x101.6 cm; National Maritime Museum, London

Background imageGeneral Collection: Admiral Sir William Cornwallis (1744-1819), late 18th century to early 19th century (oil on canvas)

Admiral Sir William Cornwallis (1744-1819), late 18th century to early 19th century (oil on canvas)
7337873 Admiral Sir William Cornwallis (1744-1819), late 18th century to early 19th century (oil on canvas) by Gardner, Daniel (1750-1805) (after); 91.7x69.6 cm; National Maritime Museum, London

Captain Sir George Ralph Collier (1774-1824), c.1814 (oil on canvas)
7337869 Captain Sir George Ralph Collier (1774-1824), c.1814 (oil on canvas) by Beechey, William (1753-1839); 127x101.5 cm; National Maritime Museum, London

Background imageGeneral Collection: Rear-Admiral Richard Kempenfelt (1718-1782), 1782 (oil on canvas)

Rear-Admiral Richard Kempenfelt (1718-1782), 1782 (oil on canvas)
7337951 Rear-Admiral Richard Kempenfelt (1718-1782), 1782 (oil on canvas) by Kettle, Tilly (1735-86); 244x152.5 cm; National Maritime Museum, London

Admiral Lord George Keith Elphinstone, 1st Viscount Keith (1746-1823), early 19th century (oil on canvas)
7337950 Admiral Lord George Keith Elphinstone, 1st Viscount Keith (1746-1823), early 19th century (oil on canvas) by Owen, William (1769-1825); 76.2x63 cm; National Maritime Museum, London

Background imageGeneral Collection: The policies of the British Liberal party were seen by some as creeping Socialism

The policies of the British Liberal party were seen by some as creeping Socialism
527256 The policies of the British Liberal party were seen by some as creeping Socialism and, at the general election of January 1910, their parliamentary majority was sharply cut

Background imageGeneral Collection: A sea officer, c.1675 (oil on canvas)

A sea officer, c.1675 (oil on canvas)
7338096 A sea officer, c.1675 (oil on canvas) by Greenhill, John (1642/9-76); 76.2x63.5 cm; National Maritime Museum, London, UK; (add.info.: Creator: John Greenhill A head-and-shoulders portrait)

Background imageGeneral Collection: Portrait of a captain, c.1750 (oil on canvas)

Portrait of a captain, c.1750 (oil on canvas)
7338087 Portrait of a captain, c.1750 (oil on canvas) by Wollaston, John (fl.1736-75) (attr.to); 127x101.5 cm; National Maritime Museum, London

Background imageGeneral Collection: A portrait of Major-General Arthur Tooker Collins of the Marines in his full dress uniform

A portrait of Major-General Arthur Tooker Collins of the Marines in his full dress uniform, 1786 (oil on canvas)
7342580 A portrait of Major-General Arthur Tooker Collins of the Marines in his full dress uniform, 1786 (oil on canvas) by Unknown artist, (18th century); National Maritime Museum, London

Background imageGeneral Collection: Sketched portrait of Marsh, purser of the 'Queen Charlotte', c.1794 (wash, blue, grey)

Sketched portrait of Marsh, purser of the 'Queen Charlotte', c.1794 (wash, blue, grey)
7342092 Sketched portrait of Marsh, purser of the 'Queen Charlotte', c.1794 (wash, blue, grey) by Unknown artist, (18th century); 11.8x9.7 cm; National Maritime Museum, London

Background imageGeneral Collection: Portrait of Admiral Sir Richard Vesey Hamilton (1829-1912), 1879-91 (oil on canvas)

Portrait of Admiral Sir Richard Vesey Hamilton (1829-1912), 1879-91 (oil on canvas)
7295329 Portrait of Admiral Sir Richard Vesey Hamilton (1829-1912), 1879-91 (oil on canvas) by British School, (19th century); 127x101.5 cm; National Maritime Museum, London

Background imageGeneral Collection: Admiral Francis Holburne (1704-1771) and his son, Sir Francis, 4th Baronet (1752-1820)

Admiral Francis Holburne (1704-1771) and his son, Sir Francis, 4th Baronet (1752-1820), 1756 (oil on canvas)
7337938 Admiral Francis Holburne (1704-1771) and his son, Sir Francis, 4th Baronet (1752-1820), 1756 (oil on canvas) by Reynolds, Joshua (1723-92); 127x101.5 cm; National Maritime Museum, London

Background imageGeneral Collection: Captain John Croft Hawkins (1798-1851), 19th century (oil painting)

Captain John Croft Hawkins (1798-1851), 19th century (oil painting)
7337930 Captain John Croft Hawkins (1798-1851), 19th century (oil painting) by British School, (19th century); 91.4x71.1 cm; National Maritime Museum, London

Background imageGeneral Collection: Sir Thomas Masterman Hardy, Vice-Admiral of the Blue (1769-1839), 1834 (oil on canvas)

Sir Thomas Masterman Hardy, Vice-Admiral of the Blue (1769-1839), 1834 (oil on canvas)
7337926 Sir Thomas Masterman Hardy, Vice-Admiral of the Blue (1769-1839), 1834 (oil on canvas) by Evans, Richard (1784-1871) ; 143.5x113.7 cm; National Maritime Museum, London

Background imageGeneral Collection: Lord Howe on the Deck of The 'Queen Charlotte', 1 June 1794, c.1794 (oil on canvas)

Lord Howe on the Deck of The 'Queen Charlotte', 1 June 1794, c.1794 (oil on canvas)
7337922 Lord Howe on the Deck of The 'Queen Charlotte', 1 June 1794, c.1794 (oil on canvas) by Brown, Mather (1761-1831); 259.1x365.8 cm; National Maritime Museum, London

Background imageGeneral Collection: George II (1683-1760), 18th century (oil painting)

George II (1683-1760), 18th century (oil painting)
7337910 George II (1683-1760), 18th century (oil painting) by Pine, Robert Edge (1730-88) (after); 67x58.5 cm; National Maritime Museum, London



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"From Stamford Bridge to Chancellorsville: A Glimpse into the Lives of Generals" In this captivating collection, we embark on a journey through history, witnessing the remarkable lives and legacies of various generals. We begin with a breathtaking view from Stamford Bridge, where spectators are treated to an awe-inspiring sight that has witnessed countless battles and triumphs throughout time. Moving forward, we delve into the US Civil War era, standing alongside General Lee and General Jackson before their fateful encounter at Chancellorsville. The bravery and strategic brilliance displayed by these military leaders forever shaped the course of American history. Shifting our gaze towards Singapore's vibrant skyline, we marvel at the iconic Marina Bay Sands Hotel and Gardens. Amidst this modern oasis stands as a testament to human ingenuity in creating architectural wonders that blend seamlessly with nature. Next, we encounter General Charles George Gordon - known as Chinese Gordon or Gordon Pasha - captured in a poignant photograph taken during his time in Khartoum. This British general's enigmatic persona continues to captivate minds even today. Venturing into London's bustling Soho district, scenes inside The Flamingo Club come alive. Here, amidst lively music and spirited conversations, one can witness both camaraderie and revelry among soldiers seeking respite from their demanding duties. Continuing our exploration of American history during times of conflict, we find ourselves amid General Ulysses S. Grant's service during The American Civil War. His unwavering determination paved the way for peace while leaving an indelible mark on the nation he fought for. The surrender Lee to General Grant at Appomattox Court House marks a pivotal moment symbolizing unity after years of strife; it is immortalized in Thomas Nast's evocative painting "LEEs SURRENDER 1865. " Peace was finally restored within Union borders.