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Follower Of Collection

"The Follower of Tiepolo

Background imageFollower Of Collection: Hovering Angel, 18th century, (1928). Artist: Follower of Tiepolo

Hovering Angel, 18th century, (1928). Artist: Follower of Tiepolo
Hovering Angel, 18th century, (1928). Pen and wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Background imageFollower Of Collection: The Football Game (oil on canvas)

The Football Game (oil on canvas)
1765060 The Football Game (oil on canvas) by Webster, Thomas (1800-86) (follower of); 73.5x99.5 cm; Private Collection; (add.info.: The Football Game. Follower of Thomas Webster (1800-1886)

Background imageFollower Of Collection: King David at prayer within a very large initial B

King David at prayer within a very large initial B
986155 King David at prayer within a very large initial B, the surround with ten large roundels each containing the portrait of a saint, c.1500 (illuminated miniature on vellum) by Fora

Background imageFollower Of Collection: The Four Seasons (oil on canvas)

The Four Seasons (oil on canvas)
827960 The Four Seasons (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632) (follower of); 68.2x58 cm; Private Collection; (add.info.: The Four Seasons. Follower of Abraham Janssens)

Background imageFollower Of Collection: Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas)

Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas)
827783 Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas) by Loo, Louis Michel van (1707-71) (after); 73.3x59.2 cm; Private Collection; (add.info)

Background imageFollower Of Collection: Saints Philip and James, c. 1400 (large historiated initial on antiphonal vellum)

Saints Philip and James, c. 1400 (large historiated initial on antiphonal vellum)
985844 Saints Philip and James, c.1400 (large historiated initial on antiphonal vellum) by Bartolomeo, Martino de (1369-1434) (follower of); 18.2x17.5 cm; Private Collection; (add.info)

Background imageFollower Of Collection: The Four Seasons (oil on canvas)

The Four Seasons (oil on canvas)
827961 The Four Seasons (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632) (follower of); 68.2x58 cm; Private Collection; (add.info.: The Four Seasons. Follower of Abraham Janssens)

Background imageFollower Of Collection: Artist at Work (oil on canvas)

Artist at Work (oil on canvas)
1197460 Artist at Work (oil on canvas) by Stevens, Alfred Emile (1823-1906) (follower of); 81.6x60.5 cm; Private Collection; (add.info.: Stevens)

Background imageFollower Of Collection: The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas

The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas
1766775 The Soldiers Farewell, The Parents Gift [Leaving for the Crimea] (oil on canvas) by Thomas, George Housman (1824-68) (follower of); Private Collection; (add.info.: The Soldiers Farewell)

Background imageFollower Of Collection: The Virgin and Child, (oil on marouflaged panel)

The Virgin and Child, (oil on marouflaged panel)
991416 The Virgin and Child, (oil on marouflaged panel) by Bouts, Dirck (1415-75) (follower of); 33.6x21.9 cm; Private Collection; (add.info.: The Virgin and Child)

Background imageFollower Of Collection: The Tax-Gatherers (oil on panel)

The Tax-Gatherers (oil on panel)
1766795 The Tax-Gatherers (oil on panel) by Reymerswaele, Marinus van (c.1490-c.1567) (follower of); 81.8x71.1 cm; Private Collection; (add.info.: The Tax-Gatherers)

Background imageFollower Of Collection: The Annunciation of the Shepherds, c. 1480 (paint on vellum)

The Annunciation of the Shepherds, c. 1480 (paint on vellum)
986051 The Annunciation of the Shepherds, c.1480 (paint on vellum) by Vrelant, Willem (15th century) (follower of); 26.8 19 cm; Private Collection; (add.info)

Background imageFollower Of Collection: The Rest on the Flight into Egypt, ca. 1540. Creator: Follower of Quentin Metsys

The Rest on the Flight into Egypt, ca. 1540. Creator: Follower of Quentin Metsys
The Rest on the Flight into Egypt, ca. 1540

Background imageFollower Of Collection: Portrait of a Young Man, c. 1530. Creator: Dosso Dossi (Italian, c. 1490-aft 1541), follower of

Portrait of a Young Man, c. 1530. Creator: Dosso Dossi (Italian, c. 1490-aft 1541), follower of
Portrait of a Young Man, c. 1530. Like other paintings from the Dossi workshop, this work conveys the sitters social status and self-confidence. He holds a crumpled letter written in Italian

Background imageFollower Of Collection: Venus and Adonis, mid-1700s. Creator: Georg Raphael Donner (Austrian, 1693-1741), follower of

Venus and Adonis, mid-1700s. Creator: Georg Raphael Donner (Austrian, 1693-1741), follower of
Venus and Adonis, mid-1700s. Venus, the goddess of love, fell in love with the mortal Adonis. Here she urges him not to pursue the dangerous sport of hunting boar, advice he ignored

Background imageFollower Of Collection: Virgin and Child with Angels, c. 1460. Creator: Filippo Lippi (Italian, c. 1406-1469), follower of

Virgin and Child with Angels, c. 1460. Creator: Filippo Lippi (Italian, c. 1406-1469), follower of
Virgin and Child with Angels, c. 1460. This painting, produced by one of Fra Filippo Lippis many imitators in the city of Florence

Background imageFollower Of Collection: Virgin and Child, 1400s. Creator: Lorenzo di Credi (Italian, 1459-1537), follower of

Virgin and Child, 1400s. Creator: Lorenzo di Credi (Italian, 1459-1537), follower of
Virgin and Child, 1400s

Background imageFollower Of Collection: The Triumph of the Church, after 1628. Creator: Peter Paul Rubens (Flemish, 1577-1640)

The Triumph of the Church, after 1628. Creator: Peter Paul Rubens (Flemish, 1577-1640)
The Triumph of the Church, after 1628. This work is likely a copy after Rubenss oil sketch for the Triumph of the Eucharist tapestry series

Background imageFollower Of Collection: The Ponte dellAbbadia at Vulci, first half 19th century. Creator: Jean-Auguste-Dominique Ingres

The Ponte dellAbbadia at Vulci, first half 19th century. Creator: Jean-Auguste-Dominique Ingres
The Ponte dellAbbadia at Vulci, first half 19th century

Background imageFollower Of Collection: Salome with the Head of Saint John the Baptist, 1500s or later. Creator: Bernardino Luini (Italian)

Salome with the Head of Saint John the Baptist, 1500s or later. Creator: Bernardino Luini (Italian)
Salome with the Head of Saint John the Baptist, 1500s or later. Salomes dancing so pleased her stepfather Herod that he offered her anything she wanted

Background imageFollower Of Collection: Portrait of Mrs. George Collier, 18th century. Creator: Joshua Reynolds (British, 1723-1792)

Portrait of Mrs. George Collier, 18th century. Creator: Joshua Reynolds (British, 1723-1792)
Portrait of Mrs. George Collier, 18th century. Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds

Background imageFollower Of Collection: Portrait of Sir Thomas More, 17th century. Creator: Hans Holbein (German, 1497 / 98-1543)

Portrait of Sir Thomas More, 17th century. Creator: Hans Holbein (German, 1497 / 98-1543)
Portrait of Sir Thomas More, 17th century

Background imageFollower Of Collection: Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background, 1800s

Portrait of a Young Man Standing on the Quirinal with the Turris Comitum in the Background, 1800s

Background imageFollower Of Collection: Landscape, late 1500s-early 1600s. Creator: Sessh? T?y? (Japanese, 1420-1506), follower of

Landscape, late 1500s-early 1600s. Creator: Sessh? T?y? (Japanese, 1420-1506), follower of
Landscape, late 1500s-early 1600s. These two paintings belong to a group of eight that were likely mounted as a pair of four-panel folding screens representing the Eight Views of the Xiao

Background imageFollower Of Collection: Lion Hunt, 1581 or later. Creator: Moderno (Italian, 1467-1528), follower of

Lion Hunt, 1581 or later. Creator: Moderno (Italian, 1467-1528), follower of
Lion Hunt, 1581 or later

Background imageFollower Of Collection: Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots

Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pieta (None, Office of the Virgin), c. 1460-70

Background imageFollower Of Collection: Flying Cupid, c. 1602. Creator: Annibale Carracci (Italian, c. 1560-1609), follower of

Flying Cupid, c. 1602. Creator: Annibale Carracci (Italian, c. 1560-1609), follower of
Flying Cupid, c. 1602

Background imageFollower Of Collection: Chrysanthemums by a Stream, late 1700s-early 1800s. Creator: Ogata Korin (Japanese

Chrysanthemums by a Stream, late 1700s-early 1800s. Creator: Ogata Korin (Japanese
Chrysanthemums by a Stream, late 1700s-early 1800s. The two lines of script prominently written on the outermost panel of this screen ( byobu ) identify the author as Korin

Background imageFollower Of Collection: Christ and the Woman Taken in Adultery, mid 1700s. Creator: Sebastiano Ricci (Italian

Christ and the Woman Taken in Adultery, mid 1700s. Creator: Sebastiano Ricci (Italian
Christ and the Woman Taken in Adultery, mid 1700s

Background imageFollower Of Collection: Madonna and Child, c. 1440 / 50. Creator: Stefano da Zevio (Italian, c. 1374-aft 1438), follower of

Madonna and Child, c. 1440 / 50. Creator: Stefano da Zevio (Italian, c. 1374-aft 1438), follower of
Madonna and Child, c. 1440/50

Background imageFollower Of Collection: Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. Creator

Dwelling in the Longmian ( Sleeping Dragon ) Mountains, 1100s-1200s. Creator
Dwelling in the Longmian (" Sleeping Dragon" ) Mountains, 1100s-1200s

Background imageFollower Of Collection: Leaf from a Book of Hours: St. Matthew, c. 1415-20. Creator: Limbourg Brothers (Netherlandish)

Leaf from a Book of Hours: St. Matthew, c. 1415-20. Creator: Limbourg Brothers (Netherlandish)
Leaf from a Book of Hours: St. Matthew, c. 1415-20. The Limbourg Brothers were famous Dutch miniature painters from the city of Nijmegen

Background imageFollower Of Collection: Leaf from a Psalter: Historiated Initial D with The Trinity, c

Leaf from a Psalter: Historiated Initial D with The Trinity, c.1310. Although English, the design of this psalter page follows the fashion of French book illumination

Background imageFollower Of Collection: Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. Creator

Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. Creator
Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s

Background imageFollower Of Collection: Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master

Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. Creator: Boucicaut Master
Book of Hours (Use of Paris): Presentation at the Temple, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)

Book of Hours (Use of Paris): Decorated Initial, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Decorated Initial, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French

Book of Hours (Use of Paris): Crucifixion, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Crucifixion, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)

Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. Creator: Boucicaut Master (French)
Book of Hours (Use of Paris): Adoration of the Magi, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active

Book of Hours (Use of Paris), c. 1420. Creator: Boucicaut Master (French, Paris, active
Book of Hours (Use of Paris), c. 1420. The Boucicaut Master takes his name from the book of hours he made for Jean de Boucicaut (died 1421), marshal of France

Background imageFollower Of Collection: Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French

Book of Hours (Use of Paris): Annunciation, c. 1420. Creator: Boucicaut Master (French
Book of Hours (Use of Paris): Annunciation, c. 1420. The Guise Master-named after the book of hours he illustrated for Francois de Lorraine

Background imageFollower Of Collection: Antiphonary: Initial, angel, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of

Antiphonary: Initial, angel, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of
Antiphonary: Initial, angel, c. 1470-1480. The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona

Background imageFollower Of Collection: Antiphonary: Initial A, Resurrection, c. 1470-1480. Creator: Girolamo da Cremona (Italian)

Antiphonary: Initial A, Resurrection, c. 1470-1480. Creator: Girolamo da Cremona (Italian)
Antiphonary: Initial A, Resurrection, c. 1470-1480. The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona

Background imageFollower Of Collection: Antiphonary, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of

Antiphonary, c. 1470-1480. Creator: Girolamo da Cremona (Italian), follower of
Antiphonary, c. 1470-1480. The initial A with the resurrected Christ, shown here, was painted by an immediate follower of Girolamo da Cremona

Background imageFollower Of Collection: An Elderly Man in Prayer, 1660s or later. Creator: Rembrandt van Rijn (Dutch, 1606-1669)

An Elderly Man in Prayer, 1660s or later. Creator: Rembrandt van Rijn (Dutch, 1606-1669)
An Elderly Man in Prayer, 1660s or later. Toward the end of his life, Rembrandt explored religious themes from an intimate perspective, producing a number of works for a possible Apostle series



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"The Follower of Tiepolo: Capturing the Ethereal Beauty of the Hovering Angel in 18th Century Art (1928)" Immerse yourself in the enchanting world of art as we delve into a mesmerizing masterpiece by an anonymous artist, known only as the "Follower of Tiepolo. " This captivating piece, created in 1928, transports us back to the 18th century with its ethereal depiction of a Hovering Angel. As we gaze upon this oil on canvas artwork titled "The Football Game, " our senses are awakened by the vibrant colors and dynamic composition. The intensity and energy captured within each brushstroke bring to life the exhilaration and passion that emanate from this thrilling sport. Intriguingly, another remarkable creation attributed to this talented follower is "King David at prayer within a very large initial B. " Here, we witness King David's profound devotion as he seeks solace through prayer. The intricate details and rich symbolism showcased within this historical piece leave us awe-inspired. Moving forward, let us explore yet another gem from this gifted follower's repertoire - "The Four Seasons. " Through these four distinct oil on canvas paintings, nature unfolds before our eyes. Each season is meticulously portrayed with vivid hues and meticulous attention to detail. We are transported through time as we experience spring's blossoming beauty, summer's golden warmth, autumn's fiery palette, and winter's serene stillness. Our journey continues with a full-length portrait entitled "Portrait of King Louis XV, " where we encounter royalty adorned in half armor. The artist skillfully captures every regal nuance while infusing it with their unique style. This painting serves as a testament to both artistic mastery and historical significance. Delighting our senses once more is an exquisite still life titled "Still Life with Flowers and Fruit" by Master of Hartford Still Life. With delicate precision, each petal blooms forth while luscious fruits tempt our taste buds.