De Goya Collection (#5)

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya
Old woman on a swing (Vieja columpiandose).n.d

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778

Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito), ca. 1815

Moenippus (Menipo Filosofo), 1778. Creator: Francisco Goya
Moenippus (Menipo Filosofo), 1778

Aesop (Aesopus), from Etchings after Velazquez, 1778. Creator: Francisco Goya
Aesop (Aesopus), from Etchings after Velazquez, 1778

A dwarf (un enano) known as El Primo after Diego Velazquez, 1778

A Maja standing against a dark background (Maja). Creator: Francisco Goya
A Maja standing against a dark background (Maja)

Sebastian Martinez y Perez (1747-1800), 1792. Creator: Francisco Goya
Sebastian Martinez y Perez (1747-1800), 1792

Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804. Creator: Francisco Goya
Ignacio Garcini y Queralt (1752-1825), Brigadier of Engineers, 1804

Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88. Creator: Francisco Goya
Condesa de Altamira and Her Daughter, Maria Agustina, 1787-88

Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883). Creator
Infanta Maria Luisa (1782-1824) and Her Son Carlos Luis (1799-1883)

Narcisa Baranana de Goicoechea. Creator: Francisco Goya
Narcisa Baranana de Goicoechea

Maria Luisa of Parma (1751-1819), Queen of Spain. Creator: Unknown
Maria Luisa of Parma (1751-1819), Queen of Spain

Don Bernardo de Iriarte (1735-1814). Creator: Copy after Goya (Spanish, 1797 or later)
Don Bernardo de Iriarte (1735-1814)

Bullfight in a Divided Ring. Creator: Francisco Goya
Bullfight in a Divided Ring

A City on a Rock. Creator: Unknown
A City on a Rock

Ferdinand VII (1784-1833), When Prince of Asturias. Creator: Francisco Goya
Ferdinand VII (1784-1833), When Prince of Asturias

Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804. Creator
Josefa de Castilla Portugal y van Asbrock de Garcini (1775-about 1850), 1804

Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88. Creator: Francisco Goya
Manuel Osorio Manrique de Zuniga (1784-1792), 1787-88

Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810. Creator: Francisco Goya
Jose Costa y Bonells (died 1870), Called Pepito, ca. 1810

Tiburcio Perez y Cuervo (1785 / 86-1841), the Architect, 1820. Creator: Francisco Goya
Tiburcio Perez y Cuervo (1785/86-1841), the Architect, 1820

Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya
Witch riding a goat, late 18th-early 19th century, (1943). Drawing in the Prado Museum, Madrid. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Dona Isabel Cobos De Porcel, c1805, (1946). Creator: Francisco Goya
Dona Isabel Cobos De Porcel, c1805, (1946). Portrait of Dona Isabel de Porcel (born c1780), wearing the black lace mantilla of a maja. Painting in the National Gallery in London

The Picnic, 1785-1790, (1938). Artist: Francisco Goya
The Picnic, 1785-1790, (1938). Painting in the National Gallery, London. From Spanish Painting, by E Harris. [John Gifford Limited, London, 1938]

Fernando Guillemardet, c1798, (1938). Artist: Francisco Goya
Fernando Guillemardet, c1798, (1938). Portrait of Fernando Guillemardet, the French ambassador to Spain between 1798 and 1800. Paingting in the Louvre, Paris, France

The Marquesa de Pontejos, c1786. Artist: Francisco Goya
The Marquesa de Pontejos, c1786. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

A Procession of Flagellants, 1812-1819 (1939). Artist: Francisco Goya
A Procession of Flagellants, 1812-1819 (1939). A procession of Roman Catholic men dressed in white, wearing pointed hats and whipping their bared backs in penitence

Powder production in the Sierra de Tardienta, 1814 (1939). Artist: Francisco Goya
Powder production in the Sierra de Tardienta, 1814 (1939). From Les Chefs-D Ouevre Du Musee Du Prado. [Les Editions Holbein, Switzerland, 1939]

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"Exploring the Depths of Francisco Goya's Artistic Genius" Francisco Goya, a renowned Spanish artist from the late 18th and early 19th centuries, captivated audiences with his diverse range of artworks. From sensual portraits to satirical social commentaries, Goya fearlessly delved into various themes and emotions. One of his most iconic works is "The Naked Maja, " a seductive masterpiece that showcases the beauty and vulnerability of a reclining female figure. Painted around 1800, this provocative piece challenges societal norms by celebrating the human form in all its natural glory. In contrast, Goya's portrait of Field Marshal Arthur Wellesley, better known as the Duke of Wellington, portrays strength and authority. Created in 1814 during the aftermath of war, it immortalizes one of history's great military leaders with meticulous detail and an air of reverence. Goya's artistic versatility shines through in "Ridiculous Dream, " a series completed between 1819-1823. These haunting etchings depict surreal scenes filled with nightmarish creatures and distorted figures. Through these dreamlike images, Goya explores the depths of human imagination and subconscious fears. His collection titled Los Caprichos includes Plate 80: "It is time. " This print serves as a scathing critique on society's moral decay during that era. Similarly biting is Plate 60: "Trials, " which exposes corruption within legal systems while questioning justice itself. Another notable work from Los Caprichos is Plate 25: "If he broke the pot. " In this image filled with symbolism, Goya highlights consequences faced by those who challenge societal norms or break free from conventions. Goya also captured everyday life in pieces like "Majas on a Balcony, " showcasing women leisurely enjoying their surroundings amidst vibrant colors.