De Goya Collection (#4)

Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto. ), 1799
Plate 79 from Los Caprichos : No one has seen us (Nadie nos ha visto.), 1799

Plate 78 from Los Caprichos : Be quick, they are waking up (Despacha, que dispiertan.), 1799

Plate 77 from Los Caprichos : What one does to another (Unos aotros. ), 1799
Plate 77 from Los Caprichos :What one does to another (Unos a otros.), 1799

Plate 76 from Los Caprichos : You understand?... well, as I say
Plate 76 from Los Caprichos :You understand?... well, as I say... eh! Look out! otherwise... (Esta Umd...pues, Como digo..eh! Cuidado! si no...), 1799

Plate 75 from Los Caprichos : Is there no one to untie us? (No hay quien nos desate?), 1799

Plate 74 from Los Caprichos : Don t scream, stupid (No grites, tonta), 1799

Plate 72, from Los Caprichos : You will not escape (No te escaparas. ), 1799
Plate 72, from Los Caprichos : You will not escape (No te escaparas.), 1799

Plate 71 from Los Caprichos : When day breaks we will be off (Si amanece; nos Vamos.), 1799

Plate 70 from Los Caprichos : Devout Profession (Devota profesion. ), 1799
Plate 70 from Los Caprichos : Devout Profession (Devota profesion.), 1799

Plate 67 from Los Caprichos : Wait till you ve been anointed (Aguarda que te unten.), 1799

Plate 65 from Los Caprichos : Where is mom going? (Donde vamama?), 1799
Plate 65 from Los Caprichos :Where is mom going? (Donde va mama?), 1799

Bon Voyage (Buen Viage), from The Caprices (Los Caprichos), plate 64, 1799

Plate 61 from Los Caprichos : They have flown (Volaverunt. ), 1799
Plate 61 from Los Caprichos : They have flown (Volaverunt.), 1799

Plate 56 from Los Caprichos : To rise and to fall (Subir y bajar. ), 1799
Plate 56 from Los Caprichos :To rise and to fall (Subir y bajar.), 1799

Plate 64 from Los Caprichos : Bon voyage (Buen Viage. ), 1799. Creator: Francisco Goya
Plate 64 from Los Caprichos : Bon voyage (Buen Viage.), 1799

Plate 62 from Los Caprichos : Who would have thought it? (Quien lo creyera!), 1799

Plate 59 from Los Caprichos : And still they don t go! (Y aun no se van!), 1799

Plate 57 from Los Caprichos : The filiation (La filiacion. ), 1799
Plate 57 from Los Caprichos :The filiation (La filiacion.), 1799

Plate 53 from Los Caprichos : What a golden beak! (Que pico de Oro!), 1799
Plate 53 from Los Caprichos :What a golden beak! (Que pico de Oro!), 1799

Plate 52 from Los Caprichos : What a tailor can do! (Lo que puede un Sastre!), 1799

Plate 51 from Los Caprichos : They spruce themselves up (Se repulen. ), 1799
Plate 51 from Los Caprichos : They spruce themselves up (Se repulen.), 1799

Plate 43 from Los Caprichos : The sleep of reason produces monsters (El sueno de la razon produce monstruos), 1799, published 1908-12

Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos. ), 1799
Plate 41 from Los Caprichos : Neither more nor less (Ni mas ni menos.), 1799

Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas. ), 1799
Plate 50 from Los Caprichos : The Chinchillas (Los Chinchillas.), 1799

Plate 49 from Los Caprichos : Hobgoblins (Duendecitos. ), 1799. Creator: Francisco Goya
Plate 49 from Los Caprichos : Hobgoblins (Duendecitos.), 1799

Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones. ), 1799
Plate 48 from Los Caprichos : Tale-Bearers-Blasts of Wind (Soplones.), 1799

Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes. ), 1799
Plate 42 from Los Caprichos : Thou who canst not (Tu que no puedes.), 1799

Plate 40 from Los Caprichos : Of what ill will he die? (De que mal morira?), 1799

Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo. ), 1799
Plate 39 from Los Caprichos : And so was his grandfather. (Asta su Abuelo.), 1799

Plate 37 from Los Caprichos : Might not the pupil know more? (Si Sabra mas el discipulo?), 1799

Plate 33 from Los Caprichos : To the Count Palatine (Al Conde Palatino. ), 1799
Plate 33 from Los Caprichos :To the Count Palatine (Al Conde Palatino.), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 28 from Los Caprichos : Hush (Chiton. ), 1799. Creator: Francisco Goya
Plate 28 from Los Caprichos : Hush (Chiton.), 1799

Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio. ), 1799
Plate 24 from Los Caprichos : Nothing could be done about It (Nohubo remedio.), 1799

Plate 18 from Los Caprichos : And his house is on fire (Ysele quema la Casa. ), 1799
Plate 18 from Los Caprichos :And his house is on fire (Ysele quema la Casa.), 1799

Plate 16 from Los Caprichos : For heavens sake: and it was her mother (Dios la Perdone
Plate 16 from Los Caprichos :For heavens sake: and it was her mother (Dios la Perdone: Y era su madre), 1799

Plate 13 from Los Caprichos : They are Hot (Estan Calientes), 1797-98
Plate 13 from Los Caprichos :They are Hot (Estan Calientes), 1797-98

Plate 9 from Los Caprichos : Tantalus (Tantalo. ), 1799. Creator: Francisco Goya
Plate 9 from Los Caprichos : Tantalus (Tantalo.), 1799

Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes. ), 1799
Plate 12 from Los Caprichos : Out hunting for teeth (A caza de dientes.), 1799

Plate 10 from Los Caprichos : Love and death (El amor y la muerte), 1799

Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco. ), 1799
Plate 3 from Los Caprichos : Here comes the bogey-man (Que viene el Coco.), 1799

Plate 1 from Los Caprichos : Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor), 1799

Old woman on a swing (Vieja columpiandose). n. d. Creator: Francisco Goya
Old woman on a swing (Vieja columpiandose).n.d

Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce. ), 1799
Plate 6 from Los Caprichos : Nobody knows himself (Nadie se conoce.), 1799

Plate 4 from Los Caprichos : Nannys boy (El de la rollona. ), 1799
Plate 4 from Los Caprichos : Nannys boy (El de la rollona.), 1799

Plate 2 from Los Caprichos : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799

The cloaked man (El Embozado). Creator: Unknown
The cloaked man (El Embozado)

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de Espana, muger de Felipe Quarto), 1778

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"Exploring the Depths of Francisco Goya's Artistic Genius" Francisco Goya, a renowned Spanish artist from the late 18th and early 19th centuries, captivated audiences with his diverse range of artworks. From sensual portraits to satirical social commentaries, Goya fearlessly delved into various themes and emotions. One of his most iconic works is "The Naked Maja, " a seductive masterpiece that showcases the beauty and vulnerability of a reclining female figure. Painted around 1800, this provocative piece challenges societal norms by celebrating the human form in all its natural glory. In contrast, Goya's portrait of Field Marshal Arthur Wellesley, better known as the Duke of Wellington, portrays strength and authority. Created in 1814 during the aftermath of war, it immortalizes one of history's great military leaders with meticulous detail and an air of reverence. Goya's artistic versatility shines through in "Ridiculous Dream, " a series completed between 1819-1823. These haunting etchings depict surreal scenes filled with nightmarish creatures and distorted figures. Through these dreamlike images, Goya explores the depths of human imagination and subconscious fears. His collection titled Los Caprichos includes Plate 80: "It is time. " This print serves as a scathing critique on society's moral decay during that era. Similarly biting is Plate 60: "Trials, " which exposes corruption within legal systems while questioning justice itself. Another notable work from Los Caprichos is Plate 25: "If he broke the pot. " In this image filled with symbolism, Goya highlights consequences faced by those who challenge societal norms or break free from conventions. Goya also captured everyday life in pieces like "Majas on a Balcony, " showcasing women leisurely enjoying their surroundings amidst vibrant colors.