Concubines Collection

The Harem, 1876. Creator: John Frederick Lewis
The Harem, 1876

The Court of the Harem (oil on canvas)
THA100409 The Court of the Harem (oil on canvas) by Girard, Albert (1839-1920); 61x71.1 cm; Towneley Hall Art Gallery and Museum, Burnley, Lancashire; eTowneley Hall Art Gallery and Museum; French

In the Harem (colour photogravure)
3657076 In the Harem (colour photogravure) by Bredt, Max Ferdinand (1868-1921); Private Collection; (add.info.: In the Harem)

Project of the Death of Sardanapalus by Eugene Delacroix. 18
Project of the Death of Sardanapalus by Eugene Delacroix (1798-1863). 1826. Louvre Museum. Paris. France. Exposition Babylon

Dancing Girls (oil on canvas)
GG110459 Dancing Girls (oil on canvas) by Fabbi, Fabio (1861-1946); Private Collection; Photo © Gavin Graham Gallery, London, UK

In the Harem (oil on panel)
CH402102 In the Harem (oil on panel) by Ernst, Rudolphe (1854-1932); 45.5x54.9 cm; Private Collection; Photo eChristies Images; German, out of copyright

Women of the harem in Constantinople, 1896 (colour litho)
CHT179319 Women of the harem in Constantinople, 1896 (colour litho) by French Photographer, (19th century); Bibliotheque des Arts Decoratifs, Paris

The Harem, plate 1 from Illustrations of Constantinople, engraved by the artist
STC88727 The Harem, plate 1 from Illustrations of Constantinople, engraved by the artist, 1837 (litho) by Lewis, John Frederick (1804-76); Private Collection; The Stapleton Collection; English

Two women from the harem of Tana Shah of Golconda, c. 1800 (opaque w / c and gold on paper
6040476 Two women from the harem of Tana Shah of Golconda, c.1800 (opaque w/c and gold on paper, mounted on an album page) by Deccani School, (18th Century); 24.6x15 cm; San Diego Museum of Art

Emperor Yang Ti (581-618) strolling in his gardens with his wives
CHT39132 Emperor Yang Ti (581-618) strolling in his gardens with his wives, from a history of Chinese emperors (colour on silk) (see also 176855) by Chinese School (17th century)

Interior of the Harem of the Great Lord of Constantinople
STC83449 Interior of the Harem of the Great Lord of Constantinople, engraved by Francois Denis Nee (1732-1817) 1811 (engraving) by Melling

A Chinese Mandarin being Entertained (colour on silk) (detail of 176863)
CHT309592 A Chinese Mandarin being Entertained (colour on silk) (detail of 176863) by Chinese School (18th century); Bibliotheque des Arts Decoratifs, Paris

A Chinese Mandarin being Entertained (colour on silk)
CHT176863 A Chinese Mandarin being Entertained (colour on silk) by Chinese School (18th century); Bibliotheque des Arts Decoratifs, Paris

Harem Women (oil on panel)
878383 Harem Women (oil on panel) by Constant, Jean Joseph Benjamin (1845-1902); 124.4x80 cm; Private Collection; Photo eChristies Images; French, out of copyright

Women of a Harem in Morocco, 1875 (oil on canvas)
878379 Women of a Harem in Morocco, 1875 (oil on canvas) by Constant, Jean Joseph Benjamin (1845-1902); 130.8x90.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Guards of the Harem (oil on panel)
CH448352 The Guards of the Harem (oil on panel) by Deutsch, Ludwig (1855-1935); 79.7x98.1 cm; Private Collection; Photo eChristies Images; French, out of copyright

A Persian Harem, from Le Costume Ancien et Moderne, Volume I, plate 47
STC255148 A Persian Harem, from Le Costume Ancien et Moderne, Volume I, plate 47, by Jules Ferrario, published c.1820s-30s (colour litho) by Bramati, G

Chinese Mandarin being Entertained (colour on silk) (detail of 176863)
CHT309588 Chinese Mandarin being Entertained (colour on silk) (detail of 176863) by Chinese School (18th century); Bibliotheque des Arts Decoratifs, Paris

Emperor Wu Ti (156-87, r. 141-87 BC), leaving his palace
CHT176856 Emperor Wu Ti (156-87, r.141-87 BC), leaving his palace, from a history of Chinese emperors (colour on silk) by Chinese School (17th century); Bibliotheque Nationale, Paris

Emperor Yang Ti (581-618) strolling in his gardens with his wives
CHT176855 Emperor Yang Ti (581-618) strolling in his gardens with his wives, from a history of Chinese emperors (colour on silk) (detail of 39132) by Chinese School (17th century)

Sardanapale, from "Le Monde Illustre", May 16, 1874. Creator: Emile Thomas
Sardanapale, from " Le Monde Illustre", May 16, 1874. [After The Death of Sardanapalus by Delacroix]

Death of Sardanapalus. Artist: Delacroix, Eugene (1798-1863)
Death of Sardanapalus. Found in the collection of Louvre, Paris

Death of Sardanapalus (Studiy). Artist: Delacroix, Eugene (1798-1863)
Death of Sardanapalus (Studiy). Found in the collection of Louvre, Paris

A Prince and his Harem (gouache on paper)
XTD84802 A Prince and his Harem (gouache on paper) by Mughal School (18th century); Victoria & Albert Museum, London, UK; Indian, out of copyright

The Little Bather in the Harem, 1828 (oil on canvas)
XIR83513 The Little Bather in the Harem, 1828 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 35x27 cm; Louvre, Paris, France; French, out of copyright

Belshazzars Feast (oil on panel)
XIR173000 Belshazzars Feast (oil on panel) by Flemish School, (17th century); 52x107 cm; Musee des Beaux-Arts, Nantes, France; Flemish, out of copyright

Belshazzars Feast (oil on canvas)
XYC127210 Belshazzars Feast (oil on canvas) by Martin, John (1789-1854); 77.5x120 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

One of the Sultans Concubines from the Harem - Turkey
One of the Sultans Concubines (an Odalisque) from the Harem - Turkey. Date: circa 1907

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"Exploring the Enigmatic World of Concubines: A Glimpse into History and Art" Step into a captivating journey through time as we delve into the intriguing realm of concubines. From ancient civilizations to exotic lands, these women have left an indelible mark on history and art. Eugene Delacroix's masterpiece, "Project of the Death of Sardanapalus, " transports us to a scene where concubines play a pivotal role in the decadent demise of an Assyrian king. Their beauty and allure are depicted with mesmerizing detail, highlighting their power over men. In "A Rest in the Desert, " we witness how even amidst harsh conditions, concubines provide solace and companionship to weary travelers. The painting captures their grace and resilience against nature's challenges. An Odalisque engraving takes us deep into the heart of Orientalism, showcasing the sensual allure that surrounded these women within harems. Their seductive gazes invite intrigue while revealing layers of complexity beneath their veils. Archibald Dalzel's engraved depiction from "The History of Dahomey" offers a glimpse into African royalty, where powerful kings were surrounded by devoted concubines. This intricate artwork sheds light on cultural practices that shaped societies during that era. "Dancing Girls" brings forth visions of vibrant celebrations filled with music and movement. These talented performers entertained both royalty and commoners alike, adding color to courtly affairs throughout history. "The Harem" paintings transport us behind closed doors, where secrecy reigns supreme. Whether it is Ingres' intimate portrayal or Jean-Léon Gérôme's grandiose scenes in Constantinople or Golconda’s opulent harem captured on paper – each piece reveals different facets within this enigmatic world. As we explore photographs like "Women of the Harem in Constantinople, " taken at the turn-of-the-century by colour lithography, we witness the last remnants of a fading era.