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Interior of the Harem of the Great Lord of Constantinople
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Interior of the Harem of the Great Lord of Constantinople
STC83449 Interior of the Harem of the Great Lord of Constantinople, engraved by Francois Denis Nee (1732-1817) 1811 (engraving) by Melling, Anton Ignaz (1763-1831) (after); Private Collection; The Stapleton Collection; German, out of copyright
Media ID 22785462
© The Stapleton Collection / Bridgeman Images
Concubines Cross Section Floors Ottoman Sultan
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EDITORS COMMENTS
This engraving, titled "Interior of the Harem of the Great Lord of Constantinople" takes us on a mesmerizing journey into the opulent world of the Ottoman Empire. Created in 1811 by Anton Ignaz Melling and engraved by Francois Denis Nee, this print offers a glimpse into the private quarters of one of history's most powerful rulers. The image showcases an intricate cross-section view of the harem, revealing its architectural grandeur and meticulous design. As we explore each floor, we are greeted with a symphony of vibrant colors and exquisite details that reflect both Turkish culture and Ottoman aesthetics. In this bustling space, women adorned in traditional attire gracefully move about their daily activities. These concubines were chosen for their beauty and intellect to serve within the harem walls under the watchful eye of their ruler, known as Sultan. Every corner tells a story - from intimate chambers to lush gardens - offering insight into how power was wielded within these sacred spaces. The carefully planned layout emphasizes privacy while also fostering an environment conducive to leisurely pursuits and intellectual discussions. As we immerse ourselves in this enchanting scene captured through Melling's artistic lens, it becomes evident that this print is not just an architectural representation but also a testament to the rich cultural heritage that thrived within these walls. It serves as a reminder that art has always been intertwined with history, allowing us to connect with past civilizations and appreciate their contributions to our collective human experience.
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