Chasuble Collection

Theatre / Plays / Wilde
THE IMPORTANCE OF BEING EARNEST Algy, Cecily, John Worthing, Lady Bracknell and Canon Chasuble; at the St James Theatre

Saint Antoninus of Pamiers. Christian missionary and martyr
Saint Antoninus of Pamiers. Early Christian missionary and martyr. Patron saint of the cities of Pamiers (France), Palencia and Medina del Campo (Spain). Portrait. Illustration by Llanta

Jon Arason's Chasuble, 16th century (textile)
5304954 Jon Arason's Chasuble, 16th century (textile); (add.info.: Jon Arason's Chasuble, an ornate sleeveless outer vestment worn by a Catholic or High Anglican priest when celebrating Mass)

Jon Arason's Chasuble, 16th century (textile)
5304955 Jon Arason's Chasuble, 16th century (textile); (add.info.: Jon Arason's Chasuble, an ornate sleeveless outer vestment worn by a Catholic or High Anglican priest when celebrating Mass)

Priest at an altar, 1657. Creator: Gesina ter Borch
Priest at an altar, 1657. Priest in a chasubler. On the floor: Serodt, KhHDMHLH and Lijuerev (Lijucrev?) above the window. It is not known what the characters stand for

Pan American Mass. Cardinal Gibbons, 1912. Creator: Harris & Ewing. Pan American Mass. Cardinal Gibbons, 1912
Pan American Mass. Cardinal Gibbons, 1912. [Roman Catholic service held at St. Patrick's Catholic Church in Washington, D.C.]

Chasuble with Orphrey Bands, Seo de Urgel, 16th century. Creator: Unknown
Chasuble with Orphrey Bands, Seo de Urgel, 16th century

Chasuble, Spain, 1575/1625. Creator: Unknown
Chasuble, Spain, 1575/1625

Chasuble, Central Europe, 18th century. Creator: Unknown
Chasuble, Central Europe, 18th century

Chasuble with Medallion Depicting John the Baptist, Italy, 1575/1625. Creator: Unknown
Chasuble with Medallion Depicting John the Baptist, Italy, 1575/1625

Eugenio Pacelli, legate to the pope at an international eucharistic congress in Budapest Hungary Budapest. Date of Photograph:12/05/1938

A stretch of the river Jordan in Israel, the banks densely covered with trees. On the banks, in the foreground, a priest and a young man praying Israel. Date of Photograph:1880 -1900 ca

Half-length portrait of an orthodox priest in richly decorated vestments and stiff hat. He holds a candlestick in either hand. Date of Photograph:1880 ca

Portrait of a young religious wearing vestments for celebrating mass. He is leaning on a chair, next to him is a small table with a cachepot. Date of Photograph:1900-1910 ca

Statue of Pius VI Praying, by Antonio Canova and associates, inside St. Peter's Basilica, the Vatican State of the Vatican City St

Pope Pius VI praying, statue by Antonio Canova, completed, after the death of the artist, by Adamo Tadolini and collocated in St. Peter's Cathedral, Vatican City, Rome

Embroidered dalmatic, Basilica of Santa Maria del Fiore, Florence Florence Basilica of Santa Maria del Fiore. Date of Photograph:1930 ca

Tomb of St. Prosdocimus, marble sarcofagus with an antependium depicting the saint, by Giovanni Francesco de Surdis, in the Church of Santa Giustina, Padua Padua Church of Santa Giustina

Chasuble in brocade and gold, kept in the Church of Santa Maria a Prosto of Piuro, Sondrio Piuro Prosto, Church of Santa Maria Planet High Renaissance, Renaissance

St. Gimignano and St. Catherine of Alexandria; mosaics by Valerio Zuccato after a cartoon by Titian, St. Mark's Basilica, Venice Venice St

St. Mark in ecstasy, mosaic after a cartoon by Titian, St. Mark's Basilica, Venice. Venice St. Mark's Basilica Mosaic Late Renaissance, Renaissance, Renaissance-Baroque styles and periods

Low relief representing San Donato located over the portal of the Church of Santa Maria e San Donato in Murano. Venice Murano, Saint Mary and Saint Donat Church Low Relief, Basrelief Gothic

Lace weaving and embroidery, France, 17th and 18th century, (1898). Creator: Unknown
Lace weaving and embroidery, France, 17th and 18th century, (1898). Fig 1: Lace in the style of Louis XIV [c1643-1715], in the possession of C. Baur, manufacturer of furniture at Biberach [Germany]

Rubens Chasuble (textile)
715390 Rubens Chasuble (textile) by Flemish School, (17th century); Church of St. Charles Borromeo, Antwerp, Belgium

Detail of a chasuble (textile)
715393 Detail of a chasuble (textile) by Flemish School; Church of St. Charles Borromeo, Antwerp, Belgium; (add.info.: See also 715393.)

Rubens Chasuble (textile)
715389 Rubens Chasuble (textile) by Flemish School, (17th century); Church of St. Charles Borromeo, Antwerp, Belgium

Chasuble (textile)
715392 Chasuble (textile) by Flemish School; Church of St. Charles Borromeo, Antwerp, Belgium

Louis the Pious, King of the Franks, co-emperor with his father, Charlemagne, 778-840
6338924 Louis the Pious, King of the Franks, co-emperor with his father, Charlemagne, 778-840 by Villain (19th century); (add.info.: Louis the Pious, King of the Franks, co-emperor with his father)

Tomb of Abbot Ingon, Abbey of Saint-Germain-des-Pres, Paris (died 1025)
6338872 Tomb of Abbot Ingon, Abbey of Saint-Germain-des-Pres, Paris (died 1025) by Villain (19th century); (add.info.: Tomb of Abbot Ingon, Abbey of Saint-Germain-des-Pres, Paris (died 1025)

Frankish priests in chasubles and surplices, 9th century
6338953 Frankish priests in chasubles and surplices, 9th century by Villain (19th century); (add.info.: Frankish priests in chasubles and surplices, 9th century)

Panel (Possibly a Chasuble Back), France, 1725 / 75. Creator: Unknown
Panel (Possibly a Chasuble Back), France, 1725/75

The Stafford Chasuble, England, 1620 / 40 (appliqued late 17th century)
The Stafford Chasuble, England, 1620/40 (appliqued late 17th century)

Hood, France, 1775 / 1825. Creator: Unknown
Hood, France, 1775/1825

Chasuble, France, c. 1750. Creator: Unknown
Chasuble, France, c. 1750

Chasuble, England, 1800 / 50. Creator: Unknown
Chasuble, England, 1800/50

Chasuble, France, c. 1700. Creator: Unknown
Chasuble, France, c. 1700

Chasuble, Stole, Maniple, and Burse, Italy, 1775 / 1825. Creator: Unknown
Chasuble, Stole, Maniple, and Burse, Italy, 1775/1825

Fragment from a Chasuble, Florence, 1550 / 75. Creator: Unknown
Fragment from a Chasuble, Florence, 1550/75

Chasuble, Italy, c. 1720. Creator: Unknown
Chasuble, Italy, c. 1720

Chasuble, Italy, 1740 / 50. Creator: Unknown
Chasuble, Italy, 1740/50

Chasuble, Italy, 1675 / 1725. Creator: Unknown
Chasuble, Italy, 1675/1725

Chasuble (Back Only), Italy, 16th century. Creator: Unknown
Chasuble (Back Only), Italy, 16th century

Fragment (probably from a Chasuble), Italy, 17th century. Creator: Unknown
Fragment (probably from a Chasuble), Italy, 17th century

Chasuble, Italy, 1601 / 75. Creator: Unknown
Chasuble, Italy, 1601/75

Chasuble (Fron only), Italy, 15th century. Creator: Unknown
Chasuble (Fron only), Italy, 15th century

Chasuble, Italy, 1501 / 25. Creator: Unknown
Chasuble, Italy, 1501/25

Chasuble (Back), Italy, 1701 / 25. Creator: Unknown
Chasuble (Back), Italy, 1701/25

Chasuble Back, Italy, 1450 / 1500. Creator: Unknown
Chasuble Back, Italy, 1450/1500

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The chasuble, a garment with rich historical and cultural significance, has been woven into the fabric of various aspects of human life. From its association with religious figures like Saint Antoninus of Pamiers to its appearance in theatrical plays such as Wilde's "The Importance of Being Earnest, " this ornate vestment holds a captivating allure. Originating from France during the 17th and 18th centuries, lace weaving and embroidery techniques were employed to create these exquisite textiles. The intricate craftsmanship showcased on the Rubens Chasuble exemplifies the mastery involved in their creation. Every detail meticulously crafted by unknown artisans who left behind a legacy that transcends time. Even royalty embraced the elegance of the chasuble. Louis the Pious, King of the Franks and co-emperor with his father Charlemagne, donned this regal attire during his reign from 778 to 840. The tomb of Abbot Ingon at Abbey Saint-Germain-des-Pres in Paris serves as a testament to its enduring presence throughout history. In addition to its religious significance, chasubles also found their way onto theater stages. Whether it be through symbolic representation or costume design choices, they added an air of grandeur and authenticity to performances like "The Importance of Being Earnest. " Panel pieces dating back to 1725/75 offer glimpses into French artistry surrounding these garments. Possibly used as chasuble backs, these panels showcase elaborate designs that speak volumes about their creators' skill and dedication. From Christian missionaries like Saint Antoninus spreading their faith while wearing this sacred garb to Frankish priests adorned in chasubles during rituals in the 9th century - each thread weaved into every inch carries stories untold yet preserved for generations. As we admire these timeless creations today, let us appreciate not only their aesthetic beauty but also recognize them as artifacts connecting us with our past - a tangible link to the rich tapestry of human history.