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St. Gimignano and St. Catherine of Alexandria; mosaics by Valerio Zuccato after a cartoon by Titian, St. Mark's Basilica, Venice
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
St. Gimignano and St. Catherine of Alexandria; mosaics by Valerio Zuccato after a cartoon by Titian, St. Mark's Basilica, Venice
St. Gimignano and St. Catherine of Alexandria; mosaics by Valerio Zuccato after a cartoon by Titian, St. Mark's Basilica, Venice Venice St. Mark's Basilica Mosaic Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:XVI sec.. Artist:Tiziano Vecellio (ca. 1488-1576), Zuccato, Valerio
Alinari, Fratelli
ACA-F-013733-0000
Media ID 33128012
© Alinari Archives, Florence
Bookrenaissance Catherine Of Alexandria Chasuble Cope Inscription Instrument Or Object Palm Pastoral Staff Tiara Miter Christian Religion Headdress Civilian Vegetal Element Or Composition
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EDITORS COMMENTS
This print showcases the stunning mosaics of "St. Gimignano and St. Catherine of Alexandria" found in the renowned St. Mark's Basilica in Venice, Italy. Created by Valerio Zuccato after a cartoon by the legendary artist Titian, these mosaics beautifully exemplify the Renaissance and Renaissance-Baroque styles that flourished during Europe's First and Second Millennium A. D. The photograph itself was taken between 1915-1920, capturing the intricate details and vibrant colors of this XVI century artwork. The masterful craftsmanship of Tiziano Vecellio (also known as Titian) is evident in every brushstroke, while Zuccato skillfully translated his vision into mosaic form. In this image, we see St. Gimignano and St. Catherine depicted with utmost reverence and grace. The male figure wears religious attire including a chasuble, headdress, and holds an instrument symbolizing communication or writing - perhaps signifying his role as a spiritual guide or messenger. On the other hand, St. Catherine stands elegantly dressed in female religious clothing adorned with accessories such as a pastoral staff and palm branch - emblematic of her sainthood status within Christian religion. Surrounded by lush vegetation composed of vegetal elements like palm leaves intertwined with delicate flowers, both saints are situated against an ethereal backdrop that adds to their divine aura. This remarkable print not only captures a moment frozen in time but also serves as a testament to the enduring beauty and significance of Renaissance artistry throughout Europe's rich cultural history.
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